Gary Kemp

Glock’s book is about evenly divided between Quine and Davidson. The central claims are (i) that they are best studied in conjunction; (ii) that they ‘can profitably be seen as logical pragmatists’ (meaning primarily that they view language as action that can be understood or clarified by means of formal logic); (iii) that they ‘combine profound insights with serious distortions’; and (iv) that their respective attempts to ‘accommodate higher phenomena such as meaning and thought within a naturalistic framework’ are ‘misguided’ (pp. – ). But the overriding aim is clearly to establish (iv) along with the negative..

Landy’s book (OUP 2004; 255 pp.+ x) delivers what has gone long and scandalously missing: a philosophical analysis of Proust’s incomparable book that is muscular, concise, philosophically informed and sophisticated; logically rigorous, explanatorily fruitful, and meticulously answerable to its data, namely the text. The philosophy here is not, as often the case in writing about Proust, mere rhetoric or window-dressing, but substantive and literally believable. The book should for a long time be inescapable for anyone writing philosophically about Proust, and perhaps for anyone writing philosophically about imaginative literature, full stop. It is that good, its themes that wide.

Quine’s naturalism has no room for a point of view outside science from which one might criticize science, or a transcendental point of view from which one could ask questions about the adequacy of science with respect to reality (‘as it is in itself ’). Adrian Moore sniffs out some genuine tensions in this, arguing in effect that Quine is forced by his own views to admit those sorts of questions as legitimate. I venture that Quine, even if he would grant that the posing of such questions is an inevitable feature of reason in some sense, would take such curiosity to be strictly speaking a mistake, something like that of thinking there must be a single truth-predicate for all levels of Tarski’s hierarchy.

Philosophy of language explores some of the fundamental yet most technical problems in philosophy, such as meaning and reference, semantics, and propositional attitudes. Some of its greatest exponents, including Gottlob Frege, Ludwig Wittgenstein and Bertrand Russell are amongst the major figures in the history of philosophy. In this clear and carefully structured introduction to the subject Gary Kemp explains the following key topics: the basic nature of philosophy of language and its historical development early arguments concerning the role of meaning, including cognitive meaning vs expressivism, context and compositionality Frege’s arguments concerning sense and reference; non-existent objects Russell and the theory of definite descriptions modern theories including Kripke and Putnam; arguments concerning necessity, analyticity and natural kind terms indexicality, context and modality. What are indexicals? Davidson’s theory of language and the ‘principle of charity’ propositional attitudes Quine’s naturalism and its consequences for philosophy of language. Chapter summaries, annotated further reading and a glossary make this an indispensable introduction to those teaching philosophy of language and will be particularly useful for students coming to the subject for the first time.

Museums and their practices—especially those involving collection, curation and exhibition—generate a host of philosophical questions. Such questions are not limited to the domains of ethics and aesthetics, but go further into the domains of metaphysics, epistemology and philosophy of religion. Despite the prominence of museums as public institutions, they have until recently received surprisingly little scrutiny from philosophers in the Anglo-American tradition. By bringing together contributions from philosophers with backgrounds in a range of traditional areas of philosophy, this volume demonstrates how their work can enhance our understanding of museums and shed light on the philosophical questions raised by museum practices. Many of the essays in this volume make the case that the philosophy of museums is of vital concern, not only to those philosophers at work in the emerging field but also to practitioners within the museum world and to anyone who enjoys visiting museums.

Featuring essays from leading philosophical scholars, __12 Modern Philosophers__ explores the works, origins, and influences of twelve of the most important late 20th Century philosophers working in the analytic tradition. Draws on essays from well-known scholars, including Thomas Baldwin, Catherine Wilson, Adrian Moore and Lori Gruen Locates the authors and their oeuvre within the context of the discipline as a whole Considers how contemporary philosophy both draws from, and contributes to, the broader intellectual and cultural milieu