Department Members
Department Activity
Details
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MA program offered
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PhD program offered
Administrators
Also at University of Southampton
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Alex Neill and Aaron Ridley, The Philosophy of Art: Readings Ancient and ModernMcGraw-Hill Education. 1994.
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Christopher Janaway, Beauty in nature, beauty in artBritish Journal of Aesthetics 33 (4): 321-332. 1993.
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Christopher Janaway, Review of: T. J. Difffey, The Republic of Art and Other Essays (review)Philosophical Quarterly 43 (171): 250. 1993.
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Aaron Ridley, Bleeding chunks: Some remarks about musical understandingJournal of Aesthetics and Art Criticism 51 (4): 589-596. 1993.
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Christopher Janaway, Arts and crafts in Plato and CollingwoodJournal of Aesthetics and Art Criticism 50 (1): 45-54. 1992.
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Christopher Janaway, Julian Young, Willing and Unwilling: A Study of the Philosophy of Arthur Schopenhauer (1987). (review)International Studies in Philosophy 24 (1): 151-152. 1992.
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Christopher Janaway, Review of Julian Young, Willing and Unwilling: A Study in the Philosophy of Arthur Schopenhauer (review)International Studies in Philosophy 24 (1): 151-152. 1992.
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Christopher Janaway, Craft and Fineness in Plato's IonIn Julia Annas (ed.), Oxford Studies in Ancient Philosophy: Volume X: 1992, Clarendon Press. pp. 1-23. 1992.
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Christopher Janaway, Review of: Howard Caygill, Art of Judgement (1989)Philosophical Books 32 (3): 186-187. 1991.
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Christopher Janaway, Borges and Danto: A reply to Michael WreenBritish Journal of Aesthetics 31 (4): 72-76. 1991.
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Christopher Janaway, Nietzsche, the self, and SchopenhauerIn Keith Ansell-Pearson (ed.), Nietzsche and Modern German Thought, Routledge. 1991.
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Christopher Janaway, Plato's analogy between painter and poetBritish Journal of Aesthetics 31 (1): 1-12. 1991.
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Alex Neill and Aaron Ridley, Constance Penley, ed., Feminism and Film Theory Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Constance Penley, ed., Feminism and Film Theory (review)Philosophy in Review 10 345-351. 1990.
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Alex Neill and Aaron Ridley, Graeme Turner, Film as Social Practice Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Graeme Turner, Film as Social Practice (review)Philosophy in Review 10 345-351. 1990.
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Alex Neill and Aaron Ridley, Kristin Thompson, Breaking the Glass Armor: Neoformalist Film Analysis Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Noël Carroll, Mystifying Movies: Fads and Fallacies in Contemporary Film Theory Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Noël Carroll, Philosophical Problems of Classical Film Theory Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Noël Carroll, Philosophical Problems of Classical Film Theory (review)Philosophy in Review 10 345-351. 1990.
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Alex Neill and Aaron Ridley, Richard Abel, ed., French Film Theory and Criticism 1907-1939: A History/Anthology Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Alex Neill and Aaron Ridley, Robert Lapsley and Michael Westlake, Film Theory: An Introduction (review)Philosophy in Review 10 345-351. 1990.
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Alex Neill and Aaron Ridley, Robert Lapsley and Michael Westlake, Film Theory: An Introduction Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.