Alia Al-Saji

This special issue brings together some of the highlights from the fifty-fourth annual meeting of the Society for Phenomenology and Existential Philosophy. Emory University hosted the conference on October 8–10, 2015, in Atlanta, Georgia. The articles included in this volume draw out, in plural ways, the trajectories, methodologies, and orientations that run through what we call today Continental philosophy. By mining the affective, imaginary, conceptual, and political dimensions of experience, they critically deepen and elaborate, indeed perform, not only what Continental philosophies are about but how they orient perception, feeling, and thinking. Hence our issue, “Critical, Affective, and Plural...

Phenomenology has always dwelled on the borders. Its methods border on those of psychology, logic, and anthropology; its contents, on those of virtually every other discipline. From the beginning phenomenology has been concerned with beginnings and endings—temporal borders—and with finite and infinite forms. Philosophically, phenomenology borders on existentialism, hermeneutics, philosophy of religion, feminism, critical race theory, psychoanalysis, cognitive science, and other fields of inquiry. Such borders are obviously not well defined, which is not to say that they do not exist. Phenomenology dwells on its borders by letting itself be challenged about how it represents them. To dwell on...

I argue that the temporality of colonialism is a disabling duration. To elaborate, I focus on a site in Frantz Fanon’s Black Skin, White Masks where disability/debility and racism intertwine – Fanon’s refusal of “amputation” in his experience of cinema. While such disability metaphors have been problematized as ableist, I argue that amputation is more than a metaphor of lack. It extends what racializing debilitation means and makes tangible the prosthetics that colonialism imposes and the phantoms and affects of colonized life that it attempts to sever. Engaging with disability studies, especially Black and anticolonial theories, I articulate racism and (dis)ability as more than parallel or analogy and conceptualize a debilitating colonial duration, as instanced in our pandemic time. By reconfiguring the possibilities foreclosed through colonialism, I ask what routes there may be to make colonial duration hesitate and destabilize its inevitability, while dwelling with its wounds and ruptures.

I develop a phenomenological account of racialized encounters with works of art and film, wherein the racialized viewer feels cast as perpetually past, coming “too late” to intervene in the meaning of her own representation. This points to the distinctive role that the colonial past plays in mediating and constructing our self‐images. I draw on my experience of three exhibitions that take Muslims and/or Arabs as their subject matter and that ostensibly try to interrupt or subvert racialization while reproducing some of its tropes. My examples are the Jean‐Joseph Benjamin‐Constant exhibition at the Montreal Museum of Fine Arts (2015), the exposition Welten der Muslime at the Ethnologisches Museum in Berlin (2011–2017), and a sculpture by Bob and Roberta Smith at the Leeds City Art Gallery, created in response to the imperial power painting, General Gordon's Last Stand, that is housed there. My interest is in how artworks contribute to the experience of being racialized in ways that not only amplify the circulation of images but also constitute difficult temporal relations to images. Drawing on Frantz Fanon's Black Skin, White Masks, I argue that such racialized images are temporally gluey, or stuck, so that we are weighted and bogged down by them. This essay received Honorable Mention from the American Society for Aesthetics Feminist Caucus Committee as runner-up in the Feminist Research Essay prize in 2020.

This special issue brings together some of the highlights from the fifty-fifth annual meeting of the Society for Phenomenology and Existential Philosophy. Utah Valley University hosted the conference on October 20–22, 2016, in Salt Lake City, Utah. The title of this issue, "Placing Transcontinental Philosophy," attempts to capture a sense of the expanding diversity and depth of continental philosophy in the new millennium as it is practiced and advanced by SPEP. The neologism transcontinental philosophy signifies not only the growing global reach but also the profound developments of continental philosophy as it has been taken up through other cultural standpoints and linguistic orientations. The articles...

Phenomenology's relation to sensation has many facets. Sensation arises in different contexts in Edmund Husserl's work, and receives several reformulations. This causes us to inquire how the sensations that are unified within the temporal flow by time constituting consciousness, in On the Phenomenology of the Consciousness of Internal Time, and that continue to exercise an affective pull even after having passed away, in Analyses Concerning Passive Synthesis, can be related to the bodily sensations which constitute the lived body in Ideas II. What is revealed in a critical study of these texts is the unthematized role that sensation plays in Husserl's writings. Yet sensation is not for that reason less significant, nor could his phenomenological descriptions of experience convincingly forgo this concept. ;What is the concept of sensation which can subtend these different formulations and provide a connecting thread within Husserl's phenomenology? My dissertation is a reply to this question. I argue that the sketches of sensation found in Husserl's works can provide the grounds for a rhythmic and dynamic theory of the lived body---a theory which not only inserts the body into the temporal flow of lived experience, and defines its spatiality as fluid, malleable and affectively charged, but which also opens the body to an intersubjective dimension. In this way, sensation becomes a differentiated and heterogeneous reality. Sensation has the structure of an evolution, the continuity of a rhythm, so that the body that is constituted of sensings secretes time at its joints. This theory frees sensation from Husserl's early hylomorphic schema in Ideas I, and reconnects it to the flow of life, and to bodily experiences of world and others. In the process I also examine alternative views which deal with the role of sensation in the contexts of the body, temporality and otherness. The works of M. Merleau-Ponty, but also of E. Levinas, L. Irigaray, H. Bergson and G. Deleuze are important in this regard. Reading these thinkers in connection to Husserl sheds an unexpected light on their philosophies, while allowing us to challenge Husserl and to propel phenomenology in new directions