Sina Mansouri-Zeyni

Two dichotomies, one that resents the West and another that admires it, seem to have long polarized both Iranian intellectuals and the public imagination. Darioush Ashouri discusses this issue in terms of “ressentiment,” a term he borrows from Nietzsche. This study puts Ashouri's scattered views within a Nietzschean framework to form a coherent theory, and places it against the background of a brief history of ressentiment in Iran. It then argues that signs of a ressentiment-less young generation, mostly university students, seem to be appearing, and a certain kind of social behavior on Facebook and a work by the Iranian musician Mohsen Namjoo are analyzed as evidence of this emerging mindset.

With the linguistic turn came an ever-increasing tendency to see language as the locus where truths are born, passed along, or modified. As such, postmodern theories have proved highly compatible with postcolonial studies, which have inspired studies of modern Iran as a country that was colonized, only not officially. However, the latter seem to have fallen for extreme abstraction where metaphysical claims abound: presuming constructivist views of language but failing to present a tangible framework, these studies discuss “discursive change” without giving a clue as to what either discourse or change is. Convinced as such, we have adopted Wittgenstein’s idea of language-games to present a tangible model for discursive change.