Timothy Schroeder

The first third of John Pollock’s Thinking about Acting is on the topics of pleasure, desire, and preference, and these topics are the ones on which this paper focuses. I review Pollock’s position and argue that it has at least one substantial strength (it elegantly demonstrates that desires must be more fundamental than preferences, and embraces this conclusion wholeheartedly) and at least one substantial weakness (it holds to a form of psychological hedonism without convincingly answering the philosophical or empirical objections that might be raised).

Sometimes your concept and mine have exactly the same content. When this is so, it is comparatively easy for me to understand what you say when you deploy your concept, for us to disagree, agree, and so on. But what if your concept and mine do not have exactly the same content? This question has occupied a number of philosophers, including Paul Churchland, Jerry Fodor, and Ernie Lepore. This paper develops a novel and rigorous measure of concept similarity, Proportion, such that concepts with different contents but sufficiently high Proportion scores will also conduce to understanding, agreement, and disagreement.