Simone Guidi

Did Descartes ever develop a political thought of his own? This question, still open in the field of cartesian studies, is maybe doomed to remain without a definitive answer, mainly because of the lack of a specific work dedicated by him to politics. Nevertheless, we have a long letter to Princess Elisabeth in which the French philosopher, starting from his reading of Machiavelli's masterpiece, Il Principe, discusses political matters, and especially the political instruments that a good prince should use in order to guarantee stability to his reign. The present essay deals with it, exploring the possibility that Descartes might have been trying to outline in that text the main features of a political anthropology, founding it on the universal anthropology of passions that he was developing in those years.

​Al principio della Meditatio Sexta, tappa conclusiva del capolavoro di Descartes, si schiude una frattura fondamentale. È quella tra intelletto e immaginazione, autentica premessa per la dimostrazione – a cui l’opera cartesiana punta sin dal titolo – della distinzione reale di mente e corpo. Come d’altra parte Descartes sottolinea già nella Synopsis (sconfessando alcune interpretazioni odierne), la reciproca alterità ontologica tra le due res non viene garantita a seguito dell’approdo al punto archimedeo del cogito della Meditatio Secunda, ma solamente a seguito di un complesso iter di abductio e subductio dei contenuti della mens che culmina nel capitolo conclusivo. Qui la mens, avendo già stabilito l’esistenza, la perfezione e la veracità di Dio, fa finalmente i conti con sé stessa, mettendo mano all’analisi dei disparati elementi che hanno composto, sino a quel momento, una definizione quasi fenomenologica dell’ego cogitans come un quid «dubitans, intelligens, affirmans, negans, volens, nolens, imaginans quoque, et sentiens»

Il termine ‘catastrofe’ porta con sé, quasi non tradotte, le origini dal greco καταστροφή, che potremmo rendere con l’espressione “precipitazione degli eventi”, se sapessimo, con ciò, anche alludere al senso di un rovesciamento radicale, di una ‘situazione’ che questo lemma in sé custodisce. Kαταστροφή è, innanzitutto, parte del lessico della drammaturgia antica, dove è utilizzato per indicare un rivolgimento improvviso, l’avvenimento che mette fine alla καταστάσεις dell’azione drammatica e che conclude così la vicenda dell’eroe. Lo ribadisce, ancora nel ‘700, la voce dell’Encyclopédie a cura di Edme-François Mallet, che definisce la catastrofe come «le changement ou la révolution qui arrive à la fin de l’action d’un poëme dramatique, & qui la termine». Catastrofe, quindi, come capovolgimento che sovverte un ordine, portandone alla luce la tessitura narrativa, che offre l’improvvisa conclusione di una vicenda, l’interruzione e il crollo di una continuità; una sovversione catartica che non preclude la possibilità di un nuovo inizio.

A partire dalla seconda metà del Novecento la questione della mostruosità è stata oggetto – insieme a quella del prodigio, da cui si differenzia soltanto parzialmente – di un crescente interesse accademico. Gli studi riguardanti la funzione antropologica, cosmologica, estetica e naturalistica dei mostri, sono oramai tanto numerosi e tanto vari nell'approccio da renderne ardua anche solo una parziale enumerazione. Difficilmente potremmo esimerci dal menzionare un autore come Jurgis Baltrušaitis, che così acutamente ha posto il tema della funzione estetica del mostruoso e del deforme, e allo stesso modo non potremmo dimenticare gli ormai classici studi storici e interpretativi di Claude-Claire Kappler, Jean Céard, Jacques Le Goff, Leslie Fiedler o David Williams, la cui scelta di prender parte alla nostra rassegna ci ha sinceramente onorati. Così facendo, tuttavia, trascureremmo lavori davvero pregevoli, come (solo per dirne alcuni) il poderoso tomo prodotto da Lorraine J. Daston e Katharine Park, il prezioso volumetto di José Gil, la ricca raccolta a cura di Charles T. Wolfe, la voluminosa storia della teratologia di Olivier Roux e le profonde riflessioni di Richard Kearney. Sarebbe possibile proseguire con un elenco di molte pagine, che includerebbe senz'altro i molti e altrettanto degni di nota lavori di alcuni degli autori di questa raccolta, che, con gli altri, ringraziamo: Albrecht Classen, Peter G. Platt, Maddalena Mazzocut-Mis, David Gilmore...

"Lezioni di metafisica" presenta tradotti per la prima volta in italiano due cicli di lezioni tenuti da Henri Bergson presso la classe di khâgne del Lycée Henri-IV, tra il 1893 e il 1894. Per la loro collocazione temporale, a cavallo tra gli anni del "Saggio sui dati immediati della coscienza" (1889) e "Materia e memoria" (1896), queste lezioni risultano di straordinario interesse per gli studi sul filosofo francese, che vi sviluppa un serrato confronto con la storia della metafisica moderna e della psicologia. Aristotele, Descartes, Malebranche, Spinoza, Leibniz, Kant, Spencer sono presentati e discussi da Bergson, che riflette – con loro e attraverso di loro – sui grandi temi dello spazio, del tempo, della materia, della memoria e dell’individualità. Tra i banchi dell’Henri-IV Bergson mette a punto un vero e proprio studio preparatorio per la sua originale critica al pensiero classico.

Il corso sulla Storia dell'idea di tempo, tenuto al Collège de France nel 1902-1903, per la prima volta tradotto interamente in italiano, è dedicato al concetto di tempo nella storia della filosofia antica e moderna. In queste straordinarie lezioni Bergson si confronta con Platone, Aristotele, Plotino, Galileo, Descartes, Spinoza, Leibniz, Newton e Kant. Nel cuore della metafisica occidentale il filosofo francese intravede una fondamentale negazione del tempo, impropriamente considerato come imitazione e riduzione di un’originaria eternità, inattingibile nell’immediato e esperibile solo per il tramite di un apparato simbolico. Alla luce di questa paradossale “falsa partenza” del pensiero occidentale, Bergson indica nella storia della metafisica la costante riproposizione dei suoi errori fondativi; ma vi intravede anche l’inesorabile cammino concettuale che, progressivamente, riconduce il tempo alla sua natura psicologica, quella della durata.

This paper deals with Suárez's theory of extension and continuous quantity, as it is discussed in the Metaphysical Disputations and as a possible source for Descartes's concept of res extensa. In a first part of the paper, I analyse Suárez' account of divisibility and extension in a comparison with the Dominicans', Scotus and Fonseca's, and Ockham's. In the light of this analysis, Suárez's most original contribution seems being the claim that material composites have integral parts 'entitatively' extended (partem extra partem) independently from categorial quantity. Such a theory allows Suárez to merge the Dominicans', the Scotists' and the Ockhamists' account, as the integral parts fund the internal but pre-quantitative divisibility of body, which is the source of quantity. In a second part of the paper, I deal with the reception of Suárez’s theory (especially in Rubio, Arriaga, Araujo, Eustachius and Abra de Raçonis), as well as with Descartes’ concept of res extensa. I conclude that Suárez’s account has been mainly criticized by the seventeenth Century Aristotelianism, as well as by Descartes. Despite that, Suárez’s idea of non-quantitatively extended parts had an interesting reception and effect in the debate, and especially in the (dominant) Scotistic context.

Suárez’s primary attempt to rethink angelology can be found in the De Angelis. This work is a mighty commentary on the prima pars of Aquinas’ Summa Theologiae (qq. 50-64) which Suárez left to his colleagues after his years in Coimbra (1597-1607), and which was published posthumously in Lyon in 1620. The composition of the text is somewhat stratified and it includes many references to the Disputationes Metaphysicae, but Suárez most likely already started writing it during his years of teaching in Spain and Italy (1575-1597), before 1597. Because of its Thomistic inspiration, the De angelis is a fundamentally theological and doctrinal work, the metaphysical core of which is independently treated in the DM 35, entitled De immateriali substantia creata. In this passage, which is eminently theoretical, Suárez grapples with the most important quaestiones concerning angels under a metaphysical point of view, therein offering one of the most interesting overviews of early modern angelology. In this paper, I will refer especially to the DM 35, a more synthetic and peculiar work, with some reference to De Angelis as well. I will focus especially on sections 1-3 of DM 35, and try to reconstruct Suárez’s views on the following points: a) the cosmological necessity of angels, their rational demonstrability and the possibility of man’s knowing them (sections 1-2); b) the immaterial essence of angels (section 3).

The issue addresses the relationship between cosmology and ratio, or the dialectical and structural connection which links the same definition of “world” as a uniform, homogeneous, coherent and possible system with the very logical and narrative (and then uniform, homogeneous, coherent and possible) character of our rational description of it. Otherwise, every ratio mundi – understood both in a metaphysical or in an epistemological or in a phenomenological way – amounts, really because it is a ratio, as an explication and an articulation of an object formerly pre-understood and, so to speak, invented, cum discursu, or rather into specific logic and descriptive categories. Because of this structural co-belonging of the concept of “cosmos” to his own narrative dimension, we may can reduce the history of cosmology to a long sequence of depictions, but overall of creations and re-creations of the world, that allow us to distinguish in a only partial way a physical and naturalistic discussion from a theological, a metaphysical or a linguistical-imaginative one.

This article examines the epistemological role of the fable as used by Descartes in his Monde to present the idea of an entirely mechanical world. Rather than merely a dissimulative-literary device, putting the world into fable form actually turns out to be a real scientific instrument, making it possible for Descartes to re-create the world from a metaphysical and wholly geometrical point of view, based on the changelessness of the divine essence and creation. In this sense his fable du monde goes hand in hand with the ability of the human imagination to think up scientific models, that, by being plausible, can be applied to the interpretation of phenomena.

In this essay I address the debate between Pierre Chanet and Marin Cureau de La Chambre on animal instinct, analyzing and connecting it to the question of the relationship between God and secondary causes. While Chanet considers instinctive actions as the result of direct intervention by God, that would conduct his creatures beyond their natural limits, Cureau places them in the cognitive structure that God has given to the animals, doing of instinctive actions natural actions in the strict sense. Starting from that, Cureau can introduce a bizarre analogy between animal’s innate capability to act in the environment beyond any previous experience and the innate knowledge of angels. This comparison is strongly criticized by Chanet and probably persuades Cureau to change his presentation of the soul in his late masterpiece, "Le Systéme de l’âme". My conclusion is that both Chanet’s and Cureau’s accounts for animal instinct are functional to an anthropocentric metaphysics that keeps the human soul as an intellective, individual and separable substance; but they also provide - especially with Cureau - a good example of a compromise between hylomorphism, dualism and mechanism.

Why do we remember? And, for that matter, what is remembering? Placed between body and mind, the phenomenon of memory simultaneously involves biological, psychological, semiotic, and metaphysical elements. Memory’s place at the heart of our understanding of ourselves is why many of the greatest philosophers of all the time have dealt with the problem – or, better, have had to deal with it. Plato, Aristotle, Augustine, Descartes, Locke, Kant, Hegel, Bergson, Russell, and Wittgenstein, are just a few among many who have proffered explanations. While all such proposals have been deficient in their own ways, each has advanced our understanding of the myriad phenomena associated with memory. With recent developments in phenomenology, analytic philosophy, and the empirical sciences interest in memory has intensified. In the 20th century, philosophers were particularly interested in identifying its causes, the ontology of mnemonic traces, the mechanisms of recall, and its epistemic characteristics. Moreover, as philosophy has directed its sight towards social objects and structures, questions involving memory have developed political and social dimensions as well – extending the debate to collective memory. What are the mechanisms of intersubjective memorization and recall of information, ideas, and representations? What are the ethical dimensions and consequences of public memory?

For Christian theology, the survival of the soul after the death of the body is a matter of fact. However, its philosophical explanation is probably the most peculiar issue of Thomas Aquinas’ radically Aristotelianaccount of body-soul. For both Augustine and Avicenna – who, together with Aristotle, can be considered the main sources of thirteenth century philosophy – the certainty of the immaterial soul’s ability to survive independently from the body was so strong that, coining their very own notions of human spiritual substance, they described it as only partially implied in the act of the body’s information. This account was able to mediate between Aristotle’s idea of the soul as a form of the body and the Neoplatonic theory of the soul as an independent substance....

The article examines Marin Cureau de La Chambre's Système de l'âme (1664), highlighting the role played in the work by the tradition of Italian Renaissance naturalism. La Chambre profoundly criticizes the very concept of 'passion of the soul', attacking the Aristotelian doctrine of the possible intellect but, contemporarily, also the direct interaction between body and mind presupposed by Descartes in Les passions de l'âme. The solution adopted by Cureau is based on the doctrine of intermediate substances, which allows him to resume Ficino's model, reconciling it with Descartes' intellec-tualist dualism and integrating the latter with a panpsychism of Campanellian brand.

This paper addresses Suárez’s understanding of imagination and phantasy, dealing with it in the general Aristotelian debate on the internal senses. Paragraph 1 sketches Aristotle’s, Avicenna’s and Aquinas’s accounts of imagination, examining especially the boundary between human and animal cognition. Paragraph 2 addresses especially the Jesuits’ understanding of the topology of the internal senses, linking it with the Jesuit strategy for the demonstration of the soul’s immateriality and immortality. Paragraphs 3 and 4 deal with Suárez’s simplification of the internal senses, aimed at establishing a direct opposition between intellection (in men) and a general lower cognitive activity founded in the use of sensory representations (shared by men and animals). Paragraphs 5 and 6 focus on the role of phantasy in Suárez’s account of the illumination of phantasms, on Suárez’s use of Scotus’ concepts of ‘sympathy’, and ‘concomitance’ and the relevance of such a model in the demonstration of the soul’s immortality.

A widespread historiographical portrayal represented Descartes' dualism as constituted in direct contrast with Aquinas' concept of soul-form. In the wake of the many studies that have opposed this prejudice in recent decades, this book reconstructs the fifteenth and seventeenth-century debate on psychology, focusing primarily on the Jesuit context and on the intersection between Aristotelianism, Platonism, and Augustinianism in early modern France. Beginning with a rigorous investigation of the theories of the separated soul, particular attention is then given to the indirect derivation of the Cartesian cogito and innatism from angelological themes of the time. Indeed, in the years in which Descartes elaborates his metaphysics, the immediate proximity between souls and angels is somehow a matter of fact, in the light of which many of the argumentative choices of the Meditations, and even the relationship that closely joins the "thinking substance" with the body-machine, appear clear.

This chapter focuses on the question of the specific truth granted to the human intellect’s concepts qua concepts (simplex apprehensio), as it is presented and discussed in Sebastião do Couto’s commentary on On Interpretation, included in his general commentary on Aristotle’s Dialectics (1606), the final volume of the famous and influential Cursus Conimbricensis (1592–1606). Such a topic finds it roots in a large medieval debate that runs through many authors and especially Augustine, Aquinas, Scotus, Durandus, and Ockham, reaching in the Jesuit early modern context, with Pedro da Fonseca and Francisco Suárez, a complete and eclectic account that paved the way for the modern understanding of “mind.”

This volume publishes the Proceedings of the 1st International Meeting "Thinking Baroque in Portugal" (26-28 June 2017), which dealt with the metaphysical, ethical and political thought of Francisco Suárez. Counting on the collaboration of some of the greatest international specialists in the work and thought of this famous professor of the University of Coimbra in the 17th century, this volume celebrates the 400th anniversary of his death and marks the productivity of his philosophical-theological legacy.

This essay focuses on the ontology of the virtual, looking especially at its historical connection with today’s technology. The work begins by discussing the metaphysical structure of the Aristotelian dynamis, understood as the conceptual root of the Latin virtus. Reading Aristotle, especially through bergsonian concepts, I show how his dynamis allows a proto-deterministic account of spontaneity, strictly related to goal-oriented processes of human serial production and with the possibility of a homogeneous area of manipulation. Thus we stress how the ‘reproductive’ model works in every ontological account of the virtual and especially in the Renaissance ones, connected with the idea of a full “enginerization” of the real. The core of metaphysical virtuality seems to lie rather in an ontological account of “form” that denies its processual becoming and its process of stabilization through an infrastructure. Finally, I reject any ontological use of the virtual in teleonomy, especially in its metaphysical attempt to identify autopoiesis and mechanism, and I conclude by stressing how current digital technology is fully oriented to the reproductive model, conceptually rooted in a metaphysical account of the virtual.

The Question of Truth in Pedro da Fonseca: the Problem of the simplex apprehensio and the Foundation of Logical Identities. This article deals with the theory of truth in Pedro da Fonseca (1528-1599) as it is presented in his commentary on Aristotle’s Metaphysics (1577-1612). The first part of the paper is dedicated to Fonseca’s definition of intellective truth within the doctrinal topography of the Aristotelian tradition. The Author especially points out Fonseca’s attempt to justify the notion of a “simple” truth of the “simple apprehension”, based on a specific use of Cajetan’s distinction between “signified act” and “exercised act” as well as on a (partially) nominalist account of the relationship between “simple” and “enunciative” concepts. The second part deals instead with Fonseca’s definition of transcendental truth, understood as the conformity between the intellect and the esse realis of the res, and as the conformity of the latter with exemplars in God’s mind. Here the Author also reconstructs Fonseca’s theory of divine ideas and his theory of logical identities.

The current issue looks into the concept of Man and in particular at the anthropological domain that this notion has represented at different times in the history of modern and contemporary western thought. It does this, however, by focusing on its cut-off points, where questions have revealed a fundamental instability at the root of the very concept of “human’’, thus attempting to show that every “theory of human nature’’ must by its very nature look beyond human nature as it identifies and ‘brings out’ to the point of alienation the inner grammar and constitutive logic of that combination of forces commonly known as ‘Man’. In mapping out a sketch of the elements that make up the setting for this problem, we have set out to give this collection the structure of a round trip. As our starting point for this selection we have taken the mechanistic and naturalistic revolution in the theory of human nature which, starting from Descartes in the heyday of the modern era, for the first time assigns to physiological investigation autonomous prerogatives in defining the human, bringing in a wide range of anthropological paradoxes concerning the dividing lines between Man, machine and animal. These paradoxes were to push philosophical reflection itself, with Kant, towards the new shores of a moral and pragmatic theory of human nature which was to be characteristic of the whole second part of the modern era and which is richly dealt with in this volume. The same paradoxes had to be faced again with the arrival of Darwinian evolutionary theory, when they had to be integrated with the problems that had arisen in the moral and idealistic thinking of the early 19th century. So by closing with the concept of the “post-human’’, the return of this selection to its starting point perhaps brings us to the point of connection between the two poles around which philosophical reflection on human nature has revolved – nature and spirit – and the culmination of a duality that seems to us to identify and delineate the domain of the human that western thought has been mapping out from the early 17th century until today. Hoping you enjoy the read, we invite you to look forward to the next issue of Azimuth, due in October 2013, dealing with Aesthetics and Politics.