Alexander Nehamas

The Phaedo, despite the central role which the theory of Forms occupies there, gives us little explicit information. We meet with stock examples and with generalizations like "everything which belongs to being", "everything to which we give the mark of ‘that which is’ in our discussions", "all this sort of being". Socrates postulates the existence of the beautiful itself, the good itself, the large itself, and "all the rest", and he explains the beauty of beautiful things by appealing to their participation in beauty, stressing that he means that for "everything".

From his own day to the present Socrates has presented a challenge to philosophers and commentators, a challenge at once of a puzzle to be solved and of an ideal to be continually reshaped in response to the demands of shifting historical perspectives. Alexander Nehamas’s intriguing book combines discussion of this ongoing process, specifically of responses to Socrates by Montaigne, Nietzsche, and Foucault, with exemplification of it via his own response to Socrates. The focus of these responses is specified in the book’s title. The Socrates to whom Nehamas himself responds is a figure for whom philosophy is the art of living, that is to say a figure who uses argument and debate as a means to the identification and thereby the achievement of the constituents of the best human life. And the writers on Socrates whom he discusses, sharing that conception of the role of philosophy, pursue it with more or less explicit reference to its pursuit by Socrates.

The eminent philosopher and classical scholar Alexander Nehamas presents here a collection of his most important essays on Plato and Socrates. The papers are unified in theme by the idea that Plato's central philosophical concern in metaphysics, ethics, and aesthetics was to distinguish the authentic from the fake, the original from its imitations. In approach, the collection displays Nehamas's characteristic combination of analytical rigor and sensitivity to the literary form and dramatic effect of Plato's work. Together, the papers represent Nehamas's distinct and original contributions to scholarship on Plato and Socrates and serve as a comprehensive introduction to the thought of these two philosophers.In the book's opening section, Nehamas discusses Plato's representation of Socrates as a model of authentic human goodness, showing that Plato's Socrates is a more skeptical, troubling, and individualistic thinker than is usually supposed. The papers in the second section form a sustained defense of a new and important understanding of Plato's theory of the forms and the evolution of that theory in Plato's later writings. The third section examines Plato's contention that popular entertainment--by which he meant Greek epic and tragic poetry--misleads its audience into a debased life, an argument Nehamas relates to modern anxieties about television and other forms of popular culture. The collection also includes a discussion of Plato's use of the dialogue form in his representation of Socrates and carefully examines the combination of literary and philosophical elements in his work.Nehamas argues in the book that Plato's specific judgments of what is authentic are often flawed, but that his idea of authenticity as the mark of truth, beauty, and goodness is stronger than many modern scholars have assumed. In drawing together Nehamas's many influential ideas about Plato and Socrates, Virtues of Authenticity is a major contribution to the study of ancient Greek philosophy

Nietzsche's unpublished notes are extraordinary in both volume and interest, and indispensable to a full understanding of his lifelong engagement with the fundamental questions of philosophy. This volume includes an extensive selection of the notes he kept during the early years of his career. They address the philosophy of Schopenhauer, the nature of tragedy, the relationship of language to music, the importance of Classical Greek culture for modern life, and the value of the unfettered pursuit of truth and knowledge which Nietzsche thought was a central feature of western culture since it was first introduced by Plato. They contain startling and original answers to the questions which were to occupy Nietzsche throughout his life and demonstrate the remarkable stability and consistency of his fundamental concerns. They are presented here in a new translation by Landislaus Löb, and an introduction by Alexander Nehamas sets them in their philosophical and historical contexts.