Brian Gregor

Following Part I, this essay (Part II) continues my attempt to develop an ontology of peace by drawing resources from Ricœur’s thought. I begin with Augustine, Dionysius, and Aquinas to show that peace is not contrary to our humanity but is a natural desire that runs with the grain of our being. This account is complicated by the category of the irascible, however, which Ricœur interprets as an appetite for difficulty, suggesting the human desire for peace is not directly continuous with the simple animal desire for rest and repose. Instead, there is a fundamental conflict at the heart of human being, which Ricœur identifies as thumos. I argue that thumos is not opposed to peace, but instead plays the essential role of mobilizing peace, just as it mobilizes other virtues like courage, moderation, and justice. Moreover, the right ordering of thumos does not eliminate the constitutive conflict of the self; right ordering is right conflict, with the right proportion of the disproportion of finite and infinite. As a result, this essay deepens our understanding of peace as more than rest and repose, and in turn also deepens our understanding of what rest is—in faith and hope as the finely tuned affective tension that makes up the self.

This essay is the first of two seeking to draw out an ontology of peace from Paul Ricoeur’s thought. This first essay (Part I) argues that Ricoeur’s hermeneutics of creation provides the best starting point because of its insistence on the goodness of created being. Ricoeur develops this conviction from his reading of the biblical creation accounts, which I follow through three texts from three periods of Ricoeur’s work. In The Symbolism of Evil, Ricoeur show that peace rather than violence is most fundamental to creation. In his essay “On the Exegesis of Gen 1:1-2:4a,” he expands his interpretation to consider the combat imagery in the Psalms, but shows how the text interprets the separation and ordering of creation as a work of providential wisdom rather than violence. In Thinking Biblically, Ricoeur complicates his earlier hermeneutics of creation by bringing in themes of mastery, chaos, and fragility—three themes that need careful interpretation in order to preserve Ricoeur’s earlier emphasis on the goodness and peacefulness of creation. This preservation is possible, I argue, by recovering Ricoeur’s early Christological reflections in The Symbolism of Evil, which point to the hope of an ultimate, eschatological victory over violence. I conclude by arguing that Ricoeur’s hermeneutics can help us to imagine peace, which is crucial to the practice of peace.

What place do imagination and art have in Christian existence? This paper examines this question through the writings of Kierkegaard's pseudonym Anti‐Climacus: The Sickness Unto Death and Practice in Christianity. I focus on the latter work in particular because it best illustrates the importance of imagination in following after (Efterfølgelse) Christ in imitation, which Anti‐Climacus presents as the proper task of faithful Christian existence. After outlining both his critique and his affirmation of the imagination, I then consider what role the notion of ‘Christian art’ might play in his account of the imitation of Christ. Anti‐Climacus gives a severe critique of Christian art, insofar as it disposes the viewer to detached observation and admiration – rather than imitation – of Christ. However, an earlier passage in the same text gives a provocative yet cryptic indication of the sort of art that would not succumb to this danger. Taking a cue from the phenomenology of Jean‐Luc Marion, I draw out this suggestion and argue for the important role that visual art can play in imitating Christ. The final section illustrates this point briefly with three paintings: Matthias Grünewald's Crucifixion, Hans Holbein's The Body of the Dead Christ in the Tomb, and Albrecht Dürer's Self‐Portrait (1500).

This essay examines what the philosophy of Paul Ricoeur can contribute to current debates on the role of spiritual exercise, or askēsis, in philosophical life. The influential work of Pierre Hadot and Michel Foucault has sparked a widespread interest in the ancient model of philosophy, variously described as a way of life, art of living, or care of the self. Ricoeur’s potential contribution to this conversation has been overlooked, largely because he does not discuss these themes explicitly or often. However, Ricoeur’s early phenomenology of embodiment in The Voluntary and the Involuntary offers valuable insights regarding the exercises of self-transformation. After a brief survey of Ricoeur’s concept of askēsis, this essay draws on Ricoeur to demonstrate the merits of physical exercise, or gymnastic, in ethical and spiritual formation. Gymnastic, Ricoeur shows, can be a form of spiritual exercise. The final section of the paper then makes a similarly counterintuitive claim: namely, that reading is an embodied practice that can facilitate the ethical formation of the lived body.