Hasana Sharp

This essay contends that Spinoza provides a valuable analysis of the ‘‘affective’’damage to a social body caused by fear, anxiety, and ‘‘superstition.’’ Far from being primarily an external threat, this essay argues that terrorism and the promulgationof fear by the current administration in the United States pose a threat to internalsocial cohesion. The capacity to respond in constructive and ameliorative ways tocurrent global conflicts is radically undermined by amplifying corrosive relationshipsof anxiety, suspicion and hatred among citizens. Spinoza presents a portrait of natural and political existence as deeply relational and ‘‘affective’’ such that human freedom and power depend upon the concern for the affective and passionatedispositions of human bodies and minds. In order for democracy, the power of themany, to exist effectively, the social body must be ruled by ‘‘joyful passions’’ rather than ‘‘sad passions,’’ which are destructive and debilitating by nature.

Reconfiguring the human -- Lines, planes, and bodies: redefining human action -- Action as affect -- The transindividuality of affect -- The tongue -- Renaturalizing ideology: Spinoza's ecosystem of ideas -- The matrix -- Ideology critique today? -- The fly in the coach -- "I am in ideology," or the attribute of thought -- What is to be done? -- Man's utility to man: reason and its place in nature -- The politics of human nature -- Reason and the human essence -- Man's utility to man -- Nonhuman utility -- Beyond the image of man -- Desire for recognition? Butler, Hegel, and Spinoza -- Spinoza in Hegel -- Desire in Hegel -- Conatus and cupiditas in Spinoza -- From interpersonal recognition to impersonal glory -- Judith Butler's post-Hegelian politics of recognition -- The impersonal is political: Spinoza and a feminist politics of imperceptibility -- The politics of recognition -- Elizabeth Grosz's critique of the politics of recognition -- Thinking beyond the (hu)man -- A politics of imperceptibility -- Nature, norms, and beasts -- The beast within -- Animal affects (and) the first man -- Ethics as ethology?

Against the common understanding that the Ethics promotes a "radical anti-emotion program," I claim that Spinoza describes an immanent transformation of love from a form of madness to an expression of wisdom. Love as madness produces the affects that another tradition unites in the seven deadly sins, such as lust, gluttony, envy, greed, and pride. Spinoza, however, never condemns these affects as such. Within each affect one can find its "correct use" (E5p10schol), which enables us to love and to live otherwise. As we come to understand our beloveds as determinate expressions both of nature's power and of our own ability to persevere in being, we find conditions for our liberation within these most burdensome of passions. More specifically, as we diminish our tendency to imagine what we love in terms of its finitude and susceptibility to loss, we are determined to love and to know both others and ourselves by the joyful passions. Ultimately, Spinoza's portrait of love suggests ways of life that generate the satisfaction of our possessive desire with the collective and inclusive love of, certainly, the eternal and immutable thing, but also the eternal and immutable in things, in each other, and above all, in ourselves. In other words, Spinoza's economics of love and possession point up the desire to appropriate our own power in and of community, and in of nature.

The guidebook is meant to be read alongside the Ethics. It thus follows the order of Spinoza’s text and discusses sets of propositions as the development of various strands of argument. It instructs readers to pause and, for example, read Propositions 1-5 of Part 1 together, before moving on to a different component of his argument for the simplicity of substance. Lord dedicates more elaborate discussion to crucial but problematic propositions, like Proposition 11 of Part 1, Proposition 7 of Part 2, etc. It thus serves as a good map for new readers, who are often bewildered by Spinoza’s geometrical method, in addition to explaining his major teachings. The book includes various study aids, including a glossary, suggestions for further reading, examples of questions students are likely to encounter, and even tips for students writing about Spinoza.

This paper offers an interpretation of Spinoza's theory of ideas as a theory of power. The consideration of ideas in terms of force and vitality figures ideology critique as a struggle within the power of thought to give life support to some ideas, while starving others. Because ideas, considered absolutely on Spinoza's terms, are indifferent to human flourishing, they survive, thrive, or atrophy on the basis of their relationship to ambient ideas. Thus, the effort to think and live well requires attention to the collective dimensions of thinking life, where "collective" refers to a transpersonal accumulation of ideal power that includes human as well as nonhuman beings. Because it is a matter of force and power rather than truth and falsity, the project of thinking otherwise entails an effort to displace and to reorganize ideas that is best undertaken by coordinating and galvanizing many thinking powers.

In asserting that the desire to possess what we cannot exclusively and permanently have lies at the root of human misery, Spinoza's Ethics discloses a problem that requires a political response. Although the final part of the Ethics appears to be the least practical of Spinoza's writings, it nonetheless foregrounds the tangible problem of our desire for possession, our desire to have what gives us joy. Moreover, it proposes a remedial practice by means of which this problematic desire might generate satisfaction and strength rather than frustration and suffering. The "remedy for the affects" demands a reorientation of one's possessive desire corollary to the fundamentally affective and affirmative understanding of justice propounded in Spinoza's political writings. The cure for the possessive lovesickness portrayed in the Ethics, I aim to show, entails institutions of justice insofar as they operate upon our proprietary desires.

Michael Mack joins a number of thinkers - including Louis Althusser, Gilles Deleuze, Antonio Negri, and Jonathan Israel - in the effort to locate Spinoza within an alternative current of modernity. Akin especially to Israel's portrait, Mack presents Spinoza as an enlightenment thinker who deepens and radicalises the major concepts associated with the modern age: equality, fraternity, and liberty. Distinguishing Mack's study from either Israel's sweeping history of ideas or the Marxist effort to produce an anomalous thread in the history of philosophy is his alliance of Spinoza with Herder's philosophical anthropology, the literary productions of Goethe and Eliot, and the thought of Rosenzweig and Freud. Mack links these figures within a "spectral" constellation, not only because they together sketch an alternative to the dominant Kantian tradition, but also because they recognise and affirm the "undecidability" of the human condition. A spectre is between worlds, a disquieting figure of present absence, and thus blurs definitions, boundaries, and categories. Indebted significantly to feminist analyses of Spinoza (Gatens and Lloyd), Mack thematises Spinoza's influence on these thinkers primarily as a confounder of binary oppositions between mind/body, reason/passion, nature/culture, private/public, and self/other. The undecidability of frontiers and concepts that characterises this alter-tradition, according to Mack, yields a profound suspicion of hierarchies of any kind and a keen interest in narrative as "the constitutive fabric of politics, identity, society, religion, and the larger sphere of culture."

In examining Judith Butler's treatment of Spinoza insofar as it reflects the tenacity of a commitment to the need to "honor the death drive," a need often justified by the ethical and political resources it provides, this essay asks about the basis of this need for feminist theory. From whence does it come? What ethical and political work does a primary vigilance toward our destructive and death-bent urges do? Thus, I begin with a review of Butler's treatment of Spinoza, and proceed to make some suggestions about what motivates her creative appropriation of his principle of conatus. Finally, without demanding that Butler represent Spinoza's philosophy accurately, I propose that Spinoza's philosophy allows a very strong acknowledgment of destruction, including self-destruction, without conceding the necessity of an ethics or politics of anxiety. Like Butler, and perhaps even more radically, Spinoza insists upon our opacity to ourselves, our irreducible and original multiplicity and constitutive relationality, as well as the inability finally to demarcate the boundaries of the self. Yet his ethics culminates in what he calls a "remedy for the affects," in an endeavor to displace and minimize sad passions, like anxiety. In concluding, the question for feminist theory remains: Which are the best fictions, models of selfhood, and modes of speculation for the displacement of anxiety, aggression, and the passions that trigger violence agianst ourselves and others in a misogynist, homophobic, and racist culture? If I am not able to answer these questions in the course of this brief essay, I hope to underline the importance of asking them.

Collective Imaginings is a distinctive work among books on Spinoza in that it combines a philosophical and political project. Gatens and Lloyd make a strong connection between their own philosophical, political, and ethical concerns, mirroring their reading of Spinoza's work as a coherent project that constructs an interconnected portrait of metaphysics, epistemology, ethics and politics. Most books on Spinoza written in English, however, locate Spinoza within the history of philosophy whose most significant contribution lies in his metaphysics as outlined in the Ethics, while discussions of his political thought tend to take place either separately or peripherally. Gatens and Lloyd draw upon the flourishing scholarship in France, and that of Italian theorist Antonio Negri (1991), which emphasize Spinoza's relevance to contemporary political and theoretical debates, along with a diverse body of Anglophone literature.

This essay examines Elizabeth Grosz's provocative claim that feminist and anti-racist theorists should reject a politics of recognition in favor of "a politics of imperceptibility." She criticizes any humanist politics centered upon a dialectic between self and other. I turn to Spinoza to develop and explore her alternative proposal. I claim that Spinoza offers resources for her promising politics of corporeality, proximity, power, and connection that includes all of nature, which feminists should explore