Terry Pinkard

Hegel remains widely known but largely unread in Anglo-American philosophy. Although the earlier hostility to his thought in these circles has begun to fade, Hegel still remains for many philosophers a more or less peripheral figure, somebody to be taught once other subjects in the philosophy department have been covered. This is partly because of his obscure style and mostly because of the standard picture of Hegel that remains in the psychic geography of many academic philosophers. Hegel is conceived as the last great thinker who tried to fashion a unified systematic picture of God, man and the world through something called dialectic. On this standard view, Hegel is seen as arguing for a kind of grand Spirit who is gradually coming to self-consciousness by struggling through the contradictions He has created, using people as instruments for His coming to self-consciousness, until finally He succeeds somewhere in Berlin. Spirit-God comes to full self-consciousness and as parts of this grand Spirit-God, we too come to a full awareness of what we really are. This kind of grand metaphysical cosmology and theodicy does not fit the more skeptical temperaments of many twentieth-century academic thinkers.

Few books in Hegel scholarship have been as anticipated as H. S. Harris's commentary on Hegel's Phenomenology of Spirit. Harris has long been one of the leading commentators and translators of Hegel's pre-Phenomenology works and life, and he was forcefully present at the creation of both the British and the North American Hegel societies. Probably nobody in the Anglophone philosophical world knows the details of all the ins and outs of Hegel's book like Harris does. The wait for his own comments on Hegel's book is now over, and the result is a thick, dense, often-rewarding commentary, even longer than the already-long book that is its subject. The commentary is replete with cross-references to the other parts of the texts and to Hegel's other works, and puts Harris's immense and bounteous erudition on display.

In the second half of the eighteenth century, German philosophy came for a while to dominate European philosophy. It changed the way in which not only Europeans, but people all over the world, conceived of themselves and thought about nature, religion, human history, politics, and the structure of the human mind. In this rich and wide-ranging book, Terry Pinkard interweaves the story of 'Germany' - changing during this period from a loose collection of principalities into a newly-emerged nation with a distinctive culture - with an examination of the currents and complexities of its developing philosophical thought. He examines the dominant influence of Kant, with his revolutionary emphasis on 'self-determination', and traces this influence through the development of romanticism and idealism to the critiques of post-Kantian thinkers such as Schopenhauer and Kierkegaard. His book will interest a range of readers in the history of philosophy, cultural history and the history of ideas.

Hegel is one of the most often cited and least read of all major philosophers. He is alternately regarded as the best and the worst that philosophy has produced. Nobody, however, disputes his influence. In Hegel's Dialectic, Terry Pinkard offers a new interpretation of Hegel's program that assesses his conception of the role of philosophy, his method, and some of the specific theses that he defended. Hegel's dialectic is interpreted as offering explanations of the possibility of basic categories. Pinkard argues that the traditional standard reading of Hegel as the esoteric metaphysician of Absolute Spirit overlooks major elements of his thought. In presenting this alternative reading of Hegel, Pinkard offers a new understanding of the role of history in Hegel's thought and a new perspective on his moral and political thought. Departing from the tradition of explicating Hegel exclusively in Hegelian terms, Pinkard discusses the much disputed philosopher in a way that is accessible and appealing to both analytic and non-analytic philosophers. Hegel's Dialectic is not just an interpretation of Hegel's thought: it is also a reconstruction and defense of Hegel's philosophy as having something of importance to say to late twentieth-century philosophers.

Neuhouser’s book is one of the most important contributions to the revival of Hegelian philosophy that has been taking place in Anglo-American philosophy over the last few years. Much of the debate in moral and political philosophy of the last few years has been set in terms of “the right” versus “the good,” and it is tempting to want to put Hegel in one of those categories and thereby also to classify him as either a “liberal,” a “communitarian,” or perhaps a “romantic.” Neuhouser develops a powerful case for understanding him as none of these things. Instead he wants to understand Hegel as developing a social and political philosophy around the central conception of “self-determi- nation.” At first blush, that makes Hegel sound very much like the post-Kantian many now take him to be, but Neuhouser argues that, however true that might be, Hegel is best understood as continuing and developing certain key Rousseauian insights. In Neuhouser’s treatment, both Hegel and Kant are “post- Rousseauians,” and his understanding of what this means throws new and great light on understanding why Hegel’s social philosophy may still be of importance to us.

One of the founders of modern philosophical thought Georg Wilhelm Friedrich Hegel has gained the reputation of being one of the most abstruse and impenetrable of thinkers. This major biography of Hegel offers not only a complete account of the life, but also a perspicuous overview of the key philosophical concepts in Hegel's work in a style that will be accessible to professionals and non-professionals alike. Terry Pinkard situates Hegel firmly in the historical context of his times. The story of that life is of an ambitious, powerful thinker living in a period of great tumult dominated by the figure of Napoleon. The Hegel who emerges from this account is a complex, fascinating figure of European modernity, who offers us a still compelling examination of that new world born out of the political, industrial, social, and scientific revolutions of his period