Alia Al-Saji

This paper asks how perception becomes racializing and seeks the means for its critical interruption. My aim is not only to understand the recalcitrant and limitative temporal structure of racializing habits of seeing, but also to uncover the possibilities within perception for a critical awareness and destabilization of this structure. Reading Henri Bergson and Maurice Merleau-Ponty in dialogue with Frantz Fanon, Iris Marion Young and race-critical feminism, I locate in hesitation the phenomenological moment where habits of seeing can be internally fractured. Hesitation, I claim, makes visible the exclusionary logic of racializing and objectifying perception, countering its affective closure and opening it to critical transformation.

In this essay, I draw on Henri Bergson and Maurice Merleau-Ponty to interrogate what philosophy is and how it can continue to think. Though my answer is not reducible to the views of either philosopher, what joins them is an attempt to elaborate philosophy as a different way of seeing. In this light, I propose a view of philosophy as prosthesis—as a means and a way for seeing differently. Rather than a simple tool, philosophy as prosthesis is a transformative supplement, one that our bodily perception calls for and wherein that perception is recast. Rather than a fixed or assured view, this prosthesis holds open the interval in which thinking can take place. Philosophy, I argue, must wait. It sees and thinks hesitatingly, for the temporality it inscribes is not a foreseeable development but the unfolding of life as tendency, as that which creates its own possibility as it comes into existence

Phenomenology's relation to sensation has many facets. Sensation arises in different contexts in Edmund Husserl's work, and receives several reformulations. This causes us to inquire how the sensations that are unified within the temporal flow by time constituting consciousness, in On the Phenomenology of the Consciousness of Internal Time, and that continue to exercise an affective pull even after having passed away, in Analyses Concerning Passive Synthesis, can be related to the bodily sensations which constitute the lived body in Ideas II. What is revealed in a critical study of these texts is the unthematized role that sensation plays in Husserl's writings. Yet sensation is not for that reason less significant, nor could his phenomenological descriptions of experience convincingly forgo this concept. ;What is the concept of sensation which can subtend these different formulations and provide a connecting thread within Husserl's phenomenology? My dissertation is a reply to this question. I argue that the sketches of sensation found in Husserl's works can provide the grounds for a rhythmic and dynamic theory of the lived body---a theory which not only inserts the body into the temporal flow of lived experience, and defines its spatiality as fluid, malleable and affectively charged, but which also opens the body to an intersubjective dimension. In this way, sensation becomes a differentiated and heterogeneous reality. Sensation has the structure of an evolution, the continuity of a rhythm, so that the body that is constituted of sensings secretes time at its joints. This theory frees sensation from Husserl's early hylomorphic schema in Ideas I, and reconnects it to the flow of life, and to bodily experiences of world and others. In the process I also examine alternative views which deal with the role of sensation in the contexts of the body, temporality and otherness. The works of M. Merleau-Ponty, but also of E. Levinas, L. Irigaray, H. Bergson and G. Deleuze are important in this regard. Reading these thinkers in connection to Husserl sheds an unexpected light on their philosophies, while allowing us to challenge Husserl and to propel phenomenology in new directions

This special issue brings together some of the highlights from the fifty-fourth annual meeting of the Society for Phenomenology and Existential Philosophy. Emory University hosted the conference on October 8–10, 2015, in Atlanta, Georgia. The articles included in this volume draw out, in plural ways, the trajectories, methodologies, and orientations that run through what we call today Continental philosophy. By mining the affective, imaginary, conceptual, and political dimensions of experience, they critically deepen and elaborate, indeed perform, not only what Continental philosophies are about but how they orient perception, feeling, and thinking. Hence our issue, “Critical, Affective, and Plural...

To discover affects within Husserl’s texts designates a difficult investigation; it points to a theme of which these texts were forced to speak, even as they were explicitly speaking of regional ontologies and the foundations of sciences. For we may at first wonder: where can affection find a positive role in the rigor of a pure philosophy that seeks to account for its phenomena from within the immanence of consciousness? Does this not mean that the very passivity and foreignness of affect will be overlooked; will it not be continually linked to a Vorstellung that issues as a ray of the pure ego? That is, will the phenomenological account of affect be reduced to the cognition of an object, as Emmanuel Levinas suggests? Yet there are affects in Husserl’s texts that maintain their autonomy and resist subsumption to an objectivating intentionality.We may see this in the Lectures On the Phenomenology of the Consciousness of Internal Time: in the longitudinal intentionality of retention, through which consciousness becomes aware of its elapsed phases without making them into objects—a passive synthesis that gives the flow of time-constituting consciousness the form of a continually deferred auto-affection.1We find it again as early as the fifth Logical Investigation, 2 providing us with the impetus to radicalize Husserlian phenomenology.