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Jean-Luc GodardIn Felicity Colman (ed.), Film, Theory and Philosophy: The Key Thinkers, Acumen Publishing. pp. 134-144. 2009.
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1Encounters: Gérard Titus-Carmel, Jean-Luc Nancy, Claire DenisSussex Academic Press. 2015.The two essays in the volume follow a long tradition in critical discourse that turns to Art's domain as a source of inspiration, instruction, and as material for the construction of its concepts and the development of its problems. The case study of Suite Grunewald, 159+1 variations, by the artist Titus-Carmel, returns to a subject that has been eclipsed in past decades by the imperative to remember: namely, the creation of the new as an event, or rather, the event of the new as creation. This …Read more
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When sounds encounter one another..In Paulo de Assis & Paolo Giudici (eds.), Aberrant nuptials: Deleuze and artistic research 2, Leuven University Press. 2019.
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12On the Ethics of Writing, “after Auschwitz, after Bosnia” (2): AnachronieInternational Studies in Philosophy 31 (1): 1-21. 1999.
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39Lessons to Live (2): DeleuzeDeleuze and Guatarri Studies 3 (2): 162-184. 2009.Part of a series on the question of what is the good life, the essay is structured as a montage. Part 1 contests the received notion that death is exterior to the work of Deleuze. To this end, it gathers together a telegraphic collection of examples – ‘corpses’ in his corpus – that invariably show up whenever the question is raised. Part 2 attempts a Deleuzian move: it puts death to work. If death is not nothing, it argues, it must be productive of something absolutely new. Drawing upon Blanchot…Read more
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9NOLI ME TANGERE : For Jacques DerridaAngelaki: Journal of Theoretical Humanities 6 (2): 149-164. 2001.
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59Deleuze and Derrida, by way of Blanchot - an interviewAngelaki 5 (2). 2000.This Article does not have an abstract
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1Posthumously, for Jacques DerridaSussex Academic Press. 2011.The posthumous -- Fragments -- Toward a memory of the future: cinema, memory, history -- The image and the "trait" -- Postscript: l'arrêt de mort.
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31Lessons to Live (1): Posthumous Fragments, for Jacques DerridaDerrida Today 1 (2): 247-265. 2008.Written as a last, long posthumous letter to Jacques Derrida, the essay turns to the philosopher's last and, for the living, most important lesson – on ‘learning to live.’ In particular, it addresses – as constitutive of his unique ‘heterodidactics’ – two discrete communications on the subject. The first, in Spectres de Marx (1993), declares the lesson to be at once impossible and necessary, that is, ‘ethics itself’; in the second, the last interview ‘Je suis en guerre contre moi-même’ published…Read more
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21On the Ethics of Writing, “after Auschwitz, after Bosnia” (2): AnachronieInternational Studies in Philosophy 31 (1): 1-21. 1999.
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33Disease and social theory: A problem of conversationTheoretical Medicine and Bioethics 6 (2). 1985.The paper offers a critical examination of introspection and stoicism as two apparently opposing responses to pain, and examines their adequacy as theoretical postures vis-a-vis the life-world. Following Wittgenstein, who suggests that introspection is fundamentally at fault, the paper moves to consider the theoretic stoicism of Durkheim as a possible alternative for inquiry. It comes to the conclusion, however, that stoicism, just as introspection fails to develop a strong theoretical interest …Read more
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53The future of the past: The cinemaAngelaki 11 (1). 2006.It is foolish to talk about the death of the cinema because cinema is still at the beginning [ d but ] of its investigations … Yes, the cinema if it is not killed by a violent death guards the power of a beginning [ un commencement ]. Deleuze , “ Preface ,” The Time-Image1.
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47NOLI ME TANGERE : For Jacques DerridaAngelaki 6 (2). 2001.This Article does not have an abstract
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13On the Ethics of Writing, after “Bosnia” (1)International Studies in Philosophy 30 (1): 1-17. 1998.
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9NOLI ME TANGERE: For Jacques DerridaAngelaki: Journal of Theoretical Humanities 6 (2): 149-164. 2001.
Peterborough, Ontario, Canada