Born in Milan. He graduated in philosophy with a thesis about the using of space and electronics in Luigi Nono’s Prometeo. He focused his research on aesthetic and perceptual issues arising from the use of technology in music. He has scientific essays on DeMusica, Rivista italiana di filosofia della musica, and one about “Voce dall’Inferno” composed by Sciarrino that will appear in the paper entitled Doctor Virtualis. Editor for the indipendent magazine Mescalina.it since 2003 and Premio Tenco’s joror. Member of the foundation Musica Musicisti e Tecnologie: organization annual workshop “Il segno del suono” about electronic and musical improvi…
Areas of Specialization
| Epistemology |
| Aesthetics |
| 20th Century Philosophy |
Areas of Interest
| Aesthetics |
| 20th Century Philosophy |
| Philosophy of Physical Science |
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