Graham Oddie

Truth is the aim of inquiry. Nevertheless, some falsehoods seem to realize this aim better than others. Some truths better realize the aim than other truths. And perhaps even some falsehoods realize the aim better than some truths do. The dichotomy of the class of propositions into truths and falsehoods should thus be supplemented with a more fine-grained ordering — one which classifies propositions according to their closeness to the truth, their degree of truthlikeness or verisimilitude. The logical problem of truthlikeness is to give an adequate account of the concept and to explore its logical properties. Of course, the logical problem intersects with problems in both epistemology and value theory.

It was something of a dogma for much of the twentieth century that one cannot validly derive an ought from an is. More generally, it was held that non-normative propositions do not entail normative propositions. Call this thesis about the relation between the natural and the normative Natural-Normative Autonomy. The denial of Autonomy involves the entanglement of the natural with the normative. Naturalism entails entanglement—in fact it entails the most extreme form of entanglement—but entanglement does not entail naturalism. In a ground-breaking paper “The autonomy of ethics” Arthur Prior constructed some intriguing counterexamples to Autonomy. While his counterexamples have convinced few, there is little agreement on what is wrong with them. I present a new analysis of Autonomy, one which is grounded in a general and independently plausible account of subject matters. While Prior’s arguments do establish shallow natural-normative entanglement, this is a consequence of simple logical relationships that hold between just about any two subject matters. It has nothing special to do with the logical structure of normativity or its relation to the natural. Prior’s arguments leave the fundamental idea behind natural-normative Autonomy intact. I offer a new argument for deep entanglement. I show that in any framework adequate for dealing with the natural and the normative spheres, a purely natural proposition entails a purely normative proposition, and vice-versa. But this is no threat to non-naturalist moral realism. In fact it helps ameliorate the excesses of an extreme non-naturalism, delivering a more palatable and plausible position.

Free agents can create and destroy value, for how much value is realized may well depend on what such agents choose to do. Not only may such agents create and destroy value, but such creation and destruction seem to involve a dimension of value: I call it creative value. An explication of the twin concepts of creating value and creative value is given, motivated by two desiderata. It is then shown that creative value turns out to be equivalent to what Nozick has dubbed originative value, when his suggestive remarks are given a rigorous, although very natural, interpretation. Thus two highly plausible, but quite different, ways of characterizing creative value converge on a single concept. Furthermore, the account throws considerable light on two further areas of moral theory (namely, moral satisficing and the comparison principle) which turn out, rather unexpectedly, to be linked

I address two related questions. First: what value is there in visiting a museum and becoming acquainted with the objects on display? For art museums the answer seems obvious: we go to experience valuable works of art, and experiencing valuable works of art is itself valuable. In this paper I focus on non-art museums, and while these may house aesthetically valuable objects, that is not their primary purpose, and at least some of the objects they house might not be particularly aesthetically valuable at all. Second: to what ontologicaltypeorcategorydo museum objects belong? Whattypeof item should be featured on an inventory of a museum collection? I distinguish betweentypicalobjects andspecialobjects. While these are different types of object, both, I argue, areabstracta, notconcreta. The answer to the second question, concerning the ontological category of special objects, throws new light on various philosophical questions about museums and their collections, including the question about the value of museum experiences. But it also throws light on important questions concerning the preservation and restoration of museum objects.