Stephen Houlgate

In this essay I propose to examine Hegel’s account of necessity and contingency in the Science of Logic. Anyone who dares to take Hegel’s Logic seriously in public risks being accused by legions of formal logicians of “elementary logical fallacies”. Nevertheless, John Burbidge, Dieter Henrich, and others have demonstrated that it is possible to discuss the Logic with clarity and intelligibility, and I shall endeavor to emulate their example as best as I can. One should take heed, however; even Hegel admits that “the concept of necessity is very difficult,” and rendering the concept of necessity intelligible will not eliminate that difficulty. All I can hope to do, therefore, is take us from the point at which we are not even sure what the difficulty is supposed to be to the point at which the nature of the difficulty itself becomes clear.

In his excellent recent book, Recognition: Fichte and Hegel on the Other, Robert Williams argues that, contrary to what many commentators claim, Hegel’s philosophy does not seek to swallow up individuality and difference in an all-embracing and all-consuming absolute, but rather takes individuality and differentiation seriously as essential features of the society and the world in which we live. Williams defends this interpretation by arguing that Hegel understands all forms of genuine human community and interaction - including not just civil society and the state, but also family relations and forgiveness - as modes of reciprocal recognition between individuals.

Errol Harris’s new book is an impressive and bold attempt to call into question the presuppostions of modern thought and to argue that a dialectical conception of logic and metaphysics is what is required by present-day science and culture. Whether Harris will convince his readers of the validity of Hegelian dialectical logic, I am not sure. What is certain, however, is that this book poses a challenge to contemporary philosophy that deserves to be taken seriously. Harris has produced a highly stimulating book that will be of interest to students of logic, metaphysics, epistemology, philosophy of science and ethics, of any philosophical persuasion.

Rosen’s book renews the skeptical attack on Hegelianism. He pursues the attack well - perhaps as well as the case permits - and thus exposes Hegelianism to the discipline of an instructive test. He in fact concedes less to Hegel than his fellow anti-Hegelian in the skeptical tradition, Jacques Derrida. For where Derrida admits that Hegel is rationally impregnable and thus resorts to mockery and jest, Rosen ultimately denies such impregnability. True, Hegelianism cannot be criticized except from a standpoint within the system - which rules out negative criticism of the system. Yet behind this seeming imperviousness to criticism lurks a fatal criticism: the mere existence of internally rational standpoints outside the system refutes its claim - and apparently the claim of any philosophy - to being the universal system of human reason.

In this essay I argue that Hegel’s Philosophy of Nature combines four elements. Hegel develops an a priori account of the logical determinations immanent in and peculiar to nature—determinations that incorporate the determinations set out in the Logic. Hegel then points to the empirical phenomena corresponding to each determination and so proves indirectly that such phenomena are necessary. Finally, he draws attention to those aspects of nature that cannot be explained by nature’s immanent logic and so are contingent. In this way, I argue, Hegel demonstrates a priori that certain natural processes are made necessary by the distinctive logic of nature, but he also recognizes that there are contingencies in nature that only empirical science can discover

The aim of this article is to explain why, in Hegel's view, art's history brings it to the point at which it can no longer afford the highest satisfaction of our spiritual needs and so fulfill its own highest calling, and why, nevertheless, we moderns still need art and still need it to create beauty. I argue that Hegel advocates a modern art of beauty because he believes that what has to be given aesthetic expression in the modern world is concrete human freedom and life (ratherthan the abstract, subjective freedom of Romantic irony) and that the aesthetic expression of such concrete human freedom entails beauty.

Frederick Beiser’s study, Schiller as Philosopher, is a work of outstanding philosophical intelligence and exemplary scholarship. This is good news for the student of Schiller. It is, however, somewhat less good news for the aspiring critic of Beiser—at least for this aspiring critic, for there is little that I disagree with, and a very great deal that I admire, in Beiser’s book. Particularly valuable—to mention just one of the book’s many merits—is Beiser’s subtle and illuminating account of the relation between grace and dignity in Schiller’s text On Grace and Dignity (Uber Anmut und Wurde). Beiser points out that grace and dignity are not different kinds of virtue or disposition for Schiller, but different instances of a single moral virtue—a virtue that finds expression as dignity in tragic circumstances and grace in non-tragic ones. Grace and dignity are thus not at odds with one another, as it has seemed to some, but belong to one and the same Schillerian ideal of humanity. [...]

Alan White’s review in The Owl, 22, 1 : 91–96, of my book, Hegel, Nietzsche, and the Criticism of Metaphysics, offers a generous appraisal of what he considers to be the book’s merits and faults. White is clearly not satisfied that the book has successfully accomplished what it set out to achieve. However, after having been told by one reviewer that what “plainly” lay closest to my heart was a full-blooded defense of Hegel, and after having been scolded by another reviewer for not having “engaged” with Nietzsche in the manner of Heidegger and for daring to suggest that Nietzsche might have been misguided in his thinking, it it pleasing to read a review - there have fortunately been one or two others as well - which considers worthwhile not only the project of the book itself, but also to explain in some detail what the book is actually about. For that I am very grateful.