Mark Textor

Common sense takes the physical world to be populated by mind-independent particulars. Why and with what right do we hold this view? Early phenomenologists argue that the common sense view is our natural starting point because we experience objects as mind-independent. While it seems unsurprising that one can perceive an object being red or square, the claim that one can experience an object as mind-independent is controversial. In this paper I will articulate and defend the claim that we can experience mind-independence by mainly drawing on the work of the Gestalt psychologist Karl Duncker who, in turn, built on Husserl’s work. In the development of this claim the notion of a limit – either a maximum or minimum – of perception will play an important role.

Moritz Schlick’s work shaped Logical Empiricism and thereby an important part of philosophy in the first half of the 20th century. A continuous thread that runs through his work is a philosophical diagnosis of the ‘great errors in philosophy’: philosophers assume that there is intuitive knowledge/knowledge by acquaintance. Yet acquaintance, it is not knowledge, but an evaluative attitude. In this paper I will reconstruct Schlick’s arguments for this conclusion in the light of his early practical philosophy and his reading of Schopenhauer’s The World as Will and Idea. Having the historical roots of Schlick’s position in view will put us in a position to explore and question its presuppositions.

Current work on first-person thought takes its distinctive feature to be epistemological. First-person thinking is non-observational and immune to errors to which other varieties of thought about us are open. In contrast, the nineteenth century philosopher Hermann Lotze (1817-81) put the distinctive concern we have for the object of first-person thought at the center of his account. His arguments suggest that first-person thought is essentially evaluative. In this paper I will reconstruct and defend the core of Lotze’s view of self-consciousness.

We argue against the dominant view in the literature that concepts are modulated in lexical modulation. We also argue against the alternative view that ‘grab bags’ of information that don’t determine extensions are the starting point for lexical modulation. In response to the problems with these views we outline a new model for lexical modulation that dispenses with the assumption that there is a standing meaning of a general term that is modified in the cases under consideration. In applying general terms we intend to conform with our linguistic ancestors and in doing so we take facts about the referents of these terms for granted. In cases of lexical modulation we become aware of facts we took for granted and we need to change the facts we take for granted in order to see ourselves as continuing in a practice. These changes result in utterances of the general term referring to different properties. In general, concepts are neither the starting point for lexical modulation nor the standing meanings of words.

Although an important part of the origins of analytic philosophy can be traced back to philosophy in Austria in the first part of the twentieth century, remarkably little is known about the specific contribution made by Austrian philosophy and philosophers. In The Austrian Contribution to Analytic Philosophy , prominent analytic philosophers take a fresh look at the roots of analytic philosophy in the thought of influential but often overlooked Austrian philosophers including Brentano, Meinong, Bolzano, Husserl, and Witasek. The contributors to this volume investigate central topics in theoretical philosophy such as intentionality, consciousness, memory, attributes, and truth as well as political philosophy and aesthetics. This original collection will be of interest to anyone studying the origins of analytic philosophy as well as contemporary debates in philosophy of language, metaphysics and mind

Mark Textor presents a critical study of the work of Franz Brentano, one of the most important thinkers of the nineteenth century. His work has influenced analytic philosophers like Russell as well as phenomenologists like Husserl and Sartre, and continues to shape debates in the philosophy of mind. Brentano made intentionality a central topic in the philosophy of mind by proposing that 'directedness' is the distinctive feature of the mental. The first part of the book investigates Brentano's intentionalism as well as attempts to improve or develop it. Textor argues that there is no plausible version of this doctrine, and rejects it in favour of a mark of the mental proposed by Brentano's student Husserl: mental phenomena have no appearances. The second part of the book develops and defends Brentano's view about the structure of perceptual awareness. Awareness of a mental activity and this mental activity are not distinct mental acts, the first representing the second. They are one and the same activity that has several objects. Textor shows that Brentano held that intentionality is plural - directedness is directedness on some objects - and shows how the plural conception solves thorny problems. The third part of the book is devoted to Brentano's view of pleasure and pain. Textor draws out parallels between enjoying an activity and awareness of it and argues that enjoying an activity and the activity enjoyed are not distinct. The final part of the book extends the plural view to the conscious mental life of a thinker at a time (the unity of synchronic consciousness): it is one mental act with many objects.

Brentano's Thesis that intentionality is the mark of the mental is central to analytic philosophy of mind as well as phenomenology. The contemporary discussion assumes that it is a formulation of an analytic definition of the mental. I argue that this assumption is mistaken. According to Brentano, many philosophical concepts can only be elucidated by perceiving their instances because these concepts are abstracted from perception. The concept of the mental is one of these concepts. We need to understand Brentano's Thesis accordingly: It is a piece of advice on how to become introspectively aware of the distinctive feature of mental phenomena. On this understanding of Brentano's Thesis standard objections to it no longer arise.

Hector-Neri Castaneda claimed in several papers that a proposition expressed by an indexical sentence can be re-expressed by means of an oratio obliqua clause that contains a quasi-indicator. Robert M. Adams and Rogers Albritton have presented a counter-argument that is accepted by Castaneda himself. I will argue that the Adams/Albritton argument is not convincing: The argument uses several assumptions which could be disputed. The paper tries to develop a more direct argument against Castaneda’s central claim. If Castaneda’s thesis is false, what then is achieved by quasi-indexicals in oratio obliqua? Adams and Castaneda answer this question with a picture: the quasi-indexical clause portrays an indexical proposition. I use Perry’s idea that quasi-indicators could be seen as expressions that bind special sense variables to give a less metaphorical account of the functioning of quasi-indicators. Finally, I explore the consequences of this account for iterated knowledge-ascriptions with quasi-indicators and for truth-conditional theories of meaning

Bolzano incorporated Kant's distinction between intuitions and concepts into the doctrine of propositions by distinguishing between conceptual (Begriffssätze an sich) and intuitive propositions (Anschauungssätze an sich). An intuitive proposition contains at least one objective intuition, that is, a simple idea that represents exactly one object; a conceptual proposition contains no objective intuition. After Bolzano, philosophers dispensed with the distinction between conceptual and intuitive propositions. So why did Bolzano attach philosophical importance to it? I will argue that, ultimately, the value of the distinction lies in the fact that conceptual and intuitive truths have different objective grounds: if a conceptual truth is grounded at all, its ground is a conceptual truth. The difference in grounds between conceptual and intuitive truths motivates Bolzano's criticism of Kant's view that intuition plays the fundamental role in mathematics, a conceptual science by Bolzano's lights.