Eduardo Mendieta

The so-called War on Terror has given rise to a virulent discourse that demonizes all those who allegedly seek to do harm and kill Americans. A veritable bestiary of demonic and bestial creatures has been thus ensembled, constituting what one cannot but call an “imperial bestiary.” Here we do not so much consider the contents of this imperial bestiary, as much as seek to analyze its grammar, that is, the way it operates on certain moral assumptions that have very pernicious moral consequences. Reconstructing the work of some recent critical philosophers, a possible way to dismantle all bestiaries, whether imperial or colonial, is elaborated. The work of Mary Midgley, Jacques Derrida and Donna Haraway are brought together to develop what has been here called a politics beyond monsters, beasts, roguish animals, and infesting vermin that must be at best domesticated, and at worst exterminated.

Jorge Valadez’s important contribution to political theory in general, and multicultural citizenship in particular, is assessed from the standpoint of the duplicitous role ‘culture’ plays in contemporary political theory. After underscoring its virtues, the essay turns to a discussion of three major concerns that the book raises: its negativistic view of the culture of the oppressed; its anachronistic proposal about universal property rights; and the way the author might have to revise its view of the ethnogroups in order to deal appropriately with Latinos in the USA.

Arthur Schopenhauer, in an essay titled “On Authorship and Style,” included in volume 2 of his Parerga and Paralipomena, writes, “First there are two kinds of authors, those who write for the sake of the subject and those who write for the sake of writing. The former have ideas or experiences which seem to them worth communicating; the latter need money and thus write for money.”1 Schopenhauer, however, changes his mind quickly a page later and writes: “Again, we can say that there are three kinds of authors; first those who write without thinking. They write from memory, from reminiscences, or even directly from the books of others. This class is the most numerous. Secondly, those who think while they are ..