Robert Pippin

Friedrich Nietzsche is one of the most important philosophers of the last two hundred years, whose writings, both published and unpublished, have had a formative influence on virtually all aspects of modern culture. This volume offers introductory essays on all of Nietzsche's completed works and also his unpublished notebooks. The essays address such topics as his criticism of morality and Christianity, his doctrines of the will to power and the eternal recurrence, his perspectivism, his theories of tragedy and nihilism and his thoughts on ancient and modern culture. Written by internationally recognized scholars, they provide the interested reader with an up-to-date and authoritative overview of the thought of this fascinating figure.

Although there are several recognizable themes in Nietzsche's discussion of freedom (such as independence from societal pressures and some sort of self-rule or individual sovereignty), at many places he seems especially interested in the issue of ‘self-overcoming’. In these passages he considers freedom a kind of perpetual self-overcoming. Freedom is not a metaphysical capacity to have done otherwise, nor the unconstrained expression of one's identity, but: (i) a psychological self-relation, a relation to one's own drives, desires, commitments, etc; (ii) a difficult achievement that depends neither on force of will or self-knowledge, or reflective endorsement alone; (iii) a paradoxical form of mindedness, at once affirmative and negative, whole-hearted and ironic (a ‘tension of the spirit’); and (iv) a form of self-mastery or an expression of the ‘will to power’, very unlike what traditional interpretations ascribe to Nietzsche. This chapter argues against literary self-creation models of this self-relation, and focuses attention on the underlying issue in all the relevant passages: the proper status of Nietzschean ‘psychology’, and why Nietzsche considers such a psychology the new ‘queen of the sciences’.

As a representative of the humanities, I understood my charge this afternoon to be to offer some sort of response to what is at the very least a book publishing or market phenomenon – the flood of recent books especially in the last decade by neuroscientists, primatologists, computer scientists, evolutionary biologists and economists about what had traditionally been considered issues in the humanities - issues like morality, politics, the nature of rationality, what makes a response to an object an aesthetic response, and value theory - and the incorporation of such research methods by academics traditionally thought of as humanists. The organizers of our symposium have singled out for special attention the themes of autonomy, creativity and singularity, as these have come to be treated in these new interdisciplinary ways. I do not in any way count myself an expert in this emerging literature, but I do want to try to offer some initial and very general reasons to hesitate before jumping on this particular bandwagon.

The Significance of Taste: Kant, Aesthetic and Reflective Judgment ROBERT B. PIPPIN 1? THE FUNDAMENTAL QUESTION of the "Analytic of the Beautiful" in the "Critique of Aesthetic Judgment" is easy enough to identify. On what basis, if any, could one claim some sort of universal a priori validity for judgments of the form, "This is beautiful"? In Kant's well-known analysis of this question, the issue is reformulated as: By what right could one claim that another person ought to feel pleasure in the presence of certain objects? Let us call this the "basic question."' There is controversy enough about what Kant means by this basic question and how a deduction of the validity of such judgments is supposed to work. However, shortly after Kant began serious work on a "Critique of Taste" in ~787, the whole issue became even more complicated when the proposed work became a full-blown Critique of Judgment. The question of aesthetic judg- ment was presented within the new, larger topic of reflective judgment, was presumably thereby linked to the problem of teleological judgments, and so to the great general theme of the whole of the third Critique: the purposiveness I am grateful, for comments and criticisms, to Henry Allison, Volker Gerhardt, Rudolf Makkreel, Miles Rind, and to two anonymous referees for this journal. ' Kant's own formulation: "How is a judgment possible in which the subject, merely on the basis of his own feeling of pleasure in an object,..

In the Critique of Pure Reason, Kant refers often and with no apparent hesitation or sense of ambiguity to the mind. He does so not only in his justly famous destruction of rationalist proofs of immaterialism, but throughout his own, positive, ‘transcendental’ account in the Transcendental Aesthetic and Transcendental Analytic. In the first edition of the Critique, he even proposed what he adventurously called a ‘transcendental psychology’ and, although this strange discipline seemed to disappear in the second edition, he left in that edition all his frequent references to forms ‘lying in the mind,’ and to the mind, or the self, or the subject of experience, or the ego, doing this or that. Curiously, though, despite an extensive secondary literature, there is in that literature relatively little discussion of what these expressions, in a proper, strictly Kantian sense, are supposed to refer to. There are two imaginative, extremely suggestive articles by Sellars, some hints at connections with eighteenth century psychology offered by Weldon, a tenebrous book by Heidemann, and some recent attention to the general issue of ‘Kant's theory of mind’ by Ameriks and Kitcher.

In lieu of an abstract, here is a brief excerpt of the content:138 JOURNAL OF THE HISTORY OF PHILOSOPHY 28:1 JANUARY 1990 Paul Guyer. Kant and the Claims of Knowledge. Cambridge: Cambridge University Press, 1987. Pp. xiii + 482. Cloth, $59.5 o. Paper, $x9.95. For several years now, Paul Guyer has been publishing articles on what he sees as numerous different strategies pursued by Kant in his attempt to deduce the objective validity of pure categories. In this very long, extremely detailed book, he has brought together the results of much of that work, added to it extensively, and defended at length a comprehensive and highly controversial view of the Deduction. The book has five major parts: on Kant's early views, on the deduction from 178187, on the "principles of empirical knowledge" (most of which is devoted to an elaborate reconstruction of the Analogies argument), on the Refutation of Idealism, and on transcendential idealism in general. More broadly Guyer's central thesis has two parts. In the first he tries to show that the more well-known versions of the Deduction are disappointing failures. According to Guyer, Kant variously tried to deduce the objective validity of pure concepts from the assumption that we do possess a priori knowledge of objects, from the assumption of empirical knowledge of objects, for which a priori conditions must be found, from a claim about a priori knowledge of unity of the self, and from the a priori conditions of empirical self-knowledge. The first three attempts are said to fail, all for somewhat different reasons, but all in a way linked to an implausible (and, to a skeptic, question-begging) premise about "necessary connection" in experience. Moreover, given this premise, these strategies all involve a commitment to very strong views about experience (e.g., it is necessary that any possible manifold of experience be subject to the categories) and to an accompanying claim about the mindimposed unity of experience, considered by many the "dark side" of Kant's enterprise. It is the last strategy that for Guyer represents the most philosophically interesting tactic and that constitutes the second major claim he makes. In this version, Kant is trying to show that "time determination," whether of objects represented in consciousness, or of representations themselves, empirically apperceived, can be shown to presuppose the objective validity of, at least, the Analogies. Guyer claims that this last strategy, while it represents the "original" idea of a Deduction entertained by Kant in the first half of the Silent Decade, only emerges in the Cr/t/que in the Analogies and Refutation of Idealism, and is only fully explored by Kant after the Critique's publication. It involves only a "conditional" argument for the categories ("if there is to be experience there must be objectively valid categories"); the categories are thus valid for whatever in a manifold can be an object of a cognitive claim, and are not "necessarily" imposed on a manifold per se. Guyer's attack on what he regards as the standard reading of the Deduction is far too detailed to address point by point. I can merely note three difficulties with his approach. First, he attributes to Kant a premise that goes far beyond the "standard" beginning contrast between the "arbitrary representations of states of the self as such" and the "rule-governed representation of an object." According to Guyer, all commentators (somewhat surprisingly) have failed to see the following: that when Kant makes this contrast, and appeals to the object as "that in the concept of which the manifold of a given intuition is united" (B x37), he really means that the "object" is that in virtue of BOOK REVIEWS 139 which the representations of a manifold are necessarilyunited 0og). This attributes to Kant the very strange view that empirical judgments are necessary truths of some sort, and even though Kant often explicitly denies this (even once in the course of the Deduction, at B142, cited but dismissed by Guyer), Guyer claims that only by such a claim can Kant hope to deduce the objective validity of pure categories. In almost all cases of textual evidence cited by Guyer, however, it is possible and often much more natural to read Kant as claiming that...

'Modernity' has come to refer both to a contested historical category and to an even more contested philosophical and civilisational ideal. In this important collection of essays Robert Pippin takes issue with some prominent assessments of what is or is not philosophically at stake in the idea of a modern revolution in Western civilisation, and presents an alternative view. Professor Pippin disputes many traditional characterisations of the distinctiveness of modern philosophy. In their place he defends claims about agency, freedom, ethical life and modernity itself, all of which are central to the German idealist philosophical tradition, and in particular, to the writings of Hegel. Having considered the Hegelian version of these issues the author explores other accounts as found in Habermas, Strauss, Blumenberg, Nietzsche, and Heidegger.

Friedrich Nietzsche is one of the most elusive thinkers in the philosophical tradition. His highly unusual style and insistence on what remains hidden or unsaid in his writing make pinning him to a particular position tricky. Nonetheless, certain readings of his work have become standard and influential. In this major new interpretation of Nietzsche’s work, Robert B. Pippin challenges various traditional views of Nietzsche, taking him at his word when he says that his writing can best be understood as a kind of psychology. Pippin traces this idea of Nietzsche as a psychologist to his admiration for the French moralists: La Rochefoucauld, Pascal, Stendhal, and especially Montaigne. In distinction from philosophers, Pippin shows, these writers avoided grand metaphysical theories in favor of reflections on life as lived and experienced. Aligning himself with this project, Nietzsche sought to make psychology “the queen of the sciences” and the “path to the fundamental problems.” Pippin contends that Nietzsche’s singular prose was an essential part of this goal, and so he organizes the book around four of Nietzsche’s most important images and metaphors: that truth could be a woman, that a science could be gay, that God could have died, and that an agent is as much one with his act as lightning is with its flash. Expanded from a series of lectures Pippin delivered at the Collège de France, _Nietzsche, Psychology, and First Philosophy_ offers a brilliant, novel, and accessible reading of this seminal thinker.