Howard Wettstein

The American Philosophers contains papers by current leading philosophers and political theorists that explore the work of the major American philosophers from the colonial period to the present, from Jonathan Edwards to David Kaplan. Contains a philosophically and historically broad exploration of the major schools of American philosophy Examines both the pragmatists and the later Twentieth Century analytic philosophers, as well as such shapers of the political and philosophical American scene as Franklin, Jefferson, Madison, Emerson, and Jane Addams.

This Volume illuminates the notion of meaning in the arts-in literature, painting, music, and dance. Specific topics include theory in the arts; interpretations of meaning; objectivity in meaning; and the consumer as a participant in art. Brings together articles from prominent philosophers and practitioners of the arts, which illuminate the notion of meaning in the arts. Addresses meaning in literature, painting, music, and dance. Explores the relationship between authorial intentions and the viewer's interpretation of meaning; the possibility of objective meaning; and the role of the consumer as a participant in the work of art.

The nature of reference, or the relation of a word to the object to which it refers, has been perhaps the dominant concern of twentieth-century analytic philosophy. Extremely influential arguments by Gottlob Frege around the turn of the century convinced the large majority of philosophers that the meaning of a word must be distinguished from its referent, the former only providing some kind of direction for reaching the latter. In the last twenty years, this Fregean orthodoxy has been vigorously challenged by those who argue that certain important kinds of words, at least, refer directly without need of an intermediate meaning or sense. The essays in this volume record how a long-term study of Frege has persuaded the author that Frege's pivotal distinction between sense and reference, and his attendant philosophical views about language and thought, are unsatisfactory. Frege's perspective, he argues, imposes a distinctive way of thinking about semantics, specifically about the centrality of cognitive significance puzzles for semantics. Freed from Frege's perspective, we will no longer find it natural to think about semantics in this way.

I argue that theological doctrine, the output of philosophical theology, is not a natural tool for thinking about biblical/rabbinic Judaism. Fundamental to my argument is the claim that there is a tension between constellations of theological doctrine of medieval vintage and the primary religious literature---the Hebrew Bible as understood through, and supplemented by, the Rabbis of the Talmud. This tension is a product of the genesis of philosophical theology, the application of Greek philosophical thought to a very different tradition, one that emerged from a very different world

It has long been urged against traditional theism, very long indeed, that God’s perfections—specifically in the domains of goodness, knowledge and power—are logically incompatible with the existence of unwarranted human suffering. It has almost equally long been urged that the problem is illusory—or at least surmountable; the tradition of theodicy must be only moments younger than the problem. The debate is a philosophical classic, with many ingenious moves on both sides, and epicycles galore. But whatever one’s view on the details of the debate, it is difficult—and I think unwise—to resist the sense that evil presents a real and indeed substantial problem for the Western religious tradition.