Jérôme Dokic

Cet article porte sur une distinction familière entre deux formes de souvenirs: les souvenirs factuels ('Je me souviens que p', où 'p' est une proposition) et les souvenirs épisodiques ('Je me souviens de x', où x est une entité particulière). Les souvenirs épisodiques ont, contrairement aux souvenirs factuels, un rapport immédiat et interne à une expérience particulière que le sujet a eue dans le passé. Les souvenirs épisodique et factuel sont des souvenirs explicites au sens de la psychologie cognitive. J'esquisse une théorie du souvenir épisodique qui rend compte de ce trait essentiel. L'une des conséquences de cette théorie est que lorsque je me souviens de quelque chose au sens épisodique, je me souviens que ce même souvenir remonte directement à l'une des mes expériences passées. Le souvenir épisodique est un souvenir factuel réflexif

It is widely assumed, both in philosophy and in the cognitive sciences, that perception essentially involves a relative or egocentric frame of reference. Levinson has explicitly challenged this assumption, arguing instead in favour of the 'neo-Whorfian' hypothesis that the frame of reference dominant in a given language infiltrates spatial representations in non-linguistic, and in particular perceptual, modalities. Our aim in this paper is to assess Levinson's neo-Whorfian hypothesis at the philosophical level and to explore the further possibility that perception may not just use frames of reference other than the relative one but may also, in some cases at least, be perspective-free

Episodic memory involves the sense that it is “first-hand”, i.e., originates directly from one’s own past experience. An account of this phenomenological dimension is offered in terms of an affective experience or feeling specific to episodic memory. On the basis of recent empirical research in the domain of metamemory, it is claimed that a recollective experience involves two separate mental components: a first-order memory about the past along with a metacognitive, episodic feeling of knowing. The proposed two-tiered account is contrasted with other, reductionist two-tiered accounts as well as with reflexive accounts of episodic memory to be found in the literature

Situation theorists such as John Barwise, John Etchemendy, John Perry and François Recanati have put forward the hypothesis that linguistic representations are situated in the sense that they are true or false only relative to partial situations which are not explicitly represented as such. Following Recanati's lead, I explore this hypothesis with respect to mental representations. First, I introduce the notion of unarticulated constituent, due to John Perry. I suggest that the question of whether there really are such constituents should divide in two issues, one concerning language and the other concerning thought. Then I formulate a dilemma that any friend of cognitive unarticulated constituents must face: alleged unarticulated constituents seem to be either articulated or non-constituents after all. The dilemma is strengthened by the fact that unarticulated constituents cannot be inferentially relevant. In §4, three constraints on entertaining situated representations are spelled out. First, although the situation within which one is immersed is not represented as such, there must be cognitive facts that make immersion possible, and explain why one is implicitly related to a particular situation as opposed to another. Second, the move from a given representation to one which articulates the situation requires the capacity to contrast the latter with others in the same range. Third, I suggest that conceptual representations differ from non-conceptual ones in the permanent possibility of detachment that they allow. I then illustrate how these constraints work in three sorts of cases. In the first, thoughts like It's raining and It's over are implicitly related to their situations via some practical capacity of keeping track of particular places or times. In the second sort of cases, the relevant situations are not given, but stipulated, like in In Constance, it's raining. Cases of the third sort are those in which an unarticulated constituent is relevant to a whole system of representations, for instance the perceptual system. In the last section, I use the notion of ad hoc representation to defend the cognitive application of situation semantics against an important objection.

Dans cet article, je me demande ce qui distingue la conscience 'externe' du monde (par exemple, la perception visuelle) et la conscience 'interne' du corps propre (par exemple, l'expérience de la douleur). Je rejette les théories analytiques récentes qui assimilent l'expérience de la douleur à une forme de perception externe, à savoir la perception d'un dommage physique relatif au corps du sujet. Mais je ne souscris pas pour autant à la thèse phénoménologique selon laquelle il y a un 'espace douloureux', et plus généralement un espace corporel, distinct de l'espace de la perception externe. Selon moi, la différence entre la conscience 'à l'extérieur' et la conscience 'de l'intérieur' ne réside ni dans la forme de la perception, ni dans la nature de l'espace perçu, mais dans l'objet intentionnel lui-même, indépendant de l'expérience dans le premier cas, mais dépendant de celle-ci dans le second

This essay explores the prospects of grounding an account of pictorial experience or ‘seeing-in’ on a theory of presence in ordinary perception. Even though worldly objects can be perceptually recognized in a picture, they do not feel present as when they are perceived face to face. I defend a dual view of perceptual phenomenology according to which the sense of presence is dissociated from the contents of perception. On the one hand, the sense of presence is best conceived as a non-sensory feeling. Ordinary objects are felt but not seen to be present. On the other hand, the contents of perception are determined by the actualization of perceptual-recognitional abilities. Unlike current versions of the feeling-based account of the sense of presence, I claim that these abilities enable us to perceive worldly (partial or overall) appearances. This claim justifies the strongest interpretation of recognition theories which does not fall back on the view that pictorial experience involves a kind of perceptual illusion