Paul Guyer

Contemporary liberalism, which prescribes state regulation of property for purposes of welfare but proscribes state regulation of the expression of thought and conscience, may seem inherently paradoxical. Kant's analysis of property, however, shows that political liberalism is coherent and indeed necessitated by Kantian moral principles. For property rights are constituted by interpersonal agreement to defer to an owner's claim to an object; and if such agreement is to be rightfully, that is, freely obtained, then it can only be obtained under conditions of fairness that would make it rational for all affected by the claim to so defer, and can rightfully be restricted to such conditions by political means. Freedom of thought and expression, however, has no inherent dependence on the agreement of others, and thus gives rise to no right for the state to regulate it except in marginal cases which can be analyzed as ordinary action rather than thought and its expression. Fundamental differences in ontology thus give rise to fundamental differences in the rightful use of political regulation. Der heutige Liberalismus, der einerseits die staatliche Regulierung des Eigentums für Zwecke der Wohlfahrt fordert, andererseits die staatliche Regulierung des Ausdrucks von Gedanken und Gewissen verbieten möchte, könnte schon an sich selbst betrachtet als paradox erscheinen. Kants Deutung des Eigentums zeigt jedoch, daß der politische Liberalismus kohärent ist und aus Kants moralischen Prinzipien auch tatsächlich folgt. Eigentumsrechte entstehen aus der Übereinkunft zwischen Personen, die Ansprüche, die Eigentümer auf ihre Sachen erheben, auch anzuerkennen. Wenn eine derartige Übereinkunft rechtmäßig und also frei zustandekommen soll, kann sie nur unter der Bedingung der Fairneß zustandekommen, die es für alle Betroffenen als vernünftig erscheinen läßt, die fraglichen Eigentumsansprüche anzuerkennen. Deshalb kann die Übereinkunft auch durch politische Mittel auf die Bedingung der Fairneß eingeschränkt werden. Die Freiheit der Gedanken und des Ausdrucks von Gedanken dagegen steht in keiner inneren Abhängigkeit von der Zustimmung anderer, und das bedeutet, daß der Staat kein Recht hat, sie zu regulieren, außer in Randbereichen, in denen gewisse Äußerungen eher als Handlungen im gewöhnlichen Sinne denn als Ausdruck von Gedanken eingestuft werden können. Grundsätzliche Unterschiede in der Ontologie führen so zu grundsätzlichen Unterschieden im rechtmäßigen Gebrauch politischer Regulierung

Kant's Critique of the Power of Judgment, first published in 1790, was the last of the great philosopher's three critiques, following on the heels of Critique of Pure Reason (1781) and Critique of Practical Reason (1788). In the first two, Kant dealt with metaphysics and morality; in the third, Kant turns to the aesthetic dimension of human experience, showing how our experiences of natural and artistic beauty, the sublime magnitude and might of nature, and of purposive organisms and ecological systems gives us palpable evidece that it is possible for us not only to form moral intentions, but also to realize our freely chosen moral goals within nature as we experience it. The present volume collects twelve of the most important critical discussions on the Critique of the Power of Judgment written by leading Kant scholars and aestheticians from the United States and Great Britain. In addition to a substantive introduction by the editor, the book includes an extensive, annotated bibliography of the most important work on Kant and on the background and arguments of his third Critique published throughout the twentieth century.

This book offers a radically new account of the development and structure of the central arguments of Kant's Critique of Pure Reason: the defense of the objective validity of such categories as substance, causation, and independent existence. Paul Guyer makes far more extensive use than any other commentator of historical materials from the years leading up to the publication of the Critique and surrounding its revision, and he shows that the work which has come down to us is the result of some striking and only partially resolved theoretical tensions. Kant had originally intended to demonstrate the validity of the categories by exploiting what he called 'analogies of appearance' between the structure of self-knowledge and our knowledge of objects. The idea of a separate 'transcendental deduction', independent from the analysis of the necessary conditions of empirical judgements, arose only shortly before publication of the Critique in 1781, and distorted much of Kant's original inspiration. Part of what led Kant to present this deduction separately was his invention of a new pattern of argument - very different from the 'transcendental arguments' attributed by recent interpreters to Kant - depending on initial claims to necessary truth.

This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself. At the same time he reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments on the basis of the most rigorous principle of duty. Kant's thought is placed in a rich historical context including such figures as Shaftesbury, Hutcheson, Hume, Burke, Kames, as well as Baumgarten, Mendelssohn, Schiller, and Hegel. Other topics treated are the sublime, natural versus artistic beauty, genius and art history, and duty and inclination. These essays extend and enrich the account of Kant's aesthetics in the author's earlier book, Kant and the Claims of Taste.

Kant and the Claims of Taste, published here for the first time in paperback in a revised version, has become, since its initial publication in 1979, the standard commentary on Kant's aesthetic theory. The book offers a detailed account of Kant's views on judgments of taste, aesthetic pleasure, imagination and many other topics. For this new edition, Paul Guyer has provided a new foreword and has added a chapter on Kant's conception of fine art. This re-issue will complement the author's companion volume, Kant and the Experience of Freedom, which places Kant's aesthetics in its historical context and examines the fundamental connection between Kant's aesthetics and his moral theory.

In this updated edition of his outstanding introduction to Kant, Paul Guyer uses Kant’s central conception of autonomy as the key to his thought. Beginning with a helpful overview of Kant’s life and times, Guyer introduces Kant’s metaphysics and epistemology, carefully explaining his arguments about the nature of space, time and experience in his most influential but difficult work, _The Critique of Pure Reason_. He offers an explanation and critique of Kant’s famous theory of transcendental idealism and shows how much of Kant’s philosophy is independent of this controversial doctrine. He then examines Kant’s moral philosophy, his celebrated ‘categorical imperative’ and his theories of duty, freedom of will and political rights. This section of the work has been substantially revised to clarify the relation between Kant’s conceptions of "internal" and "external" freedom. In his treatments of Kant’s aesthetics and teleology, Guyer focuses on their relation to human freedom and happiness. Finally, he considers Kant’s view that the development of human autonomy is the only goal that we can conceive for both natural and human history. Including a chronology, glossary, chapter summaries and up-to-date further reading, _Kant, second edition _is an ideal introduction to this demanding yet pivotal figure in the history of philosophy, and essential reading for all students of philosophy.