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617Barthes, R. (1977). Image, music, text. (S. Heath, Ed.)The Journal of Aesthetics and Art Criticism (Vol. 37, p. 220). Hill and Wang. doi:10.2307/429854Image, music, text (review)Journal of Aesthetics and Art Criticism 37 (2): 235-236. 1977.Roland Barthes, the French critic and semiotician, was one of the most important critics and essayists of this century. His work continues to influence contemporary literary theory and cultural studies. Image-Music-Text collects Barthes's best writings on photography and the cinema, as well as fascinating articles on the relationship between images and sound. Two of Barthes's most important essays, "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also incl…Read more
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100Comment vivre ensemble ? – Sur l'idiorrythmieRhuthmos. forthcoming.01. Leçon inaugurale/Inaugural lecture - janvier/January 7, 1977 « Comment vivre ensemble – Sur l'idiorrythmie » Leçons au Collège de France – 1977 02. Comment vivre ensemble 01 - janvier/January 12, 1977 03. Comment vivre ensemble 02 - janvier/January 19, 1977 04. Comment vivre ensemble 03 - janvier/January 26, 1977 05. Comment vivre ensemble 04 - février/February 2, 1977 06. Comment vivre ensemble 05 - février/February 9, 1977 07. Comment vivre ensemble 06 - février/February 16, (...) - Commen…Read more
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89The Responsibility of Forms: Critical Essays on Music, Art, and RepresentationUniversity of California Press. 1991.These late essays of Roland Barthes's are concerned with the visible and the audible, and here the preoccupations are particularly intense and rewarding, in part because Barthes was himself, by predilection, an artist and a musician, and in part because he was of two minds about the very possibility of attaching to art and to music a written text, a criticism.
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60How to Live Together: Novelistic Simulations of Some Everyday SpacesColumbia University Press. 2012."Notes for a lecture course and seminar at Collaege de France (1976-1977)"-- T.p
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50Relationship between writing, reading and the dominant cultural discourse. Perhaps the most important philo-sophical influence on Barthes was theIn Siobhan Chapman & Christopher Routledge (eds.), Key thinkers in linguistics and the philosophy of language, Edinburgh University Press. pp. 27. 2005.
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46The Neutral: Lecture Course at the College de France (edited book)Columbia University Press. 2005."I define the Neutral as that which outplays the paradigm, or rather I call Neutral everything that baffles paradigm." With these words, Roland Barthes describes a concept that profoundly shaped his work and was the subject of a landmark series of lectures delivered in 1978 at the Collège de France, just two years before his death. Not published in France until 2002, and appearing in English for the first time, these creative and engaging lectures deepen our understanding of Roland Barthes's int…Read more
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23Taking SidesIn Barry Smart (ed.), Michel Foucault: Critical Assessments, Routledge. pp. 24. 1994.
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19Primary worksIn Siobhan Chapman & Christopher Routledge (eds.), Key thinkers in linguistics and the philosophy of language, Edinburgh University Press. 2005.
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18The Pleasure of the TextMacmillan. 1975.What is it that we do when we enjoy a text? What is the pleasure of reading? The French critic and theorist Roland Barthes's answers to these questions constitute "perhaps for the first time in the history of criticism... not only a poetics of reading... but a much more difficult achievement, an erotics of reading.... Like filings which gather to form a figure in a magnetic field, the parts and pieces here do come together, determined to affirm the pleasure we must take in our reading as against…Read more
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15The Grain of the Voice: Interviews 1962-1980University of California Press. 1991.This book brings together the great majority of Barthes's interviews that originally appeared in French in _Le Figaro Littéraire, Cahiers du Cinéma, France-Observateur, L'Express_, and elsewhere. Barthes replied to questions—on the cinema, on his own works, on fashion, writing, and criticism—in his unique voice; here we have Barthes in conversation, speaking directly, with all his individuality. These interviews provide an insight into the rich, probing intelligence of one of the great and influ…Read more
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9The neutral: lecture course at the Collège de France, 1977-1978Columbia University Press. 2005.Roland Barthes' renowned and never before translated lectures pursue a central theme in his work, namely the quest for the neutral.
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7'A very fine gift': and other writings on theorySeagull Books. 2015.Roland Barthes, whose centenary falls in 2015, was a restless, protean thinker. A constant innovator, often as a daring smuggler of ideas from one discipline to another, he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one time structuralist outsider was elected to a chair a…Read more
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72 theory of the textIn Robert Young (ed.), Untying the Text: A Post-Structuralist Reader, Routledge & Kegan Paul. pp. 31. 1981.
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5Den fremmede/utenlandske kvinnen. (Kristevas Séméiotiké)Agora Journal for metafysisk spekulasjon 21 (1): 30-33. 2003.
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4Roland Barthes. 1995.First published in 1977, "Roland Barthes by Roland Barthes "is the great literary theorist's most original work--a brilliant and playful text, gracefully combining the personal and the theoretical to reveal Roland Barthes's tastes, his childhood, his education, his passions and regrets.