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Robert R. Clewis, Kant’s Empiricist Rationalism of the Mid-1760sEighteenth-Century Thought 5 179-225. 2014.
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Robert R. Clewis, The Sublime and Its Teleology Kant- Gwrman Idealism- Phenomenology, Edited by Donald Loose (review)Kant Studies Online 2014 (1). 2014.
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Robert R. Clewis, Kant’s Conception of Philosophy, 1764 –1765In Stefano Bacin, Alfredo Ferrarin, Claudio La Rocca & Margit Ruffing (eds.), Kant und die Philosophie in weltbürgerlicher Absicht. Akten des XI. Internationalen Kant-Kongresses, De Gruyter. pp. 491-502. 2013.
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Robert R. Clewis, Film Evaluation and the Enjoyment of Dated FilmsProjections: The Journal for Movies and Mind 6 (2): 42-63. 2012.
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Robert R. Clewis, How to Move Forward: Points of Convergence between Analytic and Continental PhilosophyBalkan Journal of Philosophy 3 (2): 153-162. 2011.
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Robert R. Clewis, A Case for Kantian Artistic Sublimity: A Response to AbaciJournal of Aesthetics and Art Criticism 68 (2): 167-170. 2010.
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Robert R. Clewis, The Kantian Sublime and the Revelation of FreedomCambridge University Press. 2009.
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Robert R. Clewis, Greenberg, Kant, and Aesthetic Judgments of Modernist ArtAE: Canadian Aesthetics Journal 18. 2008.
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Margit Ruffing, Guido A. De Almeida, Robert R. Clewis, and Valerio Rohden, What One Can Learn from Kant on Regime ChangeIn Margit Ruffing, Guido A. De Almeida, Ricardo R. Terra & Valerio Rohden (eds.), Law and Peace in Kant's Philosophy/Recht und Frieden in der Philosophie Kants: Proceedings of the 10th International Kant Congress/Akten des X. Internationalen Kant-Kongresses, Walter De Gruyter. pp. 243-250. 2008.
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Robert Clewis, Review: Frierson, Freedom and Anthropology in Kant's Moral Philosophy (review)Kantian Review 12 (2): 196-199. 2007.
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Robert R. Clewis, Kant's consistency regarding the regime change in FrancePhilosophy and Social Criticism 32 (4): 443-460. 2006.
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Robert R. Clewis, Aesthetic and Moral Judgment: The Kantian Sublime in the "Observations", the "Remarks", and the "Critique of Judgment"Dissertation, Boston College. 2003.
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Robert R. Clewis, Heideggerean Wonder in Terence Malick's The Thin Red LineFilm and Philosophy 7 22-36. 2003.