Department Members
Department Activity
Also at University of Southern Maine
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Yishai Cohen, Emotions in the Moral Life, by Robert C. Roberts (review)Faith and Philosophy 31 (3): 337-340. 2014.
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Jason B. Castro and William Seeley, Olfaction, valuation, and action: reorienting perceptionFrontiers in Psychology 5. 2014.
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William Seeley, Book Review: Starr, G. Gabrielle. Feeling Beauty: The Neuroscience of Aesthetic Experience MIT Press, 2013, xx + 259 pp., 19 color illus., $25.00 cloth (review)Journal of Aesthetics and Art Criticism 72 (3): 342-345. 2014.
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William Seeley and Noël Carroll, Cognitive Theory and the Individual Film: The Case of Rear WindowIn Ted Nannicelli and Paul Alexander Taberham (ed.), Cognitive Media Theory. pp. 2350252. 2014.
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William Seeley, Artworks Are Attentional Engines: Normative Conventions and Evaluative Perception in the ArtsIn Aaron Kozbelt (ed.), Proceedings of the International Association of Empirical Aesthetics. pp. 372-376. 2014.
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William Seeley, Empirical AestheticsIn Michael Kelly (ed.), Encyclopedia of Aesthetics: Multi Volume Set, Oxford University Press Usa. 2014.
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Yishai A. Cohen, Skeptical Theism and the Threshold ProblemForum Philosophicum: International Journal for Philosophy 18 (1): 73-92. 2013.
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William Seeley, Art, Meaning, and Perception: A Question of Methods for a Cognitive Neuroscience of ArtBritish Journal of Aesthetics 53 (4): 443-460. 2013.
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William Seeley, Kinesthetic Understanding and Appreciation in DanceJournal of Aesthetics and Art Criticism 71 (2): 177-186. 2013.
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William Seeley, Philosophy of Art and Empirical Aesthetics: Resistance and RapprochementIn Pablo P. L. Tinio & Jeffrey K. Smith (eds.), Cambridge Handbook of the Psychology of Aesthetics and the Arts, . pp. 35-59. 2013.
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William Seeley and Noel Carroll, Cognitivism, Psychology and Neuroscience: Movies as Attentional EnginesIn Arthur P. Shimamura (ed.), Psychocinematics: Exploring Cognition at the Movies, Oxford University Press. pp. 53-75. 2013.
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William Seeley, Movement, Gesture, and Meaning: A Sensorimotor Model for Audience Engagement with DanceIn Helena de Preester (ed.), Moving Imagination, John Benjamins. pp. 51-68. 2013.
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Noel Carroll, Margaret Moore, and William Seeley, The Philosophy of Art and Aesthetics, Psychology, and Neuroscience: Studies in Literature, Music, and Visual ArtsIn Arthur P. Shimamura & Stephen E. Palmer (eds.), Aesthetic Science: Connecting Minds, Brains, and Experience, Oup Usa. pp. 31-62. 2012.
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Kathleen Wininger, Introducing Philosophy Through Film (review)Teaching Philosophy 34 (3): 332-333. 2011.
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Kathleen Wininger, Comments on Alan Soble's Pornography, sex, and feminismIn Adrianne Leigh McEvoy (ed.), Sex, Love, and Friendship: Studies of the Society for the Philosophy of Sex and Love, 1993-2003, Rodopi. 2011.
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William Seeley, What is the Cognitive Neuroscience of Art…and Why Should We Care?American Society for Aesthetics Newsletter 31 (2): 1-4. 2011.
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William Seeley, The Science of Art Is as Relevant to the Philosophy of Art as Artistic Representations Are to Science: A Reply to Roger SeamonAmerican Society for Aesthetics Newsletter 31 (3): 4-5. 2011.
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William Seeley, Imagining crawling home: A case study in cognitive science and aestheticsReview of Philosophy and Psychology 1 (3): 407-426. 2010.
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William Seeley, Cognitive Science and ArtIn Stephen Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker & David Cooper (eds.), Blackwell Companion to Aesthetics, Wiley. pp. 191-194. 2009.
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William Seeley and Aaron Kozbelt, Art, artists, and perception: A model for premotor contributions to perceptual analysis and form recognitionPhilosophical Psychology 21 (2). 2008.
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William Seeley, Philosophy and conceptual art edited by Goldie, Peter, and Elisabeth Schellekens (review)Journal of Aesthetics and Art Criticism 66 (2). 2008.
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William Seeley, Motor Simulation & the Effects of Energetic & Emotional Costs of Depicted Actions in Picture PerceptionJournal of Vision 8 (6). 2008.
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William Seeley, Naturalizing Aesthetics: Art and the Cognitive Neuroscience of VisionJournal of Visual Arts Practice 5 (3): 195-213. 2006.
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William Seeley, Art, Aesthetics, and Cognitive NeuroscienceIn H. Gottesdiener and J. C. Vilatte (ed.), Culture and Communication: Proceedings of the International Association of Empirical Aesthetics, Volume XIX. pp. 781-784. 2006.
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William Seely, Imagining Film: Seeing with the Mind's EyePhilosophical Inquiry 17 3-14. 2005.
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William Seeley and Aaron Kozbelt, A Visuomotor Skill Model for Artists' Advantages in Drawing, Visual Analysis, and Form RecognitionIn William Seeley & Aaron Kozbelt (eds.), Art and Science: Proceedings of the International Association of Empirical Aesthetics, Volume XVIII, . pp. 645-648. 2004.
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William Seeley, The Link between Empirical and Philosophical AestheticsIn Empirical Aesthetics. 1998.