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7Film, Crime, and State Legitimacy: Political Education or Mis-Education?The Journal of Aesthetic Education 36 (1): 1. 2002.
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200Uniqueness arguments and artists' actionsJournal of Aesthetics and Art Criticism 38 (1): 61-73. 1979.
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9Some Aspects of Wittgenstein’s Critique of AugustineInternational Studies in Philosophy 11 149-152. 1979.
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5II. Social ideals and social realityInquiry: An Interdisciplinary Journal of Philosophy 19 (1-4): 387-399. 1976.
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35Responsibility of Persons for Their EmotionsCanadian Journal of Philosophy 7 (4). 1977.We sometimes blame persons, and we sometimes give them credit for the emotions they feel. We could, for example, speak of feeling hatred, resentment or envy as “reprehensible” in suitable circumstances, or say “He's to blame for feeling that way.” We could speak of feeling sympathy, affection or indignation as “commendable” in suitable circumstances, or say “He deserves credit for feeling that way.” And it is not just that we are assessing such emotion as somehow good or bad — in addition we may…Read more
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9Films Studies, the Moving Image, and Noel CarrollJournal of Aesthetic Education 40 (1): 104-110. 2006.In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 40.1 (2006) 104-110 [Access article in PDF] Film Studies, the Moving Image, and Noël Carroll Edward Sankowski Department of Philosophy University of Oklahoma Engaging the Moving Image, by Noël Carroll. New Haven, CT: Yale University Press, 2003, 420 pp., $45.00 hardcover. Noël Carroll is the leading writer today about philosophy and film studies among those with an Anglo-American analytic philosophy…Read more
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6Review of David Schweickart: Capitalism or Worker Control?: An Ethical and Economic Appraisal (review)Ethics 93 (3): 624-625. 1983.
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26Free action, social institutions, and the definition of 'art'Philosophical Studies 37 (1). 1980.
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42Art Museums, Autonomy, and CanonsThe Monist 76 (4): 535-555. 1993.Museums influence society’s ideas about canons in relation to art and the aesthetic. Such canons, as represented in museum exhibitions and collections, have sometimes been criticized for exclusion of artists from some groups. These artists include members of racial minorities, women, and others. It may be objected that there is a danger in some such criticism. Group membership might, it may be said, come to matter too much in choices by museums, rather than what should matter, producing and appr…Read more
Norman, Oklahoma, United States of America
Areas of Specialization
Applied Ethics |
Meta-Ethics |
Normative Ethics |
Social and Political Philosophy |
Philosophy of Social Science |