Stephen Houlgate

In this essay, I examine Robert Williams’s account of Hegel’s concept of divine “personhood.” I endorse Williams’s claims that God, for Hegel, is not a person but exhibits only personhood, and that divine personhood realises itself in a human community based on mutual recognition. I take issue, however, with Williams’s further claim that Hegel also takes God and humanity to stand in a relation of mutual recognition to one another, since this claim, in my view, risks turning God into a person after all. To conclude, I briefly consider a difference between Williams and myself concerning the relation of right to mutual recognition.

RESUMEN Largamente desatendida o malinterpretada, la noción de caos en la filosofía de Nietzsche es una pieza constitutiva de la particular concepción del ser que este autor habría dejado apenas esbozada. El artículo se propone elaborar este concepto en la obra nietzscheana, siguiendo algunas de las metáforas que lo iluminan. Desde allí se busca plantear los rasgos centrales de una ontologia del caos, de sesgo no metafísico, que, al afirmar el carácter acontecimental de la realidad, puede verse como precursora de la ontología hermenéutica contemporánea. ABSTRACT The notion of chaos, which has long been neglected or misinterpreted, is a constitutive element of a peculiar conception of being that the philosopher only had time to outline. The objective of this article is to elaborate on this concept in Nietzschean philosophy, guided by some of the metaphors that shed light on it. This serves as the basis to set forth the main characteristics of a non-metaphysical ontology of chaos that asserts the eventful nature of reality and can thus be seen as a precursor of contemporary hermeneutic ontology.

In his excellent recent book, Recognition: Fichte and Hegel on the Other, Robert Williams argues that, contrary to what many commentators claim, Hegel’s philosophy does not seek to swallow up individuality and difference in an all-embracing and all-consuming absolute, but rather takes individuality and differentiation seriously as essential features of the society and the world in which we live. Williams defends this interpretation by arguing that Hegel understands all forms of genuine human community and interaction - including not just civil society and the state, but also family relations and forgiveness - as modes of reciprocal recognition between individuals.

The Fifth Annual Conference of the Hegel Society of Great Britain took place on September 15–16, 1983 in the delightful setting of St. Edmund Hall, Oxford. The theme of this year’s conference - “Hegel’s Dialectic” - was approached in a variety of ways by the contributors and provoked several lively and interesting discussions. The first paper of the conference was to have been given by Howard Williams, but unfortunately he had found his way to Pembroke College instead of St. Edmund Hall and so was unable to begin the proceedings. The conference started therefore with a paper by John Llewelyn entitled “The Development of Dialectic from Kant to Hegel.”

The aim of this article is to explain why, in Hegel's view, art's history brings it to the point at which it can no longer afford the highest satisfaction of our spiritual needs and so fulfill its own highest calling, and why, nevertheless, we moderns still need art and still need it to create beauty. I argue that Hegel advocates a modern art of beauty because he believes that what has to be given aesthetic expression in the modern world is concrete human freedom and life and that the aesthetic expression of such concrete human freedom entails beauty

In this essay I propose to examine Hegel’s account of necessity and contingency in the Science of Logic. Anyone who dares to take Hegel’s Logic seriously in public risks being accused by legions of formal logicians of “elementary logical fallacies”. Nevertheless, John Burbidge, Dieter Henrich, and others have demonstrated that it is possible to discuss the Logic with clarity and intelligibility, and I shall endeavor to emulate their example as best as I can. One should take heed, however; even Hegel admits that “the concept of necessity is very difficult,” and rendering the concept of necessity intelligible will not eliminate that difficulty. All I can hope to do, therefore, is take us from the point at which we are not even sure what the difficulty is supposed to be to the point at which the nature of the difficulty itself becomes clear.

In this paper I wish to consider the following sentence from Hegel’s lectures on the philosophy of history: “World history is the progress of the consciousness of freedom, — a progress whose necessity it is our business to comprehend.” I wish to consider this sentence because it seems to me to lie at the heart of two important misunderstandings of Hegel’s philosophy of history. On the one hand, the statement that world history is the progress of the consciousness of freedom has led some — notably Marxists — to argue that Hegel’s is a one-sided, idealist view of history, which, for all its dialectical subtlety, ignores the important role played by material, economic factors in historical development. On the other hand, the statement that this progress must be comprehended as necessary has led others — Nietzsche, for example — to see Hegel as denying the importance of human agency in history and as positing some kind of mysterious world-spirit as the cosmic puppet-master of historical change. Both of these criticisms, in my view, are based on misinterpretations of Hegel’s project in the philosophy of history, and both, I believe, can be avoided if we pay close attention to what Hegel actually means by the sentence cited above.

The publication in the mid-1980s of the new critical edition of Hegel’s lectures on the philosophy of religion is widely recognized to have been one of the most important events in the history of modern Hegel scholarship. By differentiating between Hegel’s own manuscript and the individual transcripts of the lectures made by his students, this edition enabled a wider philosophical public to trace for the first time the development of Hegel’s philosophy of religion throughout the 1820s. In view of the great importance of this new version of Hegel’s lectures, Jaeschke’s Reason in Religion, originally published in 1986 as Die Vernunft in der Religion: Studien zur Grundlegung der Religionsphilosophie Hegels, deserves particular attention and respect, because it is the first comprehensive study of Hegel’s philosophy of religion to be based on the new edition, and because Jaeschke himself was the person primarily responsible for preparing that edition.

G.W.F. Hegel's aesthetics, or philosophy of art, forms part of the extraordinarily rich German aesthetic tradition that stretches from J.J. Winckelmann's Thoughts on the Imitation of the Painting and Sculpture of the Greeks and G.E. Lessing's Laocoon through Immanuel Kant's Critique of the Power of Judgment and Friedrich Schiller's Letters on the Aesthetic Education of Man to Friedrich Nietzsche's Birth of Tragedy and Martin Heidegger's The Origin of the Work of Art and T.W. Adorno's Aesthetic Theory. Hegel was influenced in particular by Winckelmann, Kant and Schiller, and his own thesis of the “end of art” has itself been the focus of close attention by Heidegger and Adorno. Hegel's philosophy of art is a wide ranging account of beauty in art, the historical development of art, and the individual arts of architecture, sculpture, painting, music and poetry. It contains distinctive and influential analyses of Egyptian art, Greek sculpture, and ancient and modern tragedy, and is regarded by many as one of the greatest aesthetic theories to have been produced since Aristotle's Poetics

In this essay I argue that Hegel’s Philosophy of Nature combines four elements. Hegel develops (1) an a priori account of the logical determinations immanent in and peculiar to nature—determinations that incorporate (but are not reducible to) (2) the determinations set out in the Logic. Hegel then points to (3) the empirical phenomena corresponding to each determination and so proves indirectly that such phenomena are necessary. Finally, he draws attention to (4) those aspects of nature that cannot be explained by nature’s immanent logic and so are contingent. In this way, I argue, Hegel demonstrates a priori that certain natural processes are made necessary by the distinctive logic of nature, but he also recognizes that there are contingencies in nature that only empirical science can discover.

The philosopher G.W.F. Hegel (1771-1831) is now recognized to be one of the most important modern thinkers. His influence is to be found in Marx's conception of historical dialectic, Kierkegaard's existentialism, Dewey's pragmatism and Gadamer's hermeneutics and Derrida's deconstruction. Until now, however, it has been difficult for the non-specialist to find a reasonably comprehensive introduction to this important, yet at times almost impenetrable philosopher. With this book Stephen Houlgate offers just such an introduction. His book is written in an accessible style and covers a range of topics: the philosophy of history, logic and phenomenology, political philosophy, aesthetics and the philosophy of religion. In the course of the book the author relates Hegel's ideas to those of many other thinkers, including Luther, Descartes, Kant and Thomas Kuhn.