Hannah Ginsborg

Mark Evan Bonds makes a distinction between two concepts of absolute music: as repertory, and as ‘regulative concept’. This paper explores the distinction, and distinguishes further two debates associated with these two concepts: one about the value of absolute music in the repertory sense, the other about the extent to which music is ‘absolute’ in the sense of lacking expressive or representational content. It ends with a proposal about how reflection on the first debate can help provide a resolution of the second.