Ronald Hall

This paper is a critique of the theory of meaning in art and religion that Michael Polanyi developed in his last work entitled Meaning. After giving a brief summary of Polanyi’s theory of art, I raise two serious difficulties, not with the theory itself, but with the claims Polanyi makes about the relation of meaning in art to science and religion. Regarding the first difficulty, I argue that Polanyi betrays an earlier insight when in Meaning he attempts to dissociate meaning in art from meaning in science; instead I argue that both science and art are aesthetic enterprises. Regarding the second, I argue that Polanyi’s account of religion is an aesthetic reduction, that meaning in religion, at least in the Western tradition, is not so much an aesthetic as it is an existential matter

Starting from Søren Kierkegaard's insight that fully accepting the human condition requires one to live with the persistent temptation to escape from it, Ronald Hall finds similar concerns reflected in the work of two modern-day philosophers, Stanley Cavell and Martha Nussbaum, who equally find in a philosophy of love and marriage the key to understanding how humans may achieve happiness in the acceptance of their humanity. All three thinkers follow a "logic of paradox" in showing how success in the human quest to be human depends crucially on the struggle humans experience with the ever-present opportunities to pursue alternative paths. What Kierkegaard called "living existentially" can be achieved only after confronting and refusing the possibilities of living in "aesthetic," "ethical," or even "religious" denial of one's true humanity. By creating this dialogue between the nineteenth-century Danish thinker and two eminent twentieth-century philosophers, Hall reveals the continuing relevance of Kierkegaard's thought to our own age and its cogency as an interpretation of the human predicament

The companion volume to Arnold Come's Kierkegaard as Humanist, Kierkegaard as Theologian is an exploration of Søren Kierkegaard's deliberately Christian writings, from Upbuilding Discourses in Various Spirits (1846) to For Self-Examination (1851). In his later writings Kierkegaard sought to "get further forward in the direction of discovering the Christianity of the New Testament" to resolve his own spiritual crisis. His struggle to understand how authentic theologizing relates to the spiritual struggles of personal faith led him to a discussion of the three basic foci of his theologizing: the self as gift, that is, a creation "out of nothing" from God; the self as failure, which brings on a state of despair; and the self redeemed by God's love and healing compassion. Come probes some of the problematic aspects of Kierkegaard's theology. He addresses the question of whether God's high intentions and demands for human achievement of selfhood and spirituality justify the unspeakable sufferings entailed in human failures to fulfil those demands. He also explores the puzzling relation between Kierkegaard's seeming assignment of exclusivity to the Christian understanding and experiences of both sin and salvation as well as his assumption of the capacity of humans to recognize the need to turn to the eternal that is immanent in every human consciousness - so-called Religiousness A.

I argue here that Kierkegaardian faith is essentially, albeit paradoxically, worldly---that Kierkegaardian faith is a form of world-affirmation. A correlate of this claim is that faithlessness of any kind is ultimately a form of aesthetic resignation grounded in a deep seated world-alienation. The paradox of faith’s worldliness is found in the fact that, for Kierkegaard, faith both excludes and includes resignation in itself. I make sense of this paradox by appealing to Kierkegaard’s idea of “an annulled possibility,” and conclude that faith’s love of the world is an affirmation via a double negation.

Given recent discussions of personal privacy, or more particularly, its invasion via the internet, it is not surprising to find the issue of personal privacy emerging regarding God’s relation to our private lives. Two different and opposing views of this God-person relation have surfaced in the literature: ‘God and Privacy’ by Falls-Corbitt and Michael McLain, and ‘Privacy and Control’ by Scott Davison. I discuss key elements in both sides of this debate. Even though I will register my sympathy with both sides, I claim that both fail to grasp what I call the existential depth of the God-person relationship.

By means of a Kierkegaardian critique of postmodernism, Ronald L. Hall argues that the postmodernist flirtation with Kierkegaard ignores the existential import of his thought. Word and Spirit offers a novel interpretation of Kierkegaard's conception of the self, according to which spirit is essentially linked to the speech act. In an extended interpretation of Kierkegaard's Either/Or, Hall uses insights from Austin, Wittgenstein, Polanyi, and Poteat to fill out and explicate Kierkegaard's views in the context of modern language philosophy. The enriched concept of the speech act represented by the Hebrew idea of dabhar frames Hall's critique of irony, romanticism, Don Giovanni, Faust, the demonic, music, and ultimately, postmodernisim in a Kierkegaardian mode. The result of the modern suspicion of speech, Hall concludes, is a demonic, musical spiritlessness