Steven Crowell

Taking Maurice Natanson's posthumously published book, The Erotic Bird: Phenomenology in Literature, as its point of departure, the essay argues that "fictive reality" is the specific content of transcendental-phenomenological reflection. Elaborating this concept allows us to see how phenomenological concepts such as constitution, horizon, and the "transcendental" have a tropological, rather than a psychological, meaning. Specifically, the article considers the metonymical structure of reality's "spatial horizon" and the metaphorical structure of reality's "temporal horizon." This latter is demonstrated on Natanson's analysis of Thomas Mann's concept of the "leitmotiv" in The Magic Mountain. The essay concludes by pointing toward the ontology of metaphor entailed by Natanson's analysis, while suggesting the difference between phenomenology, as the "poetic essence" of philosophy, and philosophy itself, as the categorial elaboration of what phenomenology uncovers.

In a recent paper1 which critically examines and rejects several suggestions that have been made for “bridging the gap” between Husserl’s phenomenology and neuroscience, Rick Grush concludes on a positive note: It should be obvious enough that while I have been highly critical of van Gelder, Varela and Lloyd, there is a clear sense in which the four of us are on the same team. We all believe that an important source of insights for the task of understanding of mentality is what Lloyd describes as “analytic phenomenology,” even if we disagree about how to go about harvesting these insights.