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8Literature and Moral Understanding: A Philosophical Essay on Ethics, Aesthetics, Education, and CultureJournal of Aesthetics and Art Criticism 52 (2): 257-259. 1992.
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4Discussion: Without Guilt, What's The Matter? How Tragedy Matters: Response To Richard Eldridge's “How Can Tragedy Matter for Us?”Journal of Aesthetics and Art Criticism 53 (2): 187-188. 1995.
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3Robert Burch and Massimo Verdicchio, eds., Between Philosophy and Poetry: Writing, Rhythm, History Reviewed byPhilosophy in Review 24 (3): 170-172. 2004.
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31Recursive chaos in defining art recursivelyBritish Journal of Aesthetics 44 (1): 73-83. 2004.Art history cannot be sealed off in cultural isolation: given our innate forms of life, language, and human nature, cultural diversity is only skin deep. The identification of art by historical recursion could not be restricted to the fixed art history of one hermetically sealed cultural tradition because there is no such thing. Attempts to define artworks recursively thus lead to the absurdity that everything in the present might be art because of unknown art antecedents in earlier human cultur…Read more
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186Refining not defining art historicallyJournal of Aesthetics and Art Criticism 48 (3): 237-238. 1990.
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Robert Burch and Massimo Verdicchio, eds., Between Philosophy and Poetry: Writing, Rhythm, History (review)Philosophy in Review 24 170-172. 2004.
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26Without guilt, what's the matter? How tragedy matters: Response to Richard Eldridge's "how can tragedy matter for us?"Journal of Aesthetics and Art Criticism 53 (2): 187-188. 1995.
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26Morgan and the Missing Day in Sir Gawain and the Green KnightMediaeval Studies 33 (1): 354-359. 1971.
Westmount, Quebec, Canada
Areas of Interest
Aesthetics |
Normative Ethics |