Arnold Berleant

In April 2021, longing to learn first-hand about ageing philosophically, Valery Vino reached out to the legendary Arnold Berleant (who was 89 at the time of writing), to see whether he might be interested in recording a dialogue to this theme, with a companion of his choice. Berleant selected his ideal collaborator Michael Alpert, book designer and collector, poet, senior, and treasured friend. Over the following six months, a rich tapestry of leisurely reading, contemplation and discussion unfolded, culminating in an unrehearsed, free-flowing conversation about ageing, which has been recorded, lightly edited and offered here for readers to share.

Zaradi svoje vsenavzočnosti v izkustvu ima estetska čutnost mnoge manifestacije, tako očitne kot prikrite. Članek preučuje nekatere večinoma skrite načine, v katerih sta okus in estetska sodba, ki se kažeta v čutnem izkustvu, prefinjeno prisvojena in izrabljena. Te postopke opisujem kot prilastitev estetske čutnosti in imajo škodljive posledice za zdravje, družbo in okolje. Omenjene prakse so oblika estetske negacije, ki izkrivlja čutno izkustvo in manipulira z njim, kot je v interesu množičnega trženja in njegovih dobičkov. Ta vzorec imenujem prilastitev čutnosti. Tovrstne prakse imajo resen etičen pomen in nosijo družbene ter politične implikacije. Estetska analiza navadnega življenja ima pomen, ki sega onstran akademske vednosti in sugerira drugo vlogo estetike, in sicer kritično: estetika kot orodje družbene analize in politične kritike.

Across these essays Arnold Berleant demonstrates how aesthetic values and theory can be used to reappraise our social practices. He tackles issues within the built environment, everyday life and politics, breaking down the dichotomy between the natural and the human. His work represents a fresh approach to traditional philosophical questions in not only ethics, but in metaphysics, truth, meaning, psychology, phenomenology and social and moral philosophy. Topics covered include the cultural aesthetics of environment, ecological aesthetics, the aesthetics of terrorism and the subversion of beauty. The corruption of taste by the forces of commercial interests as well as how aesthetics can advance our understanding of violence is also considered. Berleant's exploration is supported by his analysis of 19th-century art to the present day, starting with impressionism through to postmodernism and contemporary artistic interventions. By critically examining the field in this way and casting new light on social understanding and practice, this collection makes a substantive contribution in identifying and clarifying central human issues, guided by an understanding of aesthetic experience and appreciation as a powerful tool for social critique.

Music has not been as prominent in philosophy or as influential in aesthetics as the visual arts, at least in the Western tradition. Reflecting on my years of experience as both a philosopher and a musician, I am increasingly intrigued by speculating if and how today’s aesthetic discourse might have taken a different direction if music been its central focus. It is tempting to wonder whether, in some cases, the musical art may indeed have had an influence, even if less conspicuous than some other arts.