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University of Southampton
Department of Philosophy

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Department Affiliates

  • 19
    Regular faculty
  • 6
    Other faculty
  • 2
    Retired faculty
  • 34
    Graduate students
  • 78
    Undergraduates
  • 17
    Alumni
  • 3
    Other

Department Activity

  •  News and Updates
  •  Publications
 More details

Details

  • MA program offered
  • PhD program offered
  • Website
  • Contact administrative assistant

Administrators

  • Photo of Jonathan Way
    Jonathan Way
  • Photo of Daniel Whiting
    Daniel Whiting

Also at University of Southampton

  • All departments
  • Other departments

Department Affiliates

  • 19
    Regular faculty
  • 6
    Other faculty
  • 2
    Retired faculty
  • 34
    Graduate students
  • 78
    Undergraduates
  • 17
    Alumni
  • 3
    Other

Department Activity

  •  News and Updates
  •  Publications

Also at University of Southampton

  • All departments
  • Other departments

  • Aaron Ridley, Collingwood's commitments: A reply to Hausman and Dilworth
    Journal of Aesthetics and Art Criticism 56 (4): 396-398. 1998.
    Photo of Aaron Ridley
  • Aaron Ridley, Nietzsche's Conscience: Six Character Studies from the 'Genealogy'
    Cornell University Press. 1998.
    Photo of Aaron Ridley
  • Aaron Ridley, Review: A Nietzsche Round-Up (review)
    Philosophical Quarterly 48 (191). 1998.
    Photo of Aaron Ridley
  • Aaron Ridley, R.G. Collingwood: a philosophy of art (edited book)
    Phoenix. 1998.
    Photo of Aaron Ridley
  • Aaron Ridley, What is the meaning of aesthetic ideals
    In Salim Kemal, Ivan Gaskell & Daniel W. Conway (eds.), Nietzsche, Philosophy and the Arts, Cambridge University Press. 1998.
    Photo of Aaron Ridley
  • Christopher Janaway, Aesthetic Autonomies: A Discussion of Paul Guyer, Kant and the Experience of Freedom
    Kantian Review 1 151-161. 1997.
    Photo of Christopher Janaway
  • Christopher Janaway, Kant's aesthetics and the `empty cognitive stock'
    Philosophical Quarterly 47 (189): 459-476. 1997.
    Photo of Christopher Janaway
  • Christopher Janaway, Two kinds of artistic duplication
    British Journal of Aesthetics 37 (1): 1-14. 1997.
    Photo of Christopher Janaway
  • Christopher Janaway, Review of: Nicholas Martin, Nietzsche and Schiller: Untimely Aesthetics
    British Journal of Aesthetics 37 (1): 92-94. 1997.
    Photo of Christopher Janaway
  • Aaron Ridley, Beginning Bioethics: A Text with Integrated Readings
    Bedford. 1997.
    Photo of Aaron Ridley
  • Aaron Ridley, Collingwood: The Great Philosophers
    Routledge. 1997.
    Photo of Aaron Ridley
  • Aaron Ridley, II– Aaron Ridley
    Aristotelian Society Supplementary Volume 71 (1): 163-176. 1997.
    Photo of Aaron Ridley
  • Aaron Ridley, Nietzsche's Greatest Weight
    Journal of Nietzsche Studies 14 19-25. 1997.
    Photo of Aaron Ridley
  • Aaron Ridley, Not ideal: Collingwood's expression theory
    Journal of Aesthetics and Art Criticism 55 (3): 263-272. 1997.
    Photo of Aaron Ridley
  • Geoffrey C. Madell and Aaron Ridley, Emotion and Feeling
    Aristotelian Society Supplementary Volume 71 (71): 147-176. 1997.
    Photo of Aaron Ridley
  • Christopher Janaway, Knowledge and Tranquility: Schopenhauer on the value of art
    In Dale Jacquette (ed.), Schopenhauer, Philosophy and the Arts, Cambridge University Press. pp. 39--61. 1996.
    Photo of Christopher Janaway
  • Aaron Ridley, Nietzsche's Conscience
    Journal of Nietzsche Studies 11 1-12. 1996.
    Photo of Aaron Ridley
  • Aaron Ridley, The philosophy of medium-grade art
    British Journal of Aesthetics 36 (4): 413-413. 1996.
    Photo of Aaron Ridley
  • Christopher Janaway, Images of excellence: Plato's critique of the arts
    Oxford University Press. 1995.
    Photo of Christopher Janaway
  • Denis McManus, Wittgenstein, Sociology and the 'Transcendental Perspective’
    In Denis McManus (ed.), Culture and Value: Contributions of the Austrian Ludwig Wittgenstein Society, . pp. 397-403. 1995.
    Photo of Denis McManus
  • Aaron Ridley, Ill-gotten gains: on the use of results from unethical experiments in medicine
    Public Affairs Quarterly 9 (3): 253-266. 1995.
    Photo of Aaron Ridley
  • Aaron Ridley, Musical sympathies: The experience of expressive music
    Journal of Aesthetics and Art Criticism 53 (1): 49-57. 1995.
    Photo of Aaron Ridley
  • Aaron Ridley, Music, value, and the passions
    Cornell University Press. 1995.
    Photo of Aaron Ridley
  • Aaron Ridley, F.H. Bradley
    Bradley Studies 1 (2): 107-115. 1995.
    Photo of Aaron Ridley
  • Christopher Janaway, Schopenhauer
    Oxford University Press USA. 1994.
    Photo of Christopher Janaway
  • Alex Neill and Aaron Ridley, The Philosophy of Art: Readings Ancient and Modern
    McGraw-Hill Education. 1994.
    Photo of Aaron Ridley Photo of Alex Neill Photo of Alex Neill
  • Christopher Janaway, Beauty in nature, beauty in art
    British Journal of Aesthetics 33 (4): 321-332. 1993.
    Photo of Christopher Janaway
  • Christopher Janaway, Review of: T. J. Difffey, The Republic of Art and Other Essays (review)
    Philosophical Quarterly 43 (171): 250. 1993.
    Photo of Christopher Janaway
  • Aaron Ridley, Bleeding chunks: Some remarks about musical understanding
    Journal of Aesthetics and Art Criticism 51 (4): 589-596. 1993.
    Photo of Aaron Ridley
  • Aaron Ridley, Pitiful Responses to Music
    British Journal of Aesthetics 33 (1): 72-74. 1993.
    Photo of Aaron Ridley
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Details

  • MA program offered
  • PhD program offered
  • Website
  • Contact administrative assistant

Administrators

  • Photo of Jonathan Way
    Jonathan Way
  • Photo of Daniel Whiting
    Daniel Whiting
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