Richard E. Aquila

This book is a critical and analytical survey of the major attempts, in modern philosophy, to deal with the phenomenon of intentionality—those of Descartes, Brentano, Meinong, Husserl, Frege, Russell, Bergmann, Chisholm, and Sellars. By coordinating the semantical approaches to the phenomenon, Dr. Aquila undertakes to provide a basis for dialogue among philosophers of different persuasions. "Intentionality" has become, since Franz Brentano revived its original medieval use, the standard term describing the mind's apparently paradoxical capacity to relate itself to objects existing in the world. One approach to the phenomenon emphasizes the mental act. The author argues that the most adequate account involves elements of both approaches. Contemporary treatments tend to formulate problems of intentionality primarily in terms of logic and semantics rather than those of metaphysics and phenomenology. Dr. Aquila's effort to coordinate these approaches will make his book useful to students both of analytical philosophy of mind and also of phenomenology.

The aim is to develop some new alternatives for a phenomenalistic reading of Kant. Although the concern is ultimately with empirically real objects, I begin with a reading of the Aesthetic and the notion of appearances as at least possibly of empirically real objects. Employing Husserlian terminology, I take these to be the “noematic correlate” of a fundamental mode of directedness borne by an (at least initially) purely aesthetic “noesis.” From here, and with a new reading of Kant’s discussion of the “transcendental object = X,” new possibilities open for a sense in which even a phenomenalistic Kant might – without regarding them as also existing in themselves – regard empirically real objects as more than mere “logical constructs” out of the Aesthetic’s “appearances.”

The aim is to develop some new alternatives for a phenomenalistic reading of Kant. Although the concern is ultimately with empirically real objects, I begin with a reading of the Aesthetic and the notion of appearances as at least possibly of empirically real objects. Employing Husserlian terminology, I take these to be the “noematic correlate” of a fundamental mode of directedness borne by an (at least initially) purely aesthetic “noesis.” From here, and with a new reading of Kant’s discussion of the “transcendental object = X,” new possibilities open for a sense in which even a phenomenalistic Kant might – without regarding them as also existing in themselves – regard empirically real objects as more than mere “logical constructs” out of the Aesthetic’s “appearances.”

The aim is to develop some new alternatives for a phenomenalistic reading of Kant. Although the concern is ultimately with empirically real objects, I begin with a reading of the Aesthetic and the notion of appearances as at least possibly of empirically real objects. Employing Husserlian terminology, I take these to be the “noematic correlate” of a fundamental mode of directedness borne by an (at least initially) purely aesthetic “noesis”. From here, and with a new reading of Kant's discussion of the “transcendental object = X ”, new possibilities open for a sense in which even a phenomenalistic Kant might - without regarding them as also existing in themselves - regard empirically real objects as more than mere “logical constructs” out of the Aesthetic's “appearances”.

In the Critique of Fure Reason Kant distinguishes two sorts of conditions of knowledge. First, there are the space and time of pure intuition, introduced in the Transcendental Aesthetic. They are grounded in our dependence on a special sort of perceptual field for the location of objects. Second, there are pure concepts of the understanding, or categories, introduced in the Analytic. In one respect these are grounded in the logical function of the understanding in judgements, introduced in the first chapter of the analytic of concepts: Clue to the Discovery of All Pure Concepts of the Understanding; in another respect, they are grounded in transcendental unity of apperception, which is introduced in the second chapter: Deduction of the Pure Concepts of the Understanding, or Transcendental Deduction. I shall be concerned with the latter and its contribution to the overall strategy of argument in the analytic. Within the Analytic, Kant distinguishes between an Analytic of Concepts and an Analytic of Principles. This corresponds to a traditional distinction between a doctrine of concepts and judgement. It is arguable that Kant's theory of concepts undermines this distinction. However, I shall not deal with that general issue, but with a more specific issue related to the first two chapters of the Analytic of Principles: the Schematism and the System of Principles.

This book, assembled in large part from previous papers and talks, consists of three chapters. The first offers distinctions between types of description and between descriptive and speculative procedures in philosophy, and then a view as to the character of "philosophical facts." Then it turns to the charge that description is really interpretation. On account of the method of composition, the challenge is met in a somewhat disjointed manner. With emphasis on the question of historical and moral relativism, Mohanty returns to the theme in chapter 3 as well. What the latter adds is mainly a comparison of Davidson and Husserl on incommensurable worlds/conceptual schemes; the sketch of a means for overcoming relativism "from within," and for confirming a "belief in moral absolutism as [at least] a regulative ideal" by means of "reflective inner morality" as a particular instance of "tak[ing] up the stance of the transcendental ego". Mohanty compares the conflict in question to that between uncritical contentment with absorption in Hegelian Sittlichkeit and submission to Kantian Moralität. The palm goes to the latter, once it is construed as something to be arrived at precisely through the former.