Stephen Houlgate

In this essay, I examine Robert Williams’s account of Hegel’s concept of divine “personhood.” I endorse Williams’s claims that God, for Hegel, is not a person but exhibits only personhood, and that divine personhood realises itself in a human community based on mutual recognition. I take issue, however, with Williams’s further claim that Hegel also takes God and humanity to stand in a relation of mutual recognition to one another, since this claim, in my view, risks turning God into a person after all. To conclude, I briefly consider a difference between Williams and myself concerning the relation of right to mutual recognition.

RESUMEN Largamente desatendida o malinterpretada, la noción de caos en la filosofía de Nietzsche es una pieza constitutiva de la particular concepción del ser que este autor habría dejado apenas esbozada. El artículo se propone elaborar este concepto en la obra nietzscheana, siguiendo algunas de las metáforas que lo iluminan. Desde allí se busca plantear los rasgos centrales de una ontologia del caos, de sesgo no metafísico, que, al afirmar el carácter acontecimental de la realidad, puede verse como precursora de la ontología hermenéutica contemporánea. ABSTRACT The notion of chaos, which has long been neglected or misinterpreted, is a constitutive element of a peculiar conception of being that the philosopher only had time to outline. The objective of this article is to elaborate on this concept in Nietzschean philosophy, guided by some of the metaphors that shed light on it. This serves as the basis to set forth the main characteristics of a non-metaphysical ontology of chaos that asserts the eventful nature of reality and can thus be seen as a precursor of contemporary hermeneutic ontology.

In his excellent recent book, Recognition: Fichte and Hegel on the Other, Robert Williams argues that, contrary to what many commentators claim, Hegel’s philosophy does not seek to swallow up individuality and difference in an all-embracing and all-consuming absolute, but rather takes individuality and differentiation seriously as essential features of the society and the world in which we live. Williams defends this interpretation by arguing that Hegel understands all forms of genuine human community and interaction - including not just civil society and the state, but also family relations and forgiveness - as modes of reciprocal recognition between individuals.

The Fifth Annual Conference of the Hegel Society of Great Britain took place on September 15–16, 1983 in the delightful setting of St. Edmund Hall, Oxford. The theme of this year’s conference - “Hegel’s Dialectic” - was approached in a variety of ways by the contributors and provoked several lively and interesting discussions. The first paper of the conference was to have been given by Howard Williams, but unfortunately he had found his way to Pembroke College instead of St. Edmund Hall and so was unable to begin the proceedings. The conference started therefore with a paper by John Llewelyn entitled “The Development of Dialectic from Kant to Hegel.”

William Desmond maintains that preserving the difference between God and humanity means retaining the transcendent otherness of God. In this article, by contrast, I argue that Hegel is right to maintain that insisting on God’s transcendent otherness actually turns God into a finite divinity and so eliminates the very difference Desmond wishes to retain. The only way to preserve the genuine difference between God and humanity, therefore, is to give up the idea that God is a transcendent other and to understand him to be immanent in humanity itself. I argue that this Hegelian position is closer to the orthodox Christian understanding of God than Desmond allows.

That aesthetics is central to Hegel's philosophical enterprise is not widely acknowledged, nor has his significant contribution to the discipline been truly appreciated. Some may be familiar with his theory of tragedy and his doctrine of the "end of art," but many philosophers and writers on art pay little or no attention to his lectures on aesthetics. The essays in this collection, all but one written specifically for this volume, aim to raise the profile of Hegel's aesthetic theory by showing in detail precisely why that theory is so powerful. Writing from various perspectives and not necessarily aligned with Hegel's position, the contributors demonstrate that Hegel's lectures on aesthetics constitute one of the richest reservoirs of ideas about the arts, their history, and their future that we possess. Addressing a range of important topics, the essays examine the conceptual bases of Hegel's organization of his aesthetics, his treatment of various specific arts, and several of the most famous issues in the literature--including the "end of art" thesis, the relation between art and religion, and the vexed relationship between Hegel and the romantics. Together they shed light on the profound reflections on art contained in Hegel's philosophy and also suggest ways in which his aesthetics might resonate well beyond the field of philosophical aesthetics, perhaps beyond philosophy itself

In this essay I challenge John McDowell’s controversial claim that “the real topic” of Hegel’s master/slave dialectic is the relation between “two aspects of the consciousness of a single individual.” I first consider McDowell’s interpretation of Kant, and then, by analysing briefly Hegel’s account of self-consciousness prior to the master/slave dialectic, I defend the more traditional view that that dialectic describes the relation between two separate individuals. I also criticize McDowell’s conception of absolute knowing, which, as I understand it, underlies his contention that the master/slave dialectic examines the relation between apperceptive spontaneit y and empirical consciousness within a single self

The view that Hegel’s logic is a metaphysical logic has come under criticism in recent years from a number of commentators. Richard Winfield, for example, states unequivocally in Reason and Justice that Hegel’s “foundation-free theory of determinacy … turns out to be a theory of self-determined determinacy with no immediate ontological or epistemological application … It is no more an ontological theory demonstrating that the fundamental structure of reality is something self-determined, than it is an epistemological doctrine ordaining the manner in which reason can arrive at each and every truth”. The view that Hegel’s is a non-foundational, presuppositionless logic is one that I accept. It is clear that Hegel’s logic does not constitute a traditional metaphysics of the kind put forward by, say, Leibniz or Spinoza. Hegel is not offering us metaphysical propositions about presupposed metaphysical entities. He is not therefore presupposing that there is an absolute and then enquiring into what it is.