Eduardo Mendieta

In "The Frankfurt School on Religion," Eduardo Mendieta has brought together a collection of readings and essays revealing both the deep connections that the Frankfurt School has always maintained with religion as well as the significant contribution that its work has to offer. Rather than being unanimously antagonistic towards religion as has been the received wisdom, this collection shows the great diversity of responses that individual thinkers of the school developed and the seriousness and sophistication with which they engaged the core religious issues and major religious traditions. Through a careful selection of writings from eleven prominent theorists, including several new and previously untranslated pieces from Leo Lowenthal, Max Horkheimer, Herbert Marcuse, and Jurgen Habermas, this volume provides much needed sources for religious leaders, philosophers, and social theorists as they grapple with the nature and functions of religion in the contemporary social, political, and economic landscape. "The Frankfurt School on Religion" recovers the religious dimensions of the Frankfurt School, for too long sidelined or ignored, and offers new perspectives and insights necessary to the development of a fuller and more nuanced critical theory of society. Selections and essays from: Ernst Bloch, Erich Fromm, Leo Lowenthal, Herbert Marcuse, Theodor W. Adorno, Max Horkheimer, Walter Benjamin, Johann Baptist Metz, Jurgen Habermas, Helmut Peukert, Edmund Arens

En este artículo se discute el reciente libro de Jürgen Habermas, Die Zukunft der menschlichen Natur. Auf dem Weg zu einer liberalen Eugenik (Suhrkamp Verlag, 2001). Se presta especial atención al argumento central relacionado con los efectos negativos que podría tener la aceptación general de la clonación y el diagnóstico génico preimplantacional (DGP) sobre la autocomprensión moral y política de las generaciones presentes y futuras. La discusión continúa con una crítica a los argumentos centrales de Habermas contra el DGP, y desarrolla al menos dos razonamientos que están en armonía con su defensa general de la democracia procedimental y la moral deontológica. Se apela a Peter Singer y John Rawls para desarrollar argumentos que no se oponen ni al DGP ni a la ingeniería genética y que, no obstante, están totalmente de acuerdo con el espíritu de la modernidad política, tal y como lo defiende y define Habermas. La conclusión insta a una crítica de las biotecnologías desencadenadas por la revolución de la información que tenga un carácter menos moralizante y más político-económico.

In lieu of an abstract, here is a brief excerpt of the content:Surviving American Culture:On Chuck PalahniukEduardo MendietaIn an age in which American culture has become the United States' number one export, along with its weapons, low intensity conflict, carcinogenic cigarettes, its "freedom," and pornography, it is delightful and even a sign of hope that there are writers who have taken on the delicate and perilous task of offering a prognosis of what ails this culture. In the following essay I argue that Chuck Palahniuk's works ought to be read as a mortician's report on American culture. Chuck Palahniuk broke into the literary world by way of the movie version of his first novel: Fight Club (1995). He has gone on to write six other novels: Survivor (1999), Invisible Monsters (2000), Choke (2001), Lullaby (2002), and Diary (2003). He also has published an interesting travel book, Fugitives and Refugees; A Walk in Portland, Oregon (2003), but since this is not properly fiction, I will not discuss it in this essay.1Clearly, Palahniuk has already produced a corpus worthy of careful consideration and analysis. Yet, as a west coast writer, far from the literary circles and brokers of the east coast, indeed far away from the clubs of self-promotion and self-monitoring that censure and hold in tight grip the monopoly of criticism that highlights "worthy literature," Palahniuk has not attracted a lot of critical attention. It is only with his most recent work Choke that he has began to be widely reviewed and commented on. In the following I provide a thematic reconstruction of each one of the six published novels, in chronological sequence. I will argue that Palahniuk is not trying to write the "great American novel," although he is profiling himself as a quintessential "American" writer in the midst of post–Cold War megalomania and celebrated Pax Americana. He has taken on a culture that has become so gargantuan, [End Page 394] fragmented, and differentiated but at the same time so rich, so self-reflexive, so historicized and also so mimicked that one novel cannot tell its story in one narrative with one dramatic thread. Many novels, many short cuts, many vignettes, are necessary: one polyphonic, asynchronous, temporally bi-directional, hyper-textual, and cyber-encyclopedic novel made up of individual novels, where each novel is the Bildungsroman of an American hero but told in reverse. These heroes, I will argue, are testimonies to the resilient power of individuals to resist even the most invasive and persistent onslaughts by culture on the physic life of freedom and individuality. I will also argue that he is neither a commercial nor academic writer; that is, he is not the kind of writer who writes either in order to maintain a living or secure tenure. He is a writer with a mission, a vision, and a very distinctive style. The stories that Palahniuk tells are stories that begin at the end, and end at the beginning: they are turned around Bildungsromans. They are, in other words, about unmaking, uncoupling, and disentangling our selves from the normal self into which we have been socialized. These stories are, thus, about the discovery of moral resources that lay dormant in the very simplicity of human solidarity and trust in our will to survive morally untainted, or at least redeemable. I will conclude by arguing that Palahniuk's novels are about surviving American Culture, and about how deviance is the health of the individual in a sick society.One could characterize Fight Club as the intelligent man's response to Robert Bly's Iron John (1990),2 or the fictionalized version of the Michael Kimmel's Manhood in America: A Cultural History (1996).3 Alternatively, one could argue that Fight Club is the fin-de-sieclé response to Barbara Ehrenreich's prognosis in her The Hearts of Men: American Dreams and the Flight from Commitment (1983) of 1970s and 1980s narcissistic and hedonistic masculinity.4 Chuck Palahniuk's first novel is a biting and poignant look at men in American culture after the end of affluence and the simultaneous "feminization" of masculinity. It is at the same time about the struggle for a viable sense of masculinity in an age in...

Introducción : la translocalización discursiva de "Latinoamérica" en tiempos de la globalización / Eduardo Mendieta, Santiago Castro-Gómez / - Posoccidentalismo : el argumento desde América Latina / Walter D. Mignolo / - Fragmentos globales : latinoamericanismo de segundo orden / Alberto Moreiras / - Hegemonía y dominio : subalternidad, un significado flotante / Ileana Rodríguez / - Más allá del accidentalismo : hacia categorías neohistóricas no imperialistas / Fernando Coronil / - Modernidad, posmodernidad y poscolonialidad : una búsqueda esperanzadora del tiempo / Eduardo Mendieta / - Latinoamericanismo, modernidad, globalización. Prolegómenos a una crítica poscolonial de la razón / Santiago Castro-Gómez / - Realismo mágico y poscolonialismo : construcciones del otro desde la otredad / Erna von der Walde.

"The essays in this book make it elegantly clear that there is a vigorous and rigorous Latin American philosophy... and that others dismiss it at their peril." —Mario Sáenz The ten essays in this lively anthology move beyond a purely historical consideration of Latin American philosophy to cover recent developments in political and social philosophy as well as innovations in the reception of key philosophical figures from the European Continental tradition. Topics such as indigenous philosophy, multiculturalism, the philosophy of race, democracy, postmodernity, the role of women, and the position of Latin America and Latin Americans in a global age are explored by notable philosophers from the region. An introduction by Eduardo Mendieta examines recent trends and points to the social, political, economic, and cultural conditions that have inspired the discipline. Latin American Philosophy brings English-speaking readers up to date with recent scholarship and points to promising new directions.

This essay urges us to complement work on the philosophy and social science of race that has focused on the “visual” and “epistemic” dimension of racism with work on affect or what is here called the somatological dimensions of racism. The racist self hears race before he sees it. The racist self is convulsed by race before she experiences it as an epistemic affair. It is argued here that we dwell in the sound house of race. Before racism is chromocratic, it is phonocratic. The technologies of the racist self are the technologies of racializing aurality and phonology. Racism brands us sonically. Race, it will be argued, is a sonic stigmata. More specifically, the focus will be on voice, accent, what here is called the prosody of race. The aim is make those racialized and racializing accents in philosophy resound, echo, and reverberate so that we can hear the prosody of race. The racist does not dwell in the silent chamber of the mind’s “I.” The viscera of racism dwells in the body our racist habits have domesticated