Robert Pippin

THE IDEA OF A "PHILOSOPHICAL SCIENCE," something of a Fata Morgana in the West for several centuries, underwent a well-known revolutionary change when Kant argued that in all philosophical speculation about the nature of things, reason is really "occupied only with itself." Indeed, Kant argued convincingly that the possibility of any cognitive relation to objects presupposed an original and constitutive "relation to self." Thereafter, instead of an a priori science of substance, a science of "how the world must be", a putative philosophical science was directed to the topic of how any subject must "for itself" take or construe or judge the world to be. The nature and forms of such a self-conscious or even self-determining activity assumed center stage in later German philosophy, and, as many commentators have noted, was the decisive presupposition for Hegel's central, deeply obscure position on "the Absolute" as some sort of complete "self-consciousness."

In my ‘Reponses’ to critics (McDowell 2002), I devoted three pages to Pippin’s ‘Leaving Nature Behind, or Two Cheers for ‘‘Subjectivism’’ ’ (Pippin 2002). Pippin reprinted that paper in his The Persistence of Subjectivity (Pippin 2005),1 with a fifteen-page postscript, in which he connects a response to my response with some of the broader themes of the book. This is a response to Pippin’s response to my response, and I suppose I should worry about diminishing returns. But there is room for clarification of some issues.

Nietzsche described all modern moral philosophy, together with its psychological assumptions, as a doomed attempt to cling to the fundamental precepts of Christian morality, but without the authorizing force that made the whole “system” credible – a creator God. He understood this morality as essentially an egalitarian humanism, opposed to all forms of egoism or inequality and one promoting a selfless dedication to a perspective where one would count equally, as only “one among many,” in any reflection on what to do.[i] His own view of this attempt is made very clear in the section “Streifzüge eines Zeitgemässen” in Götzendämmerung when he indulges in one of his favorite pastimes, making fun of the English, this time at the expense of George Eliot

dimension is actually “the typical.”[i] There would seem to be little typical about a world of comatose women, a barely sane, largely delusional male nurse, a woman bullfighter, and a rape that leads to a “rebirth” in a number of senses. But comatose women, the central figures in Almodóvar’s Talk to Her, are, oddly, very familiar in that mythological genre closest to us: fairy tales. Both Snow White and Sleeping Beauty are comatose women who endure, “non-consensually” we must say, a male kiss, male sexual attention. (Siegfried’s awakening kiss of Brunnhilde in the extraordinary third act of Siegfried should also be mentioned.)[ii] Someone apparently must manifest some act of faith, must believe that these corpse-like women are not dead, and believe it strongly enough to kiss them. Then there is a kind of inversion of these fairy tales in Kleist’s story and Roehmer’s film, “Die Marquise von O.” Here the kiss is actually a rape, but the rapist again emerges as some sort of Prince Charming after all (he had originally saved the Marquise from rape by a group of Russian soldiers), and there are echoes of that somewhat disturbing notion of reconciliation as well in the Almodóvar film. (Alicia, after all, does awaken.) In the Kleist story, a woman must place an ad in a newspaper asking her unknown rapist (she was drugged and asleep) and the father of her unborn child to come forward. He does eventually and the story ends with their marriage and with one of the most enigmatic lines in all of literature, as enigmatic, I think, as our complex reactions to Benigno’s act: the Marquise says that she would not have thought her new husband a devil if he had not first appeared as an angel, as if one person can be both devil and angel, that, to the extent that one can be an angel, to that extent he also can be a devil.

In her book, Unprincipled Virtue, Nomy Arpaly is suspicious of reflective endorsement or deliberative rationality views of agency, those which tie the possibility of responsibility and moral blame to the conscious exercise of deliberation and reflection, and which require as a condition of blame- or praise- worthiness an agent's explicit commitment to ethical principles. I am in sympathy with her attack on standard autonomy theories, but argue that she confuses the phenomenon of unknowing and unreflective responsiveness to the right-making features of an action with incomplete and merely provisional commitment to principles and maxims of action, and argue that she is often arguing against straw men. I also argue that she has misinterpreted the fascinating literary examples she adduces to make her case.

Kant says there is a duty to exit the state of nature, to enter into a civil state. He says this is a duty of right, not a duty of virtue. The article discusses the argument he gives to support this view, as well as the contemporary discussion on the relationship between this duty of right and the categorical imperative. The discussion is full of implications. Particularly significant is the view of the Kantian state emerging from it, which challenges the conventional account: instead of a state designed to protect pre-existing individual property rights, property rights are seen as something resulting from the very constitution of the state.

Friedrich Nietzsche is one of the most important philosophers of the last two hundred years, whose writings, both published and unpublished, have had a formative influence on virtually all aspects of modern culture. This volume offers introductory essays on all of Nietzsche's completed works and also his unpublished notebooks. The essays address such topics as his criticism of morality and Christianity, his doctrines of the will to power and the eternal recurrence, his perspectivism, his theories of tragedy and nihilism and his thoughts on ancient and modern culture. Written by internationally recognized scholars, they provide the interested reader with an up-to-date and authoritative overview of the thought of this fascinating figure.

Although there are several recognizable themes in Nietzsche's discussion of freedom (such as independence from societal pressures and some sort of self-rule or individual sovereignty), at many places he seems especially interested in the issue of ‘self-overcoming’. In these passages he considers freedom a kind of perpetual self-overcoming. Freedom is not a metaphysical capacity to have done otherwise, nor the unconstrained expression of one's identity, but: (i) a psychological self-relation, a relation to one's own drives, desires, commitments, etc; (ii) a difficult achievement that depends neither on force of will or self-knowledge, or reflective endorsement alone; (iii) a paradoxical form of mindedness, at once affirmative and negative, whole-hearted and ironic (a ‘tension of the spirit’); and (iv) a form of self-mastery or an expression of the ‘will to power’, very unlike what traditional interpretations ascribe to Nietzsche. This chapter argues against literary self-creation models of this self-relation, and focuses attention on the underlying issue in all the relevant passages: the proper status of Nietzschean ‘psychology’, and why Nietzsche considers such a psychology the new ‘queen of the sciences’.

As a representative of the humanities, I understood my charge this afternoon to be to offer some sort of response to what is at the very least a book publishing or market phenomenon – the flood of recent books especially in the last decade by neuroscientists, primatologists, computer scientists, evolutionary biologists and economists about what had traditionally been considered issues in the humanities - issues like morality, politics, the nature of rationality, what makes a response to an object an aesthetic response, and value theory - and the incorporation of such research methods by academics traditionally thought of as humanists. The organizers of our symposium have singled out for special attention the themes of autonomy, creativity and singularity, as these have come to be treated in these new interdisciplinary ways. I do not in any way count myself an expert in this emerging literature, but I do want to try to offer some initial and very general reasons to hesitate before jumping on this particular bandwagon.

The Significance of Taste: Kant, Aesthetic and Reflective Judgment ROBERT B. PIPPIN 1? THE FUNDAMENTAL QUESTION of the "Analytic of the Beautiful" in the "Critique of Aesthetic Judgment" is easy enough to identify. On what basis, if any, could one claim some sort of universal a priori validity for judgments of the form, "This is beautiful"? In Kant's well-known analysis of this question, the issue is reformulated as: By what right could one claim that another person ought to feel pleasure in the presence of certain objects? Let us call this the "basic question."' There is controversy enough about what Kant means by this basic question and how a deduction of the validity of such judgments is supposed to work. However, shortly after Kant began serious work on a "Critique of Taste" in ~787, the whole issue became even more complicated when the proposed work became a full-blown Critique of Judgment. The question of aesthetic judg- ment was presented within the new, larger topic of reflective judgment, was presumably thereby linked to the problem of teleological judgments, and so to the great general theme of the whole of the third Critique: the purposiveness I am grateful, for comments and criticisms, to Henry Allison, Volker Gerhardt, Rudolf Makkreel, Miles Rind, and to two anonymous referees for this journal. ' Kant's own formulation: "How is a judgment possible in which the subject, merely on the basis of his own feeling of pleasure in an object,..

In the Critique of Pure Reason, Kant refers often and with no apparent hesitation or sense of ambiguity to the mind. He does so not only in his justly famous destruction of rationalist proofs of immaterialism, but throughout his own, positive, ‘transcendental’ account in the Transcendental Aesthetic and Transcendental Analytic. In the first edition of the Critique, he even proposed what he adventurously called a ‘transcendental psychology’ and, although this strange discipline seemed to disappear in the second edition, he left in that edition all his frequent references to forms ‘lying in the mind,’ and to the mind, or the self, or the subject of experience, or the ego, doing this or that. Curiously, though, despite an extensive secondary literature, there is in that literature relatively little discussion of what these expressions, in a proper, strictly Kantian sense, are supposed to refer to. There are two imaginative, extremely suggestive articles by Sellars, some hints at connections with eighteenth century psychology offered by Weldon, a tenebrous book by Heidemann, and some recent attention to the general issue of ‘Kant's theory of mind’ by Ameriks and Kitcher.