Trinity University, Department of Philosophy - PhilPeople

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Department Affiliates

Department Activity

Also at Trinity University

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Andrew Kania, In Defence of Higher-Order Musical Ontology: A Reply to Lee B. Brown
British Journal of Aesthetics 52 (1): 97-102. 2012.

Andrew Kania, Platonism vs. nominalism in contemporary musical ontology
In Christy Mag Uidhir (ed.), Art and abstract objects, Oxford University Press. pp. 197-219. 2012.

Andrew Kania, All Play and No Work: An Ontology of Jazz
Journal of Aesthetics and Art Criticism 69 (4): 391-403. 2011.

Alistair Welchman and Judith Norman, The Question of Romanticism
In Alison Stone (ed.), The Edinburgh Critical History of Philosophy: Volume 5—The Nineteenth Century. pp. 47-68. 2011.

Andrew Kania, A Horny Dilemma: Sex and Friendship Between Students and Professors
In Fritz Allhoff, Michael Bruce & Robert M. Stewart (eds.), College Sex ‐ Philosophy for Everyone, Wiley-blackwell. pp. 117-130. 2010.

Andrew Kania, Review of Matthew Nudds, Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays (review)
Notre Dame Philosophical Reviews 2010 (8). 2010.

Andrew Kania, Silent Music
Journal of Aesthetics and Art Criticism 68 (4): 343-353. 2010.

Andrew Kania, Memento (edited book)
Routledge. 2009.

Andrew Kania, Musical recordings
Philosophy Compass 4 (1): 22-38. 2009.

Andrew Kania, The philosophy of motion pictures • by Noël Carroll
Analysis 69 (1): 194-195. 2009.

Hashem Morvarid, Semantic Externalism: A Way of Refuting the Incommensurability Thesis
پژوهشنامه فلسفه دین 1 (7): 91-106. 2009.

Andrew Kania, New waves in musical ontology
In Kathleen Stock & Katherine Thomson-Jones (eds.), New waves in aesthetics, Palgrave-macmillan. pp. 20--40. 2008.

Andrew Kania, Piece for the end of time: In defence of musical ontology
British Journal of Aesthetics 48 (1): 65-79. 2008.

Andrew Kania, The philosophy of music
Stanford Encyclopedia of Philosophy. 2008.

Andrew Kania, Works of music: An essay in ontology by Dodd, Julian (review)
Journal of Aesthetics and Art Criticism 66 (2). 2008.

Andrew Kania, Works, recordings, performances : classical, rock, jazz
In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections, Middlesex University Press. 2008.

Andrew Kania, The methodology of musical ontology: Descriptivism and its implications
British Journal of Aesthetics 48 (4): 426-444. 2008.

Andrew Kania, Realism
In Paisley Livingston & Carl Plantinga (eds.), The Routledge Companion to Philosophy and Film, Routledge. 2008.

Andrew Kania, Memento
In Paisley Livingston & Carl Plantinga (eds.), The Routledge Companion to Philosophy and Film, Routledge. pp. 650-660. 2008.

Hashem Morvarid, Carnap’s and Sellars’ Theories on Universals
Journal of Philosophical Theological Research 9 (35): 89-105. 2008.

Andrew Kania, Against them, too: A reply to Alward
Journal of Aesthetics and Art Criticism 65 (4). 2007.

Andrew Kania, Worlds are colliding! Explaining the fictional in terms of the real
Philosophical Studies 135 (1). 2007.

Steven Luper, Re-Reading: G.E. Moore, "Certainty" in his 'Philosophical Papers'
Philosophical Papers 36 (1). 2007.

Steven Luper, The Easy Argument
Acta Analytica 22 (4). 2007.

Andrew Kania, Making tracks: The ontology of rock music
Journal of Aesthetics and Art Criticism 64 (4). 2006.

Andrew Kania, Review: Art as Performance (review)
Mind 114 (453): 137-141. 2005.

Andrew Kania, Against the ubiquity of fictional narrators
Journal of Aesthetics and Art Criticism 63 (1). 2005.

Alistair Welchman and Judith Norman, The New Schelling (edited book)
Continuum. 2004.

Andrew Kania, Musical Works and Performances: A Philosophical Exploration
Mind 112 (447): 513-518. 2003.

Andrew Kania, The illusion of realism in film
British Journal of Aesthetics 42 (3): 243-258. 2002.

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