• Jean-Luc Godard
    In Felicity Colman (ed.), Film, Theory and Philosophy: The Key Thinkers, Acumen Publishing. pp. 134-144. 2009.
  •  1
    The two essays in the volume follow a long tradition in critical discourse that turns to Art's domain as a source of inspiration, instruction, and as material for the construction of its concepts and the development of its problems. The case study of Suite Grunewald, 159+1 variations, by the artist Titus-Carmel, returns to a subject that has been eclipsed in past decades by the imperative to remember: namely, the creation of the new as an event, or rather, the event of the new as creation. This …Read more
  • When sounds encounter one another..
    In Paulo de Assis & Paolo Giudici (eds.), Aberrant nuptials: Deleuze and artistic research 2, Leuven University Press. 2019.
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  •  39
    Lessons to Live (2): Deleuze
    Deleuze and Guatarri Studies 3 (2): 162-184. 2009.
    Part of a series on the question of what is the good life, the essay is structured as a montage. Part 1 contests the received notion that death is exterior to the work of Deleuze. To this end, it gathers together a telegraphic collection of examples – ‘corpses’ in his corpus – that invariably show up whenever the question is raised. Part 2 attempts a Deleuzian move: it puts death to work. If death is not nothing, it argues, it must be productive of something absolutely new. Drawing upon Blanchot…Read more
  •  3
    The “Future” of Deleuze: An Unfinished Project
    Symposium 10 (1): 25-33. 2006.
  •  9
    NOLI ME TANGERE : For Jacques Derrida
    Angelaki: Journal of Theoretical Humanities 6 (2): 149-164. 2001.
  •  59
    This Article does not have an abstract
  •  1
    Posthumously, for Jacques Derrida
    Sussex Academic Press. 2011.
    The posthumous -- Fragments -- Toward a memory of the future: cinema, memory, history -- The image and the "trait" -- Postscript: l'arrêt de mort.
  •  31
    Written as a last, long posthumous letter to Jacques Derrida, the essay turns to the philosopher's last and, for the living, most important lesson – on ‘learning to live.’ In particular, it addresses – as constitutive of his unique ‘heterodidactics’ – two discrete communications on the subject. The first, in Spectres de Marx (1993), declares the lesson to be at once impossible and necessary, that is, ‘ethics itself’; in the second, the last interview ‘Je suis en guerre contre moi-même’ published…Read more
  •  16
    Preface
    with Jurrit Bergsma
    Theoretical Medicine and Bioethics 6 (2). 1985.
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  •  33
    Disease and social theory: A problem of conversation
    Theoretical Medicine and Bioethics 6 (2). 1985.
    The paper offers a critical examination of introspection and stoicism as two apparently opposing responses to pain, and examines their adequacy as theoretical postures vis-a-vis the life-world. Following Wittgenstein, who suggests that introspection is fundamentally at fault, the paper moves to consider the theoretic stoicism of Durkheim as a possible alternative for inquiry. It comes to the conclusion, however, that stoicism, just as introspection fails to develop a strong theoretical interest …Read more
  •  53
    The future of the past: The cinema
    Angelaki 11 (1). 2006.
    It is foolish to talk about the death of the cinema because cinema is still at the beginning [ d but ] of its investigations … Yes, the cinema if it is not killed by a violent death guards the power of a beginning [ un commencement ]. Deleuze , “ Preface ,” The Time-Image1.
  •  47
    NOLI ME TANGERE : For Jacques Derrida
    Angelaki 6 (2). 2001.
    This Article does not have an abstract
  •  13
    On the Ethics of Writing, after “Bosnia” (1)
    International Studies in Philosophy 30 (1): 1-17. 1998.
  •  35
    The “Future” of Deleuze
    Symposium 10 (1): 25-33. 2006.
  •  9
    NOLI ME TANGERE: For Jacques Derrida
    Angelaki: Journal of Theoretical Humanities 6 (2): 149-164. 2001.