Sonia Sikka

This volume examines the motives behind rejections of beauty often found within contemporary art practice, where much critically acclaimed art is deliberately ugly and alienating. It reflects on the nature and value of beauty, asking whether beauty still has a future in art and what role it can play in our lives generally. The volume discusses the possible “end of art,” what art is, and the relation between art and beauty beyond their historically Western horizons to include perspectives from Asia. The individual chapters address a number of interrelated issues, including: art, beauty and the sacred; beauty as a source of joy and consolation; beauty as a bridge between the natural and the human; beauty and the human form; the role of curatorial practice in defining art; order and creativity; and the distinction between art and craft. The volume offers a valuable addition to cross-cultural dialogue and, in particular, to the sparse literature on art and beauty in comparative context. It demonstrates the relevance of the rich tradition of Asian aesthetics and the vibrant practices of contemporary art in Asia to Western discussions about the future of art and the role of beauty.

IntroductionIn November of 1785, Kant published a highly unsympathetic review of the second part of Johann Gottfried Herder's Ideas for a Philosophy of the History of Mankind. Herder had once been Kant's pupil, and had greatly admired his teacher, but the content of this review shows how profound the philosophical differences between them had by then become. A central area of dispute emerging from the review concerns the nature of happiness, and its place within the ‘destiny’ or ‘vocation’ of the human race. Kant is responding, in particular, to a section of the Ideas entitled: ‘The happiness of human beings is everywhere an individual good; consequently, it is everywhere climatic and organic, a child of practice, tradition, and custom.’ Although Kant is not mentioned by name in this section, it clearly contains critical rejoinders, often quite harsh in tone, to aspects of his practical philosophy and philosophy of history, as Herder understands them.

Joseph T. O’Connell drew attention to the relative scarcity of academic work on religion in South Asia, and o ered as a plausible explanation for this state of a airs the tension between secular and religio‐political communal interests. This paper explores the potential role of phi‐ losophy as an established academic discipline within this situation, in the context of India. It argues that objective study, including evaluation, of the truth claims of various religious traditions is an important aspect of academic as opposed to confessional engagement with religion, and that philosophy in India is especially well suited to undertake such re ection and to provide corresponding education. Unlike Western countries, philosophy and religion were never clearly separated in India and did not evolve in tension with one another. The history of Indian philosophy therefore includes and is included within the history of its ‘religions’, in a way that makes philosophical examination of the truth claims of Indian religions internal to those religions themselves. By tracing this history, the discipline of philosophy can help to unsettle the idea of religion as a matter of xed dogma. It can also continue the procedure of interpreting and evaluating metaphysical and epistemological theses that has been an intrinsic component of Indian religious thought for most of its history.

IntroductionIn November of 1785, Kant published a highly unsympathetic review of the second part of Johann Gottfried Herder'sIdeas for a Philosophy of the History of Mankind. Herder had once been Kant's pupil, and had greatly admired his teacher, but the content of this review shows how profound the philosophical differences between them had by then become. A central area of dispute emerging from the review concerns the nature of happiness, and its place within the ‘destiny’ or ‘vocation’ of the human race. Kant is responding, in particular, to a section of theIdeasentitled: ‘The happiness of human beings is everywhere an individual good; consequently, it is everywhere climatic and organic, a child of practice, tradition, and custom.’ Although Kant is not mentioned by name in this section, it clearly contains critical rejoinders, often quite harsh in tone, to aspects of his practical philosophy and philosophy of history, as Herder understands them.

This article is concerned with the validity of what I term the “metaphysico‐religious” interpretation of beauty. This term is intended to cover descriptions and interpretations of beauty which suggest that it indicates: 1) a connectedness of man with nature, of natural things with one another, and/or of man with man in and through some encompassing ground or unity; and, 2) the existence of another and better world, a transcendent reality in which the negative elements of factual existence are somehow cancelled or redeemed. With this interpretation of beauty, and the experiences that lie behind it, at issue, the article considers a number of positions on the relation between beauty and reality. First, it takes up Nietzsche's view of this relation, and the assessment of the metaphysico‐religious interpretation entailed by that view. It then examines Heidegger's reflections on the same topic, including his reading of Nietzsche on art. Formulated in confrontation with Nietzsche, these reflections offer a valuable counterpoint to Nietzsche's position. Finally, it brings Nietzsche's position into confrontation with that of Keats, as one representative of the Romantic tradition, within which the metaphysico‐religious interpretation of beauty is posed and problematized in an interesting way

Heidegger’s Being and Time has been accused of espousing empty decisionism and relativism. I argue, first, that in fact Being and Time’s stress on the situated character of human judgment is supplemented by a very Kantian account of being human that defi nes appropriate behavior towards all entities possessing a certain character. Its analysis of conscience and guilt attempts to uncover the existential basis for the distinction Kant draws between the phenomenal and the noumenal aspects of the self. Building on this analysis, I claim, Being and Time reaffirms the second version of Kant’s categorical imperative, which states that humanity should never be treated merely as a means, but always also as an end in itself. In the second part of the paper, however, I argue that this proximity to Kant is part of the problem with Being and Time, that some of this work’s shortcomings and dangers in relation to ethics rest precisely in its very Kantian view of what makes an entity worthy of moral concern, and what is owed to others in virtue of their being such worthy entities. As a consequence of this view, not only are all nonhuman animals excluded from moral concern, but, strangely, the intrinsic value of human well-being is itself threatened.

Heidegger has often been seen as having no moral philosophy and a political philosophy that can only support fascism. Sonia Sikka's book challenges this view, arguing instead that Heidegger should be considered a qualified moral realist, and that his insights on cultural identity and cross-cultural interaction are not invalidated by his support for Nazism. Sikka explores the ramifications of Heidegger's moral and political thought for topics including free will and responsibility, the status of humanity within the design of nature, the relation between the individual and culture, the rights of peoples to political self-determination, the idea of race and the problem of racism, historical relativism, the subjectivity of values, and the nature of justice. Her discussion highlights aspects of Heidegger's thought that are still relevant for modern debates, while also addressing its limitations as reflected in his political affiliations and sympathies.

Through a reading of Nietzsche's texts, primarily of Thus Spoke Zarathustra, this article develops a phenomenological description of the variety of intoxication exemplified in conditions of drunkenness, or in states of emotional excess. It treats Thus Spoke Zarathustra as a literary expression of such intoxication, arguing against attempts to find a coherent narrative structure and clear authorial voice behind this text's apparent disorder. Having isolated the intoxicated characteristics of Thus Spoke Zarathustra - its hyperbolic rhetoric and emotions, its lack of balance, its injustice, its shifting and conflicting moods, and its self-contradictions - I then offer an interpretation of the work, and by extension of intoxication itself, in terms of Nietzsche's model of the self as a dynamic multiplicity of forces. At the same time, I argue for a multiple and dynamic conception of personality in general

Herder is often criticized for having embraced cultural relativism, but there has been little philosophical discussion of what he actually wrote about the nature of the human species and its differentiation through culture. This book focuses on Herder's idea of culture, seeking to situate his social and political theses within the context of his anthropology, metaphysics, epistemology, ethics, theory of language and philosophy of history. It argues for a view of Herder as a qualified relativist, who combined the conception of a common human nature with a belief in the importance of culture in developing and shaping that nature. Especially highlighted are Herder's understanding of the relativity of virtue and happiness, and his belief in the impossibility of constructing a single best society. The book will appeal to a wide range of readers interested both in Herder and in Enlightenment culture more generally.

RésuméCet article analyse le besoin qu'éprouvent certaines personnes de se «reconnecter», ou renforcer lews liens, à une culture dans laquelle elles n'ont jamais été enchâssées, eu égard aux critères auxquels se mesure généralement un tel enchâssement (langue, valeurs, croyances, modes de vie, coutumes religieuses, etc.). Situant les résultats de son analyse par rapport à la pensée de Kymlicka et autres, il fait valoir que des facteurs tels que les liens de parenté, l'identification à autrui et l'expérience du racisme déterminent largement quel est le groupe culturel que les individus parviennent à considérer comme le leur.

Johann Gottfried Herder has been described as the founder of cultural relativism within the German philosophical tradition, which would make him the starting-point for one thread in the pattern of ideas leading to the Nazi disaster. More recently, some scholars have rejected this interpretation, arguing that Herder actually supported the universalist values of the Enlightenment. I argue that Herder’s position is actually a complex, and laudable, blend of universalism and relativism. It includes: (1) the presumption of a set of basic human goods, upon which some universal criteria for ethical judgements may be founded: and, (2) the view that human practices, values and beliefs must be interpreted within their social context, and that the happiness and virtue of individuals can only be measured in relation to their specific values, being a function of their capacity to satisfy their desires and to live up to their ideals. Key Words: Counter-Enlightenment • cultural relativism • ethical relativism • Eurocentrism • Johann Gottfried Herder.