Howard Wettstein

This Volume illuminates the notion of meaning in the arts-in literature, painting, music, and dance. Specific topics include theory in the arts; interpretations of meaning; objectivity in meaning; and the consumer as a participant in art. Brings together articles from prominent philosophers and practitioners of the arts, which illuminate the notion of meaning in the arts. Addresses meaning in literature, painting, music, and dance. Explores the relationship between authorial intentions and the viewer's interpretation of meaning; the possibility of objective meaning; and the role of the consumer as a participant in the work of art.

The problem of theodicy is a philosophical classic. I argue that not only are the classical answers suspect, but that the question itself is problematic. In its classical form, the problem presupposes a conception of divinity—call it “perfect-being theology”—that does not go without saying. Even so, there is a significant gap between what the Western religions tell us about the reign of justice and what we seem to find in the world. I argue that approaches to evil need to maintain focus on this discrepancy. I conclude with some suggestions for the shape of “nonopiate” ways of coming to terms with evil.

Diaspora, considered as a context for insights into Jewish identity, brings together a lively, interdisciplinary group of scholars in this innovative volume. Readers needn't expect, however, to find easy agreement on what those insights are. The concept "diaspora" itself has proved controversial; _galut, _the traditional Hebrew expression for the Jews' perennial condition, is better translated as "exile." The very distinction between diaspora and exile, although difficult to analyze, is important enough to form the basis of several essays in this fine collection. "Identity" is an even more elusive concept. The contributors to _Diasporas and Exiles _explore Jewish identity—or, more accurately, Jewish identities—from the mutually illuminating perspectives of anthropology, art history, comparative literature, cultural studies, German history, philosophy, political theory, and sociology. These contributors bring exciting new emphases to Jewish and cultural studies, as well as the emerging field of diaspora studies. _Diasporas and Exiles _mirrors the richness of experience and the attendant virtual impossibility of definition that constitute the challenge of understanding Jewish identity.

Wittgenstein speaks of the fog that surrounds the workings of language. Our ways of thinking about reference contribute generously to the fog. While a full discussion would constitute a book-length project, my aims here are quite limited. I want to have a look at the idea that reference is a relation between a piece of language and a piece of reality. The idea might seem unexceptional and unexceptionable; names, for example, name things, and “relation” seems just right. But there is casual relation-talk, and then more serious talk of a genuine relation, one that requires the existence, in every case, of a referent. Referential expressions, I’ll argue, sometimes lack such a relatum, and other timeswhen in some straightforward way there is such a thingit’s quite difficult to know what we are talking about.