Gary Kemp

Featuring essays from leading philosophical scholars, __12 Modern Philosophers__ explores the works, origins, and influences of twelve of the most important late 20th Century philosophers working in the analytic tradition. Draws on essays from well-known scholars, including Thomas Baldwin, Catherine Wilson, Adrian Moore and Lori Gruen Locates the authors and their oeuvre within the context of the discipline as a whole Considers how contemporary philosophy both draws from, and contributes to, the broader intellectual and cultural milieu

Pictorial representation is one of the core questions in aesthetics and philosophy of art. What is a picture? How do pictures represent things? This collection of specially commissioned chapters examines the influential thesis that the core of pictorial representation is not resemblance but 'seeing-in', in particular as found in the work of Richard Wollheim. We can see a passing cloud _as_ a rabbit, but we also see a rabbit _in_ the clouds. 'Seeing-in' is an imaginative act of the kind employed by Leonardo’s pupils when he told them to see what they could - for example, battle scenes - in a wall of cracked plaster. This collection examines the idea of 'seeing-in' as it appears primarily in the work of Wollheim but also its origins in the work of Wittgenstein. An international roster of contributors examine topics such as the contrast between seeing-in and seeing-as; whether or in what sense Wollheim can be thought of as borrowing from Wittgenstein; the idea that all perception is conceptual or propositional; the metaphor of figure and ground and its relation to the notion of 'two-foldedness'; the importance in art of emotion and the imagination. Wollheim, Wittgenstein and Pictorial Representation: Seeing-as and Seeing-in is essential reading for students and scholars of aesthetics and philosophy of art, and also of interest to those in related subjects such as philosophy of mind and art theory.

Western philosophy since Descartes has been marked by certain seminal books whose concern is the nature and scope of human knowledge. After Descartes Meditations, works by Locke, Berkeley, Hume and Kant are perhaps the most familiar and enduringly influential examples. Quine’s Word and Object (1960) does not conspicuously announce itself as a successor to these, but that is very much what it is. And after Wittgenstein’s Philosophical Investigations, it is amongst the most likely of the philosophical fruits of the 20th century to attain something like the prestige of those earlier works (setting aside the century’s great achievements in pure logic and immediately related areas). Yet unlike so many of those earlier works, Quine’s book has the rare virtue in philosophy that it is possible, for readers here and now, to entertain seriously the possibility that its principal claims are literally true.