•  9
    P. Diesing's "Reason in Society: Five Types of Decisions and Their Social Conditions" (review)
    Philosophy and Phenomenological Research 23 (3): 453. 1963.
  •  225
    The Idea of a Cultural Aesthetic
    Dialogue and Universalism 13 (11-12): 113-122. 2003.
    In this time of increasing international involvement, one cannot but be struck by the fact of sharply different traditions concerning art and its practice.3 Recognizing that the arts are a salient part of every culture may lead us to wonder about their features and may make us curious about how and why the arts of other cultures differ from what we find more familiar. Perhaps we hope that the arts will offer us some insight into different cultures and their distinctive worlds. This, then, is in …Read more
  •  342
    Making Theory, Making Sense: Comments on Ronald Moore's Natural Beauty
    Ethics, Place and Environment 12 (3): 337-341. 2009.
    The broad scope and coherence of Natural Beauty are among its major strengths. Moore's syncretic theory tries to integrate diverse and sometimes conflicting theoretical strands. Of special importance is his recognition that the natural world is a social institution embodying perceptions that are conditioned, experiences communicated through language, and social beliefs and conventions. These lead him to consider the natural world as actually artifactual, and he terms it the 'natureworld'. Among …Read more
  •  26
    The Environment and the Arts (edited book)
    Ashgate Press. 2002.
    The environment raises basic questions about many of the fundamental concepts and doctrines in aesthetics and the arts. Including new work by the leading international contributors to environmental aesthetics, this is the first book to deal with the relations between the arts and environment, directed towards a non-philosophical audience of practitioners and critics, as well as theorists. Introducing many for the basic ideas and issues in the theory of the arts, particularly as they bear on envi…Read more
  •  439
    Environmental Sensibility
    Studia Phaenomenologica 14 17-23. 2014.
    Aesthetics is fundamentally a theory of sensible experience. Its scope has expanded greatly from an initial centering on the arts and scenic nature to the full range of appreciative experience. Expanding the range of aesthetics raises challenging questions about the experience of appreciation. Traditional accounts are inadequate in their attempt to identify and illuminate the perceptual experiences that these new applications evoke. Considering the range of environmental and everyday occasions a…Read more
  • Arnold Berleant gilt als einer der Gründerväter der environmental aesthetics, zu der er seit den 1970er-Jahren veröffentlicht hat und weltweit Vorträge hält; er war jahrelang Präsident der International Association of Aesthetics und ist emeritierter Professor der Long Island University. Sein Aufsatz in dieser Polylog-Ausgabe nimmt zunächst seine Grundgedanken zur Ästhetik als Sinnlichkeitslehre wieder auf. Daraufhin gründet Berleant die »ästhetische Politik« auf der Idee eines »Gemeinguts der Wa…Read more
  •  35
    Introduction
    Journal of Aesthetics and Art Criticism 56 (2): 97-100. 1998.
  •  6
    E. Gilson's "The Arts of the Beautiful" (review)
    Philosophy and Phenomenological Research 27 (2): 295. 1966.
  •  4
    Charles Fried's "An Anatomy of Values. Problems of Personal and Social Choice" (review)
    Philosophy and Phenomenological Research 32 (3): 416. 1972.
  •  7
    George P. Stein's "The Ways of Meaning in the Arts" (review)
    Philosophy and Phenomenological Research 34 (1): 114. 1973.
  •  1
    Education as Aesthetic Process
    The Journal of Aesthetic Education 5 (3): 139. 1971.
  •  4
    E. H. Madden's "Chauncey Wright and the Foundations of Pragmatism" (review)
    Philosophy and Phenomenological Research 25 (1): 148. 1964.
  •  32
    Does art have a spectator?
    Journal of Aesthetics and Art Criticism 45 (4): 411-412. 1987.
  •  212
    Living in the Landscape: Towards an Aesthetics of Environment
    Journal of Aesthetics and Art Criticism 56 (3): 302-303. 1998.
  • Henri Arvon's "L'esthetique marxiste" (review)
    Philosophy and Phenomenological Research 34 (3): 452. 1974.
  •  10
  •  22
    Basic Issues In Aesthetics (review)
    Idealistic Studies 22 (3): 222-223. 1992.
    Interest in aesthetics has grown in recent years, yet since Virgil Aldrich’s Philosophy of Art appeared in 1963, there has been no small, general survey that could be joined with primary sources to introduce students to the field. Several such books are now emerging on the scholarly scene, with Professor Eaton’s Basic Issues in Aesthetics the first to appear. This is a helpful development, for the teaching of general aesthetics has subsisted in large part on various collections of primary materi…Read more
  •  8
    J. P. Sartre's "Essays in Aesthetics" (review)
    Philosophy and Phenomenological Research 25 (3): 443. 1965.
  •  13
    Evolutionärer Naturalismus und das Ende des Dualismus
    In Wolfgang Welsch, Christian Tewes & Klaus Vieweg (eds.), Natur und Geist: über ihre evolutionäre Verhältnisbestimmung, Akademie Verlag. pp. 21. 2011.
  •  2
    D. H. DeGrood's "Haeckel's Theory of the Unity of Nature" (review)
    Philosophy and Phenomenological Research 27 (1): 123. 1966.
  •  37
    Mothering and metaphor
    Journal of Aesthetics and Art Criticism 57 (3): 363-365. 1999.
  • H. D. Aiken's "Reason and Conduct" (review)
    Philosophy and Phenomenological Research 24 (4): 587. 1964.
  •  905
    Experience and theory in aesthetics
    In Michael H. Mitias (ed.), Possibility of the Aesthetic Experience, Distributors For the U.s. and Canada, Kluwer Academic. pp. 91--106. 1986.
    From the earliest times art has been integral to human culture. Both fascinated and perplexed by the arts, people have tried, since the age of classical Greece, to understand how they work and what they mean. Philosophers wondered at first about the nature of art: what it is and how it relates to the cosmos. They puzzled over how art objects are created, and extolled human skills that seem at times godlike in their powers. But perhaps the central question for such philosophers as Plato and Arist…Read more
  •  7
    Boydston, Jo Ann "Guide to the Works of John Dewey" (review)
    Philosophy and Phenomenological Research 32 (2): 285. 1971.
  • Logic and Social Doctrine: Dewey's Methodological Approach to Social Philosophy
    Dissertation, State University of New York at Buffalo. 1962.
  •  3
    Form and Style in the Arts: An Introduction to Aesthetic Morphology (review)
    Philosophy and Phenomenological Research 33 (4): 581-582. 1973.
    Review of Thomas Munro, Form and Style in the Arts, in Philosophy and Phenomenological Research, XXXII, 4 (June l973).
  •  13
    L'art de connaître un paysage
    with Jeanne Delbaere-Garant
    Diogène 234 (1): 74-90. 2012.
    l’Art de Connaïtre un Paysage, Diogène n° 233-234, janvier 2011, 54-70. “Changing Landscapes,” International Conference on Transition Landscapes/ Paysages en Transition, Lisbon, Portugal, in Portuguese. 2011
  •  223
    Re-thinking Aesthetics
    Filozofski Vestnik 20 (2): 25-33. 1999.
    This paper proposes a radical re-examination of the foundations of modern aesthetics. It urges that we replace the tradition of eighteenth century aesthetics, with its insistence on disinterestedness and the separateness of the aesthetic, and its problematic oppositions, such as the separation of sense from cognition. In their place it appeals to a more process-oriented, pluralistic account, one that takes note of varying cultural traditions in aesthetics, that recognizes the aesthetic as a comp…Read more