Thomas Heyd

Paul Guyer has proposed that, despite Kant’s apparent avowals that judgements of beauty of things are made without consideration of the purposes that we have for them, purposes do enter into aesthetic judgements of “adherent beauty.” He even attributes to Kant the view that functionality is a necessary condition for the beauty of objects that have certain ends or functions. I consider his claims and propose that, according to Kant, the degree to which an object fulfills its ends may pose a psychological – rather than a logical – factor in its aesthetic appreciation. I agree that judgements of beauty, with regard to many things, certainly are made in relation to the functions that we attribute to those things, but argue that these judgements, as such, are logically independent of whatever judgements are made regarding their functionality, even if in practice their functionality may impinge on our aesthetic judgements.

This book argues that an attentive encounter with nature is of key importance for the development of an environmentally appropriate culture. The fundamental idea is that the environmental degradation that we are increasingly experiencing is best conceived as the consequence of a cultural mismatch: our cultures seem not to be appropriate to the natural environment in which we move and on which we depend in thoroughgoing ways. In addressing this problem, Thomas Heyd weaves together a rich tapestry of perspectives on human interactions with the natural world, ranging from traditional modes of managing human communities, which include the natural environment, in Latin America, to the consideration of poetic travelogues, ecological restoration and botanic gardens.

In this article I explore the relation between vulnerability to rapid landscape change, on the one hand, and conceptions of land and responsibility for landscape, on the other. I begin by briefly discussing the notion of vulnerability to natural phenomena, and possible ways of addressing it. Next, I introduce some of the ways in which natural phenomena and processes have been perceived, and take note of the sense of responsibility toward landscape often expressed among peoples who are deeply rooted in the land. I continue with a discussion of the basis of the respect that underlies this sense of responsibility and with an account of what respect amounts to in this context. After this I point out how respect for natural phenomena may lead to a lowering of vulnerability. I conclude that it is imperative to develop those ways of conceiving of natural phenomena that will lead to a deep sense of respect and responsibility for the natural world that surrounds us.

A causa del transporte de alta velocidad, de las tecnologías de comunicación instantáneas, de la ubicuidad de los teléfonos móviles, del alcance planetario de los programas de televisión transmitidos por satélite, de la inmersión cada vez más acelerada en el ciberespacio, de la globalización del comercio, de la proliferación dé idénticos centros comerciales, cadenas de supermercados, multinacionales, etc., el espacio parece achicarse, los lugares pierden su especificidad, y la naturaleza va desapareciendo de nuestra conciencia. En este ensayo propongo que el caminar por el paisaje, pero atentamente, y de manera poco asistida por ayudas mecánicas, puede someterse a un análisis estético que nos puede ayudar en la recuperación de la profundidad del espacio, en el re-conocimiento de la diversidad real de los lugares, y en la percepción de nuestras vidas humanas en su contexto natural más amplio. Enfoco este tema tomando como guía al Poeta japonés Basho Matsuo. Empiezo el ensayo describiendo su hábito del caminar poético2 Después arguyo qué el caminar poético en ciertos aspectos se parece al viajar chamaluco. A continuación, esbozo el esquema de un análisis estético del caminar y concluyo proponiendo la práctica del caminar como una manera de ofrecer resistencia a los efectos deslocalizantes y an-estéticos plasmados en las tendencias anteriormente mencionadas de nuestras sociedades.

Parece contradictorio que los seres humanos intentemos restaurar la naturaleza, ya que el término "naturaleza" parece significar la antítesis de lo creado por nosotros. En este ensayo propongo elucidar la problemática de la restauración de la naturaleza a base de la consideración de los jardines japoneses formales y de las obras de la tierra (earthworks), en cuanto que ambas formas de arte constituyen formas de aculturar la tierra de tal manera que la relación del artefacto entra en relación directa con lo natural. Mi conclusión es que estas artes pueden servir de modelo a la restauración

The aim of this chapter is to sketch some of the contributions of the environmental humanities to an understanding of climate change from the perspective of philosophy. Recently, the environmental humanities have become a recognised area of study, encompassing environmental orientations within the humanities. It is noted that, generally speaking, the humanities engage in a critical and reflective stance regarding ways of understanding the world, while the environmental humanities do so in relation to environmental matters. Four key themes, describing the environmental humanities, namely, values and justice, narratives, temporalities, and the culture of nature, are identified. These themes subsequently are further explored by reflecting on the relation of climate change to various types of injustices, the role of catastrophist narratives, the importance of temporal dimensions, and the interaction of cultural conceptions of nature and human capacities to address this phenomenon. It is concluded that the approaches of the environmental humanities may be useful to reflect on how one may live with climate change.