Department Affiliates
Department Activity
Also at University of Southern Maine
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William Seeley, Art, Meaning, and Aesthetics: The Case for a Cognitive Neuroscience of ArtIn Joseph P. Huston, Marcos Nadal, Francisco Mora, Luigi F. Agnati & Camilo José Cela Conde (eds.), Art, Aesthetics and the Brian, Oxford University Press Uk. pp. 19-39. 2015.
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Yishai Cohen, Reasons-Responsiveness and Time TravelJournal of Ethics and Social Philosophy 3 1-7. 2014.
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Yishai Cohen, Don’t Count on Taurek: Vindicating the Case for the Numbers CountingRes Publica 20 (3): 245-261. 2014.
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Yishai Cohen, Emotions in the Moral Life, by Robert C. Roberts (review)Faith and Philosophy 31 (3): 337-340. 2014.
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Jason B. Castro and William Seeley, Olfaction, valuation, and action: reorienting perceptionFrontiers in Psychology 5. 2014.
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William Seeley, Book Review: Starr, G. Gabrielle. Feeling Beauty: The Neuroscience of Aesthetic Experience MIT Press, 2013, xx + 259 pp., 19 color illus., $25.00 cloth (review)Journal of Aesthetics and Art Criticism 72 (3): 342-345. 2014.
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William Seeley and Noël Carroll, Cognitive Theory and the Individual Film: The Case of Rear WindowIn Ted Nannicelli and Paul Alexander Taberham (ed.), Cognitive Media Theory. pp. 2350252. 2014.
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William Seeley, Artworks Are Attentional Engines: Normative Conventions and Evaluative Perception in the ArtsIn Aaron Kozbelt (ed.), Proceedings of the International Association of Empirical Aesthetics. pp. 372-376. 2014.
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William Seeley, Empirical AestheticsIn Michael Kelly (ed.), Encyclopedia of Aesthetics: Multi Volume Set, Oxford University Press Usa. 2014.
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Yishai Cohen, Skeptical Theism and the Threshold ProblemForum Philosophicum: International Journal for Philosophy 18 (1): 73-92. 2013.
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William Seeley, Art, Meaning, and Perception: A Question of Methods for a Cognitive Neuroscience of ArtBritish Journal of Aesthetics 53 (4): 443-460. 2013.
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William Seeley, Kinesthetic Understanding and Appreciation in DanceJournal of Aesthetics and Art Criticism 71 (2): 177-186. 2013.
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William Seeley, Philosophy of Art and Empirical Aesthetics: Resistance and RapprochementIn Pablo P. L. Tinio & Jeffrey K. Smith (eds.), Cambridge Handbook of the Psychology of Aesthetics and the Arts, Cambridge University Press. pp. 35-59. 2013.
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William Seeley and Noel Carroll, Cognitivism, Psychology and Neuroscience: Movies as Attentional EnginesIn Arthur P. Shimamura (ed.), Psychocinematics: Exploring Cognition at the Movies, Oxford University Press. pp. 53-75. 2013.
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William P. Seeley, Movement, Gesture, and Meaning: A Sensorimotor Model for Audience Engagement with DanceIn Helena De Preester (ed.), Moving Imagination, John Benjamins. pp. 51-68. 2013.
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Constance Mui and Julien Murphy, Revolutionary Road and The Second sexIn Jean-Pierre Boulé & Ursula Tidd (eds.), Existentialism and contemporary cinema: a Beauvoirian perspective, Berghahn Books. 2012.
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Noel Carroll, Margaret Moore, and William Seeley, The Philosophy of Art and Aesthetics, Psychology, and Neuroscience: Studies in Literature, Music, and Visual ArtsIn Arthur P. Shimamura & Stephen E. Palmer (eds.), Aesthetic Science: Connecting Minds, Brains, and Experience, Oup Usa. pp. 31-62. 2012.
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Kathleen Wininger, Introducing Philosophy Through Film (review)Teaching Philosophy 34 (3): 332-333. 2011.
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Kathleen Wininger, Comments on Alan Soble's Pornography, sex, and feminismIn Adrianne McEvoy (ed.), Sex, Love, and Friendship: Studies of the Society for the Philosophy of Sex and Love, 1993-2003, Rodopi. 2011.
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William Seeley, What is the Cognitive Neuroscience of Art…and Why Should We Care?American Society for Aesthetics Newsletter 31 (2): 1-4. 2011.
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William Seeley, The Science of Art Is as Relevant to the Philosophy of Art as Artistic Representations Are to Science: A Reply to Roger SeamonAmerican Society for Aesthetics Newsletter 31 (3): 4-5. 2011.
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William Seeley, Imagining crawling home: A case study in cognitive science and aestheticsReview of Philosophy and Psychology 1 (3): 407-426. 2010.
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William Seeley, Cognitive Science and ArtIn Stephen Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker & David Cooper (eds.), Blackwell Companion to Aesthetics, Wiley. pp. 191-194. 2009.
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Julien Murphy, Tête-à-Tête: Simone de Beauvoir and Jean-Paul Sartre by Hazel RowleyHypatia 23 (1): 208-211. 2008.
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William Seeley and Aaron Kozbelt, Art, artists, and perception: A model for premotor contributions to perceptual analysis and form recognitionPhilosophical Psychology 21 (2). 2008.
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William Seeley, Philosophy and conceptual art edited by Goldie, Peter, and Elisabeth Schellekens (review)Journal of Aesthetics and Art Criticism 66 (2). 2008.
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William Seeley, Motor Simulation & the Effects of Energetic & Emotional Costs of Depicted Actions in Picture PerceptionJournal of Vision 8 (6). 2008.
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William Seeley, Effects of Interpretation of Energetic and Emotional Costs of Depicted Actions in Picture PerceptionIn K. S. Bordens (ed.), Proceedings of the International Association of Empirical Aesthetics, Volume XIX. pp. 723-726. 2008.