Steven Crowell

If, as many historians and theorists now believe, narrative is the form proper to historical explanation, this raises the problem of the terms in which such narratives are to be evaluated. Without a clear account of evaluation, the status of historical knowledge remains obscure. Beginning with the view, found in Hayden White and others, that historical narrative constitutes a meaning not reducible to the factual content it engages, this essay argues that such meaning can arise only through a synthesis of cognitive and normative discourses. Narrative combines "heterogeneous" language games in such a way that neither appeal to "truth content" nor to "justice" suffices to decide the question of which of two competing historical explanations is, as a whole, superior. Examining in critical detail the opposed positions on this issue articulated by two recent theorists-Frank Ankersmit and David Carr -the paper concludes that the debate between those who hold that historical narratives should be judged in essentially cognitive terms and those who hold that they should be judged in essentially political terms cannot be resolved and that a philosophical view of historical narrative that is neither realist nor idealist needs to be developed

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 40.1 (2002) 132-133 [Access article in PDF] Book Review The Other Husserl: The Horizons of Transcendental Phenomenology Donn Welton. The Other Husserl: The Horizons of Transcendental Phenomenology. Bloomington: Indiana University Press, 2000. Pp. xvi + 496. Cloth, $54.95. Few philosophers have been as ill-served by their reception as Husserl. The books he managed to publish during his lifetime provide a very limited perspective on his thought but have determined what Donn Welton, in this magnificent treatise, calls the "Standard Interpretation," shared by analytic and deconstructionist readers alike, in which Husserl is a neo-Cartesian wedded to epistemological immanentism, methodological solipsism, and ontological idealism. That a very different Husserl is found in his vast Nachlass has long been known, but because of its sheer volume and relative inaccessibility it has had little impact on the Husserl-reception beyond a small circle of specialists. Hence in recovering the "Other" Husserl, Welton's aim is not the usual historical one of stripping away anachronistic readings to arrive at an original reception, but one of negating this Rezeptionsgeschichte to reveal a philosophy that has, in a certain sense, never been present.In this, the book succeeds wonderfully. Welton threads through the tangle of the Nachlass to reconstruct the unfulfilled "great systematic work" that occupied Husserl off and on from about 1920 until his death, uncovering thereby the revolutionary implications of Husserl's move from "static" to "genetic" phenomenology that force us to reconsider the Standard Interpretation point by point. While admitting that Husserl never abandoned his Cartesian proclivities altogether, Welton shows how these can be read as dependent moments in a system of "transcendental phenomenology" that ends up "much closer to Heidegger's approach than is usually thought" (233). The relevance for current debates in philosophy is made plain, such that Husserl is, at last, our contemporary.Briefly reviewing a book as ambitious as this inevitably distorts it, but let me comment on its central methodological claim. Transcendental phenomenology emerged from the pre-transcendental phenomenology of the Logische Untersuchungen when Husserl began seeking the "ultimate ground" for scientific cognition (chapters 1-4). This approach, dubbed the "Cartesian Way" by Husserl himself, generated the "Cartesian Enclosures" (chapter 5) of the Standard Interpretation: demanding evidence that is apodictic, adequate, and directly intuitive, Husserl identifies "transcendental subjectivity" with the individual, indeed solipsistic, "stream of consciousness" and interprets this ontologically as the "relativity" of the world. In his pivotal chapter 6, however, Welton shows that Husserl's reflections on time and memory forced him to admit that the "transcendental field" could not be secured by appeal to "adequate evidence" (154). Hence Husserl adopted a "Kantian Way" (158) that supplements intuitive evidence with elements of transcendental "construction" (148). The concept of transcendental "subjectivity" is thereby transformed from an egocentric stream of consciousness to an intersubjective, communicative, embodied, and historical site of the "transcendental genesis" of meaning.Chapters 7-9 detail how Husserl's increasing interest in the genesis of meaning in the 1920s calls forth this transformation. Tracing the problem on the levels of "speech" and "experience," Welton carefully elucidates how, in moving from static through constitutive to genetic analyses, Husserl came increasingly to see that his original "leading clue"--the phenomenon of cognitive act-intentionality--depended upon the passive syntheses and contexts of "motivation" that make up the world-horizon of pre-cognitive "life." Chapters 10 and 12 argue that Husserl's desire to force these insights into a Cartesian framework yielded the dead-end of "transcendental psychologism" and the dubious teleology of an ethico-political "one-worldism." Meanwhile in chapters 13-15, Welton sketches a phenomenologically more defensible concept of world as "horizon"--a nonperceptual, inherently plural, space of meaning structured as "context" (speech) and "background" (embodiment).Chapter 11 is central to the argument, since it describes how the Kantian notion of transcendental deduction ("construction") is to be integrated into phenomenological method. Things move very quickly. Welton relies heavily on Jay Rosenberg's idea that transcendental deduction is a species of "practical reasoning," and on Charles Taylor's...

Winner of 2002 Edward Goodwin Ballard Prize In a penetrating and lucid discussion of the enigmatic relationship between the work of Edmund Husserl and Martin Heidegger, Steven Galt Crowell proposes that the distinguishing feature of twentieth-century philosophy is not so much its emphasis on language as its concern with meaning. Arguing that transcendental phenomenology is indispensable to the philosophical explanation of the space of meaning, Crowell shows how a proper understanding of both Husserl and Heidegger reveals the distinctive contributions of each to that ongoing phenomenological project

Transcendental philosophy has traditionally sought to provide non-contingent grounds for certain aspects of cognitive, moral, and social life. Further, it has made a claim to being 'ultimately' grounded in the sense that its account of experience should provide a non-dogmatic account of its own possibility. Most current approaches to transcendental philosophy seek to do justice to these twin aspects of the project by making an 'intersubjective turn', taking the structure of dialogue or social practice rather than the 'I think' or consciousness as the locus of ultimate grounds. After examining the recent debate over transcendental arguments in order to illuminate the relations between two important versions of transcendental philosophy- the neo-Kantian version oriented toward justification of principles and the phenomenological version oriented toward clarification of meaning- this paper criticizes internally connected aspects of the intersubjective turn in K. O. Apel, Bernhard Waldenfels, and a recent 'practical' interpretation of Husserl. It is shown that the twin demands of the project can be redeemed only if ultimate grounding is seen first of all not as an epistemological or ontological question but as an ethical one. This requires modification of the appeal to intersubjectivity and a qualified return to the first-person perspective

In 1928 Heidegger argued that the transcendental philosophy he had pursued in Being and Time needed to be completed by what he called “metontology.” This paper analyzes what this notion amounts to. Far from being merely a curiosity of Heidegger scholarship, the place occupied by “metontology” opens onto a general issue concerning the relation between transcendental philosophy and metaphysics, and also between both of these and naturalistic empiricism. I pursue these issues in terms of an ambiguity in the notion of “grounding” in Being and Time and in the works of what I call Heidegger’s “metaphysical decade” , defending a phenomenological conception against what proves to be the illusory idea that metaphysical grounds are presupposed in such transcendental philosophy

Taking Maurice Natanson's posthumously published book, The Erotic Bird: Phenomenology in Literature, as its point of departure, the essay argues that "fictive reality" is the specific content of transcendental-phenomenological reflection. Elaborating this concept allows us to see how phenomenological concepts such as constitution, horizon, and the "transcendental" have a tropological, rather than a psychological, meaning. Specifically, the article considers the metonymical structure of reality's "spatial horizon" and the metaphorical structure of reality's "temporal horizon." This latter is demonstrated on Natanson's analysis of Thomas Mann's concept of the "leitmotiv" in The Magic Mountain. The essay concludes by pointing toward the ontology of metaphor entailed by Natanson's analysis, while suggesting the difference between phenomenology, as the "poetic essence" of philosophy, and philosophy itself, as the categorial elaboration of what phenomenology uncovers.

In a recent paper1 which critically examines and rejects several suggestions that have been made for “bridging the gap” between Husserl’s phenomenology and neuroscience, Rick Grush concludes on a positive note: It should be obvious enough that while I have been highly critical of van Gelder, Varela and Lloyd, there is a clear sense in which the four of us are on the same team. We all believe that an important source of insights for the task of understanding of mentality is what Lloyd describes as “analytic phenomenology,” even if we disagree about how to go about harvesting these insights

The thirteen essays in this volume represent the most sustained investigation, in any language, of the connections between Heidegger's thought and the tradition of transcendental philosophy inaugurated by Kant. This collection examines Heidegger's stand on central themes of transcendental philosophy: subjectivity, judgment, intentionality, truth, practice, and idealism. Several essays in the volume also explore hitherto hidden connections between Heidegger's later "post-metaphysical" thinking—where he develops a "topological" approach that draws as much upon poetry as upon the philosophical tradition—and the transcendental project of grasping the conditions that make experience of a meaningful world possible. This volume will interest philosophers in the continental tradition, where Heidegger's thought has long had a central role, as well as those many philosophers in the analytic tradition whose own approach to knowledge, semantics, and philosophy of mind traces its roots to Kant.

Burt Hopkins provides a reading of the development of Husserl’s phenomenology, framing it with an account of its relation to Platonic and Aristotelian theories of unity-in-multiplicity, on the one hand, and the criticisms of Husserl found in Heidegger and Derrida, on the other. Here I introduce a further approach to the problem of unity-in-multiplicity – one based on normative ideality, drawing on Plato’s Idea of the Good -- and investigate three crucial aspects of phenomenological philosophy as Hopkins presents it: the method of reflection, the nature of absolute consciousness, and the status of the ego. I take issue with Husserl’s idea that consciousness can be the sufficient ground of that “meaning” which, for both Hopkins and for me, is the specific topic of phenomenology.

Following Marc Richir and others, László Tengelyi has recently developed the idea of Sinnereignis (meaning-event) as a way of capturing the emergence of meaning that does not flow from some prior project or constitutive act. As such, it might seem to pose something of a challenge to phenomenology: the paradox of an experience that is mine without being my accomplishment. This article offers a different sort of interpretation of meaning-events, claiming that in their structure they always involve what the late Heidegger called “measure-taking” (Maß-nehmen)—that is, an orientation toward the emergence of normative moments thanks to which what apparently eludes phenomenology becomes accessible in its inaccessibility. This is shown, first, on the example of conscience in Sein und Zeit and then on the example of the poetic image (Bild) in Heidegger’s later essays.