Woosuk Park

We can witness the recent surge of interest in the interaction between cognitive science, philosophy of science, and aesthetics on the problem of representation. This naturally leads us to rethinking the achievements of Goodman’s monumental book Languages of Art. For, there is no doubt that no one else contributed more than Goodman to throw a light on the cognitive function of art. Ironically, it could be also Goodman who has been the stumbling block for a unified theory of representation. In this paper, I shall contrast the ways how differently misrepresentation has been treated in cognitive science, aesthetics, and philosophy of science. And I shall show that it is Goodman’s unnecessary separation of resemblance and representation in art that made such a difference. As a conclusion, I will indicate some of the most promising projects toward the unified theory of representation the revolt against Goodman’s rejection of resemblance theories might promise to us.

One of the most pressing issues in understanding abduction is whether it is an instinct or an inference. For many commentators find it paradoxical that new ideas are products of an instinct and products of an inference at the same time. Fortunately, Lorenzo Magnani’s recent discussion of animal abduction sheds light on both instinctual and inferential character of Peircean abduction. But, exactly for what reasons are Peirce and Magnani so convinced that animal abduction can provide us with a novel perspective? Inspired by Peirce’s and Magnani’s discussions of animal abduction, I propose to compare Peirce’s and Magnani’s views of animal abduction with the estimative power of non-human animals and humans, which was one of the internal senses in medieval psychology.

Arthur N. Prior, in the Preface of Past, Present and Future, made clear his indebtedness to “the very lively tense-logicians of California for many discussions”. Strangely,with a notable exception of Copeland, there is no extensive discussion of these scholars in the literature on the history of tense logic. In this paper, I propose to study how Nino B. Cocchiarella, as one of the Californian tense-logicians, interacted with Prior in the late 1960s. By gathering clues from their correspondence available at Virtual Lab for Prior Studies, I will highlight some of the differences between their views on tense-logic, which might still have far-reaching philosophical implications. I will conclude with a sketchof how to study in what ways Prior and Cocchiarella influenced some other Californian tense-logicians.