Alexander Nehamas

In this reply, I defend my views on Nietzsche's “falsification thesis” and his perspectivism against Maudemarie Clark's recent criticisms, which appeared in The Journal of Nietzsche Studies 49.1. I begin by amplifying my interpretation of Gay Science 110 and 111, which, I argue, show that the falsification thesis is absent from The Gay Science. I then turn to perspectivism and argue that, contrary to Clark's claims, perspectivism never involves the falsification of the views to which it applies. It is therefore unnecessary to apply perspectivism, as Clark does, only to value-imbued viewpoints and not to empirical knowledge or the natural sciences. Perspectivism, as Nietzsche, I believe, makes clear, applies to every aspect of human knowledge.

In this astonishingly rich volume, experts in ethics, epistemology, philosophy of mind, political theory, aesthetics, history, critical theory, and hermeneutics bring to light the best philosophical scholarship on what is arguably Nietzsche's most rewarding but most challenging text. Including essays that were commissioned specifically for the volume as well as essays revised and edited by their authors, this collection showcases definitive works that have shaped Nietzsche studies alongside new works of interest to students and experts alike. A lengthy introduction, annotated bibliography, and index make this an extremely useful guide for the classroom and advanced research

Nietzsche sometimes writes as if we are not in control—at least not in conscious control—of our actions. He seems to suggest that what we actually do is independent of our intentions. It turns out, though, that his understanding of both intention and action differs radically from most contemporary treatments of the issue. In particular, he denies that our actions are caused by their intentions, whose role is hermeneutical in a sense that this essay develops. How then is responsibility to be assigned, since its moral variety, at least, depends, on several views, on the intention with which an action is performed? Nietzsche, of course, is not interested in making attributions of moral responsibility. Still, his views on the relationship between an individual action, its intention, other actions by its agent, and the agent's character, as this essay presents them, provide a reasonable account of action generally and a different, broader account of responsibility for oneself.

Problems with representing friendship in painting and the novel and its more successful displays in drama reflect the fact that friends seldom act as inspiringly as traditional images of the relationship suggest: friends' activities are often trivial, commonplace and boring, sometimes even criminal. Despite all that, the philosophical tradition has generally considered friendship a moral good. I argue that it is not a moral good, but a good nonetheless. It provides opportunities to try different ways of being, and is crucial to the processes through which we establish our individuality

This paper offers an interpretation of self-Predication (the idea that justice is just) in plato, Given that self-Predication is accepted as obvious both by plato and by his audience, Which entails that "all" self-Predications are clearly, Though not trivially, True. More strongly, It is suggested that "only" self-Predications can be accepted as clearly true by plato. This is to deny that plato had at his disposal an articulated notion of predication, And his middle theory of forms, Primarily the relation of participation, Is seen as his attempt to arrive at that notion. It is argued that his metaphysical and semantical views are heavily influenced by eleatic monism. But this monism is incompatible with the very idea of predication. It is only in his later works, Where he attacks parmenides directly, That plato manages to lay the groundwork for what can be considered as the discovery of predication

Along with our inordinate emphasis on managing our lives on the basis of impartial principles and rules, we have lost the sense that some of the greatest human achievements are accomplished precisely by going beyond anything that existing rules and principles allow. Along with our fixation on the values of morality and politics, which apply to everyone on the basis of our similarities to one another, we have lost the sense that there are also values that depend on our differences and distinguish us from the rest of the world. Philosophical Individualism is a theory that considers the values of difference and distinction to be of crucial importance to life, and models successful lives on successful works of art. That is what is meant by “the art of living.” But such an art is manifested in the abilities of successful leaders in any field: leadership always requires going at least one step beyond wherever what has been already codified can take them.

For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault. Why does each of these philosophers—each fundamentally concerned with his own originality—return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him. This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself.

It is said that when Socrates is made to ask questions like "What is the pious and what the impious?", "What is courage?", or "What is the beautiful?", he is asking for the definition of a universal. For the "average" Greek of his time, however, this is a radically new question about a radically new sort of object, and Socrates’ interlocutors do not understand it. They usually answer it as if it were a different, if related, question: they tend to provide concrete instances of the universal in question rather than a definition, however inadequate, of the universal itself. Socrates always tries, but does not always succeed, to make himself clear: Meno, for example, is supposed never to get the point.

In the field of philosophy, Plato's view of rhetoric as a potentially treacherous craft has long overshadowed Aristotle's view, which focuses on rhetoric as an independent discipline that relates in complex ways to dialectic and logic and to ethics and moral psychology. This volume, composed of essays by internationally renowned philosophers and classicists, provides the first extensive examination of Aristotle's Rhetoric and its subject matter in many years. One aim is to locate both Aristotle's treatise and its subject within the more general context of his philosophical treatment of other disciplines, including moral and political theory as well as poetics. The contributors also seek to illuminate the structure of Aristotle's own conception of rhetoric as presented in his treatise. The first section of the book, which deals with the arguments of rhetoric, contains essays by M. F. Burnyeat and Jacques Brunschwig. A section treating the status of the art of rhetoric features pieces by Eckart Schütrumpf, Jürgen Sprute, M. M. McCabe, and Glenn W. Most. Essays by John M. Cooper, Stephen Halliwell, and Jean-Louis Labarrière address topics related to rhetoric, ethics, and politics. The final section, on rhetoric and literary art, comprises essays by Alexander Nehamas and André Laks. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.