Department Affiliates
Department Activity
Details
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MA program offered
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PhD program offered
Also at University of Turin
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Alessandro Bertinetto, Riccardo Martinelli: I filosofi e la musica (review)Philosophischer Literaturanzeiger 67 (4): 395-402. 2014.
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Alessandro Bertinetto, EinleitungZeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 59 (1): 11-13. 2014.
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Alessandro Bertinetto, Jazz als gelungene Performance – Ästhetische Normativität und ImprovisationZeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 59 (1): 105-140. 2014.
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M. Rotili, Jerrold Levinson, Alessandro Bertinetto, M. Di Monte, F. Focosi, and Lisa Giombini, Forum on Jerrold Levinson, "Contemplating Art"Lebenswelt: Aesthetics and Philosophy of Experience 5 1-38. 2014.
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Alessandro Bertinetto, Ezio Gamba, and Davide Sisto, Ladri di musica. Filosofia, musica e plagio (edited book)estetica. studi e ricerche - Aracne editrice. 2014.
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Paolo Tripodi, Conceptual Mediation: Philosophy between the History of Physiology and Contemporary NeuroscienceHistory of European Ideas 40 (4): 533-544. 2014.
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Neri Marsili, Lying as a scalar phenomenonIn Sibilla Cantarini, Werner Abraham & Elisabeth Leiss (eds.), Certainty-Uncertainty Âe and the Attitudinal Space in Between, John Benjamins Publishing. 2014.
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Alberto Voltolini, Contexts, Fiction and TruthIn Alessandro Capone, Franco Lo Piparo & Marco Carapezza (eds.), Perspectives on Pragmatics and Philosophy, Springer. pp. 489-500. 2013.
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Alberto Voltolini, Defiction?In Carola Barbero, Maurizio Ferraris & Alberto Voltolini (eds.), From Fictionalism to Realism, Cambridge Scholars Press. 2013.
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Alberto Voltolini, Probably the Charterhouse of Parma Does Not Exist, Possibly Not Even That ParmaHumana Mente 6 (25): 235-261. 2013.
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Alberto Voltolini, There Are Intentionalia of Which It Is True That Such Objects Do Not ExistInternational Journal of Philosophical Studies 21 (3): 394-414. 2013.
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Alessandro Bertinetto, Musical Ontology: a View Through ImprovisationCosmo. Comparative Studies in Modernism 2 81-101. 2013.
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Elisa Caldarola, Davide Quattrocchi, and Gabriele Tomasi, Wittgenstein, l'estetica e le arti (edited book)Carocci. 2013.
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Elisa Caldarola, Understanding Resemblance in Depiction: What Can we Learn from Wittgenstein?Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 6 (1): 239-253. 2013.
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Elisa Caldarola, Wittgenstein su immagini e linguaggio: elementi per la comprensione delle rappresentazioni pittoricheIn Elisa Caldarola, Davide Quattrocchi & Gabriele Tomasi (eds.), Wittgenstein, l'estetica e le arti, Carocci. 2013.
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Elisa Caldarola, Quattrocchi Davide, and Gabriele Tomasi, IntroduzioneIn Elisa Caldarola, Davide Quattrocchi & Gabriele Tomasi (eds.), Wittgenstein, l'estetica e le arti, Carocci. 2013.
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Paolo Tripodi, The Foundations of Organizational EvilJournal of Military Ethics 12 (3): 281-283. 2013.
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Paolo Tripodi, Wittgenstein on the Gulf Between Believers and Non-BelieversPhilosophia 41 (1): 63-79. 2013.
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Neri Marsili, Recensione di "Mindfucking: a critique of mental manipulation", di Colin McGinn (review)Aphex 8. 2013.
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Elena Casetta, Pietro Kobau, and Ivan Mosca, Dalla documentalità al nuovo realismoRivista di Estetica 50 3-7. 2012.
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Alberto Voltolini, Crossworks ‘Identity’ and Intrawork* Identity of a Fictional CharacterRevue Internationale de Philosophie 262 (4): 561-576. 2012.
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Alessandro Bertinetto, Die Expressivität von Musik und ihre ethische PrägnanzDeutsche Zeitschrift für Philosophie 60 (2): 310-316. 2012.
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Alessandro Bertinetto, Paganini Does Not Repeat. Musical Improvisation and the Type/Token OntologyTeorema: International Journal of Philosophy 31 (3): 105-126. 2012.
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Alessandro Bertinetto, Performing the Unexpected Improvisation and Artistic CreativityDaimon: Revista Internacional de Filosofía 57 117-135. 2012.