Tito Marques Palmeiro

Informatics is generally understood as a “new technology” and is therewith discussed according to technological aspects such as speed, data retrieval, information control and so on. Its widespread use from home appliances to enterprises and universities is not the result of a clear-cut analysis of its inner possibilities but is rather dependent on all sorts of ideological promises of unlimited progress. We will discuss the theoretical definition of informatics proposed in 1936 by Alan Turing in order to show that it should be taken as final and complete. This definition has no relation to the technology because Turing defines computers as doing the work of solving problems with numbers. This formal definition implies nonetheless a relation to the non-formalized elements around informatics, which we shall discuss through the Greek notion of téchne.

Procuraremos investigar as condições filosóficas que permitiram que o pensamento de Heidegger tenha identificado, nos anos 1930, a questão da comunidade àquela da Alemanha. Trata-se de mostrar que isso se deve ao modo pelo qual ele compreendeu o contexto de surgimento de sua investigação. Na sequência de sua obra (em particular no conjunto de estudos sobre poesia da década de 1950, reunidos em A Caminho da Linguagem), Heidegger procurará interrogar uma transformação desse contexto que impedirá todo pensamento da comunidade em termos de limites locais.

Estudaremos a investigação heideggeriana procurando mostrar o papel central nela desempenhado pela questão da medida do habitar humano. Nosso estudo terá como marcos principais os cursos sobre Hölderlin que discutem de maneira mais aprofundada o poema “No azul adorável”, que introduz essa questão no início de sua segunda estrofe: o curso de 1934- 1935, sobre a “Germânia” e “O Reno”, e o de 1942, sobre “O Ister”. Veremos que o encontro de Heidegger com essa questão determinará uma mudança decisiva no sentido de sua investigação.

One of the difficulties in understanding the meaning of perception in Merleau-Ponty’s work comes from the ambiguous tone of his descriptions. Therefore, to understand it thoroughly one should question the origin of this tone and inquire about the relationship between perception and language and, more particularly, between philosophy and literature. This is what is at stake in his last courses at the Collège de France, where Merleau-Ponty envisages perception as being associated with literature and as having a special kinship to the notion of “poetic vision,” which appears in Rimbaud’s first ‘Letter from the Seer’.L’une des difficultés qui se posent pour comprendre le sens de la perception chez Merleau-Ponty vient du ton ambigu de ses descriptions. C’est ainsi que pour comprendre ce qu’il entend par perception, il faudrait questionner l’origine de ce ton et interroger le rapport que la perception entretient avec le langage, et plus particulièrement celui que la philosophie entretient avec la littérature. Voilà justement l’une des questions abordées dans ses derniers cours au Collège de France, où il comprend la perception comme associée à la littérature et ayant une proximité particulière avec la notion de «vision poétique» qui apparaît dans la première «Lettre du voyant» de Rimbaud.

The pandemic made room for a series of denialist behaviors and speeches that sought to deny the need for social distancing. For this reason, its legacy amounts to the thousands of deaths that could have been avoided. Based on the analysis of texts by Heidegger, excerpts from the tradition and poems by the Brazilian poet Carlos Drummond de Andrade, this study will show that denialism takes root in profound tendencies of our tradition, and shows that its criteria are not adequate to the event of pandemic. Its main objective is to propose a new measure through which we can come to think, together, about this terrible legacy that lies ahead for all of us.