Howard Wettstein

In this volume leading contemporary philosophical historians of the Renaissance and Early Modern periods examine the works of important figures of the fifteenth through the eighteenth century. While Midwest Studies in Philosophy has produced other volumes devoted to historical periods in philosophy, this is the first to offer such extensive and focused original materials on specific crucial figures as this volume. Original papers by twenty contemporary philosophers writing about the works of the major philosophers of the Fifteenth through the Eighteenth centuries This historically and philosophically broad collection extends from such fifteenth century figures as Ficino, Machiavelli, and Pompanazzi to the work of Montesquieu in the eighteenth century.

I have long felt that graduate education in philosophy, when successful, produces in its beneficiaries a strong antipathy, almost an allergic reaction, to “ism” words. “Naturalism,” nevertheless, is not one that is easy to eschew. This is not because of anything like a widely shared or especially intuitive doctrine associated with the term. The numerous doctrines offered by way of characterization often seem either suspicious because of their strength, or else platitudinous, too easy and not sufficiently restrictive. The appeal of naturalism is rather a matter of a tendency of thought, a powerful one despite its lack of easy definition.

The American Philosophers contains papers by current leading philosophers and political theorists that explore the work of the major American philosophers from the colonial period to the present, from Jonathan Edwards to David Kaplan. Contains a philosophically and historically broad exploration of the major schools of American philosophy Examines both the pragmatists and the later Twentieth Century analytic philosophers, as well as such shapers of the political and philosophical American scene as Franklin, Jefferson, Madison, Emerson, and Jane Addams.

I argue that theological doctrine, the output of philosophical theology, is not a natural tool for thinking about biblical/rabbinic Judaism. Fundamental to my argument is the claim that there is a tension between constellations of theological doctrine of medieval vintage and the primary religious literature---the Hebrew Bible as understood through, and supplemented by, the Rabbis of the Talmud. This tension is a product of the genesis of philosophical theology, the application of Greek philosophical thought to a very different tradition, one that emerged from a very different world

Analytic philosophy was born from philosophic reflection on logic and mathematics. It has been at its strongest in these and related domains of reflection, domains that are friendly to definition and analytic clarity. From time to time, analytic philosophers, some very distinguished, have produced fine work on literature and the arts. But these areas remain underexplored in the analytic tradition. This volume is focused upon language that does not fit within the usual analytic paradigms. It's highlights include two pieces of original poetry on philosophic subjects (by philosophers who are also published poets), and philosophic reflection on poetry, literature more generally, metaphor, and related subjects.

Wittgenstein speaks of the fog that surrounds the workings of language. Our ways of thinking about reference contribute generously to the fog. While a full discussion would constitute a book-length project, my aims here are quite limited. I want to have a look at the idea that reference is a relation between a piece of language and a piece of reality. The idea might seem unexceptional and unexceptionable; names, for example, name things, and “relation” seems just right. But there is casual relation-talk, and then more serious talk of a genuine relation, one that requires the existence, in every case, of a referent. Referential expressions, I’ll argue, sometimes lack such a relatum, and other timeswhen in some straightforward way there is such a thingit’s quite difficult to know what we are talking about.

This Volume illuminates the notion of meaning in the arts-in literature, painting, music, and dance. Specific topics include theory in the arts; interpretations of meaning; objectivity in meaning; and the consumer as a participant in art. Brings together articles from prominent philosophers and practitioners of the arts, which illuminate the notion of meaning in the arts. Addresses meaning in literature, painting, music, and dance. Explores the relationship between authorial intentions and the viewer's interpretation of meaning; the possibility of objective meaning; and the role of the consumer as a participant in the work of art.

The late 20th century saw great movement in the philosophy of language, often critical of the fathers of the subject-Gottlieb Frege and Bertrand Russell-but sometimes supportive of (or even defensive about) the work of the fathers. Howard Wettstein's sympathies lie with the critics. But he says that they have often misconceived their critical project, treating it in ways that are technically focused and that miss the deeper implications of their revolutionary challenge. Wettstein argues that Wittgenstein-a figure with whom the critics of Frege and Russell are typically unsympathetic-laid the foundation for much of what is really revolutionary in this late 20th century movement. The subject itself should be of great interest, since philosophy of language has functioned as a kind of foundation for much of 20th century philosophy. But in fact it remains a subject for specialists, since the ideas are difficult and the mode of presentation is often fairly technical. In this book, Wettstein brings the non-specialist into the conversation (especially in early chapters); he also reconceives the debate in a way that avoids technical formulation. The Magic Prism is intended for professional philosophers, graduate students, and upper division undergraduates.

• When one reflects on the range of actual cases in which forgiveness seems appropriate, it’s really a subset of them that involve moral wrongdoing. When one thinks of the domestic context, e.g., where forgiveness, apology, and the like are very common, painfully common, much of what is at issue are not serious moral wrongs but rather slights, insensitivities like inappropriate tones of voice (sometimes even marginally so). Or consider philosopher’s reactions to the slights involved in how their work is criticized or underappreciated.