Eduardo Mendieta

From George Floyd to Breonna Taylor, the brutal deaths of Black citizens at the hands of law enforcement have brought race and policing to the forefront of national debate in the United States. In The Ethics of Policing, Ben Jones and Eduardo Mendieta bring together an interdisciplinary group of scholars across the social sciences and humanities to reevaluate the role of the police and the ethical principles that guide their work. With contributors such as Tracey Meares, Michael Walzer, and Franklin Zimring, this volume covers timely topics including race and policing, the use of aggressive tactics and deadly force, police abolitionism, and the use of new technologies like drones, body cameras, and predictive analytics, providing different perspectives on the past, present, and future of policing, with particular attention to discriminatory practices that have historically targeted Black and Brown communities. This volume offers cutting-edge insight into the ethical challenges facing the police and the institutions that oversee them. As high-profile cases of police brutality spark protests around the country, The Ethics of Policing raises questions about the proper role of law enforcement in a democratic society.

The Anthropocene must also be seen as the convergence of the historicization of nature and human historicity, not simply metaphorically, but factually. As historical time is injected in nature through anthropogenesis, resulting in our having to see nature as a product of a historical process, our understanding of time is being transformed. The Anthropocene must be understood as a temporalization of time tout court. The key concern is what could be called an Anthropocenic matrix of intelligibility and its corresponding image of Anthropos. In the time of the end of time and the time of the end, the new image of humanity is that of a destroyer of world.

Over a career spanning nearly seven decades, Jürgen Habermas - one of the most important European philosophers of the twentieth and twenty-first centuries - has produced a prodigious and influential body of work. In this Lexicon, authored by an international team of scholars, over 200 entries define and explain the key concepts, categories, philosophemes, themes, debates, and names associated with the entire constellation of Habermas's thought. The entries explore the historical, philosophical and social-theoretic roots of these terms and concepts, as well as their intellectual and disciplinary contexts, to build a broad but detailed picture of the development and trajectory of Habermas as a thinker. The volume will be an invaluable resource for students and scholars of Habermas, as well as for other readers in political philosophy, political science, sociology, international relations, cultural studies, and law.

The U.S.-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country—a border culture. Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is in a constant state of transition. The prohibited and forbidden are its inhabitants. Los atravesados live here: the squint-eyed, the perverse, the queer, the troublesome, the mongrel, the mulato, the half-breed, the half...

Jürgen Habermas’s recent book Die Zukunft der menschlichen Natur (2001) is discussed. Particular attention is paid to the central argument concerning the adverse effects the general acceptance of cloning and pre-implantation genetic diagnostics (PGD) would have on the moral and political self-understanding of present and future generations. The argument turns to a critique of Habermas’s central arguments against PGD, and develops at least two arguments that are in harmony with his general defense of procedural democracy and deontological morality. Appeal is made to Peter Singer and John Rawls to develop arguments that do not reject either PGD or genetic engineering and that are nonetheless in full compliance with the spirit of political modernity, as it is defended and defined by Habermas. The conclusion calls for less moralizing and more political-economic critique of the biotechnologies unleashed by the information revolution

This important new volume brings together Habermas' key writing on religion and religious belief. Habermas explores the relations between Christian and Jewish thought, on the one hand, and the Western philosophical tradition on the other. In so doing, he examines a range of important figures, including Benjamin, Heidegger, Johann Baptist Metz and Gershom Scholem. In a new introduction written especially for this volume, Eduardo Mendieta places Habermas' engagement with religion in the context of his work as a whole. Mendieta also discusses Habermas' writings in relation to Jewish Messianism and the Frankfurt School, showing how the essays in Religion and Rationality, one of which is translated into English for the first time, foreground an important, yet often neglected, dimension of critical theory. The volume concludes with an original extended interview, also in English for the first time, in which Habermas develops his current views on religion in modern society. This book will be of great interest to students and scholars in theology, religious studies and philosophy, as well as to all those already familiar with Habermas' work.

Zur Anwendung der Diskursethik in Politik, Recht und Wissenschaft suggests that something like a critique of practical reason, or at least its foundations—from the perspective of transcendental semiotics—is in the works, and in addition that it is something possible, desirable and even necessary. The suggestion is that a semiotically transformed transcendental philosophy, as the theoretical aspect of a philosophical system, has its complement in a practical philosophy whose main tenets have come to be known as discourse ethics, or the discourse theory of ethics. Historically, Karl-Otto Apel was the first to formulate some of the main arguments of a communicative, discursive, semiotical, or pragmatic theory of morality, and he did so as far back as the late sixties and early seventies. In the United States, in contrast to European and Latin American countries where Apel's work is better known, Habermas' name is the one most frequently associated with the discourse theory of ethics. This state of affairs may be due to a dearth of translations of primary sources, though Benhabib's and Dallmayr's The Communicative Ethics Controversy provides an excellent selection of primary texts. Consequently, today in the United States we stand not only quite behind the times in terms of the primary sources of discourse ethics, but also of the growing secondary literature on the subject. Neither Apel, nor Habermas, can be said to provide the only discourse-ethical approach within philosophy and political theory, exhaust the consequences and possibilities of an application of discourse ethics by their respective attempts to link it directly to either a theory of politics, or a theory of the democratic state that is circumscribed by both a specifically German historical horizon and a European-First World outlook. Indeed what makes this book particularly interesting, helpful, and above all timely is that it makes a conscious effort to represent the various positions that fall under the rubric of communicative, or discourse oriented practical philosophy, and the many ways in which problems of practical philosophy can be approached—while it attempts to give us a distinct sense that this approach has in fact graduated to an international status, that is, that it is no longer, if it ever was, exclusively an affair of German philosophy.

: María Pía Lara's two books, La Democracia como proyecto de identidad ética and Moral Textures: Feminist Narratives in the Public Sphere are described and analyzed. Her contribution to a feminist left-Habermasian theory of the relationship between the aesthetic dimension and the political imaginary are discussed. Questions and concerns, however, are raised regarding the assumptions of universal pragmatics and Lara's attempt to offer a positive reading of the dependence of the political imaginary on literary acts and genres.

This article argues that there are three key claims of postphenomenology: first, that there is no immediate access to a phenomena that is not always already embodied; second, that there is no science that is not determined by a technology, and that technologies are instances of certain theoretical assumptions and perspectives; third, that all technoscience is enabled and mediated by the embodied perception that takes place in and through instrumentation, which leads to the insight that all scientific evidence is manufactured perception. There is critical engagement with Ihde’s take on pragmatism and it is argued that he makes too severe a distinction between embodied praxis and communicative action, between practices of embodiment and practices of communicating. The argument is that the technoscientific body is a communicative body. The article closes with the consideration of Ihde’s provocative thesis that we ought to think of philosophical systems as having expiration or obsolesce dates. The author recalls the important work of German-Jewish philosopher Günther Anders in order to think through the sense in which it is not so much our technologies that expire, but our ethical worldviews that are made discrepant and incommensurate with the challenges our technologies throw at us. It is argued that we have to make distinction between obsolesce, on the one hand, and error or failure, on the other.

Focusing on West's recent work Democracy Matters, this essay argues that West's work has been guided by three major acts of translation. First, he has sought to translate the memory of suffering and the history of struggle into the foundations for democratic maturity. Second, combining Socratic questioning, prophetic practice and dark hope, West translates suspicion, action and hope into an ethos of collective education, which he calls democratic paideia. Finally, West's work has sought to translate the aesthetic, and in particular vocal and musical, creativity of African Americans into a source of democratic vitality

We can now survey the ruins of a Babelian tower of discourse about cosmopolitanism. We speak of “elite travel lounge,” “Davos,” “banal” as well as of “reflexive,” “really existing,” “patriotic,” and “horizontal” cosmopolitanisms. Here, an attempt is made to extract what is normative and ideal in the concept of cosmopolitanism by foregrounding the epistemic and moral dimensions of this attitude towards the world and other cultures. Kant, in a rather unexpected way, is profiled as the exemplification of what is here called “imperial” cosmopolitanism, which is both blind and dismissive of its own material conditions of possibility. Then, through a discussion of the works of Nussbaum, Appiah, Mignolo, Butler, Benhabib and Beck the author elaborates a version of cosmopolitanism that is grounded, enlightened, and reflexive, which corrects and supersedes Kant’s own Eurocentric cosmopolitanism. We do not live in an age of cosmopolitanism, but in an age of cosmopolitization. Democratic iterations that are jurisgenerative are matched at the global level by cosmopolitan iterations that are both jurisgenerative and affect generating

In lieu of an abstract, here is a brief excerpt of the content:Surviving American Culture:On Chuck PalahniukEduardo MendietaIn an age in which American culture has become the United States' number one export, along with its weapons, low intensity conflict, carcinogenic cigarettes, its "freedom," and pornography, it is delightful and even a sign of hope that there are writers who have taken on the delicate and perilous task of offering a prognosis of what ails this culture. In the following essay I argue that Chuck Palahniuk's works ought to be read as a mortician's report on American culture. Chuck Palahniuk broke into the literary world by way of the movie version of his first novel: Fight Club (1995). He has gone on to write six other novels: Survivor (1999), Invisible Monsters (2000), Choke (2001), Lullaby (2002), and Diary (2003). He also has published an interesting travel book, Fugitives and Refugees; A Walk in Portland, Oregon (2003), but since this is not properly fiction, I will not discuss it in this essay.1Clearly, Palahniuk has already produced a corpus worthy of careful consideration and analysis. Yet, as a west coast writer, far from the literary circles and brokers of the east coast, indeed far away from the clubs of self-promotion and self-monitoring that censure and hold in tight grip the monopoly of criticism that highlights "worthy literature," Palahniuk has not attracted a lot of critical attention. It is only with his most recent work Choke that he has began to be widely reviewed and commented on. In the following I provide a thematic reconstruction of each one of the six published novels, in chronological sequence. I will argue that Palahniuk is not trying to write the "great American novel," although he is profiling himself as a quintessential "American" writer in the midst of post–Cold War megalomania and celebrated Pax Americana. He has taken on a culture that has become so gargantuan, [End Page 394] fragmented, and differentiated but at the same time so rich, so self-reflexive, so historicized and also so mimicked that one novel cannot tell its story in one narrative with one dramatic thread. Many novels, many short cuts, many vignettes, are necessary: one polyphonic, asynchronous, temporally bi-directional, hyper-textual, and cyber-encyclopedic novel made up of individual novels, where each novel is the Bildungsroman of an American hero but told in reverse. These heroes, I will argue, are testimonies to the resilient power of individuals to resist even the most invasive and persistent onslaughts by culture on the physic life of freedom and individuality. I will also argue that he is neither a commercial nor academic writer; that is, he is not the kind of writer who writes either in order to maintain a living or secure tenure. He is a writer with a mission, a vision, and a very distinctive style. The stories that Palahniuk tells are stories that begin at the end, and end at the beginning: they are turned around Bildungsromans. They are, in other words, about unmaking, uncoupling, and disentangling our selves from the normal self into which we have been socialized. These stories are, thus, about the discovery of moral resources that lay dormant in the very simplicity of human solidarity and trust in our will to survive morally untainted, or at least redeemable. I will conclude by arguing that Palahniuk's novels are about surviving American Culture, and about how deviance is the health of the individual in a sick society.One could characterize Fight Club as the intelligent man's response to Robert Bly's Iron John (1990),2 or the fictionalized version of the Michael Kimmel's Manhood in America: A Cultural History (1996).3 Alternatively, one could argue that Fight Club is the fin-de-sieclé response to Barbara Ehrenreich's prognosis in her The Hearts of Men: American Dreams and the Flight from Commitment (1983) of 1970s and 1980s narcissistic and hedonistic masculinity.4 Chuck Palahniuk's first novel is a biting and poignant look at men in American culture after the end of affluence and the simultaneous "feminization" of masculinity. It is at the same time about the struggle for a viable sense of masculinity in an age in...